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A new single was released on the Machina Ad Noctem label for electronic project, Edge Of Decipher, which features the vocals of Priestessdeath. “The Waves” will also appear on Edge Of Decipher’s soon to be unleashed album, in February 2023.

The cool electronic waters wash over you, submerging your senses, while Priestessdeath is the voice and embodiment of the waves, giving them a spiritual quality…. deities that are free flowing and unquantifiable. The poetic lyrics are by Edge Of Decipher, an ode to an unquenchable passion.

The b-side is a track called “High Rise“, lyrics penned and performed by Priestessdeath. Shimmering synths are at odds with the fuzzed vocals, singing spiralling through space, caught by the gravitational pull of heavenly bodies, leaving a trail of tinkling notes in the wake.

The last two tracks are instrumental versions of “The Waves” and “High Rise” which are Edge Of Decipher’s bread and butter, flowing effortless, a journey on space tide, controlled by moonbeams. That’s the beauty of these tracks. The vocals by Priestessdeath give the music another facet and yet you can easily let your imagine run away with the instrumental. I suggest you let “The Waves” take you.

The Waves | Edge of Decipher | machina ad noctem (bandcamp.com)

https://soundcloud.com/babybee-kiernan

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Ludovic Dhenry is back with his darkwave project, Eleventh Fear and a new EP. Out on Neris Records, the EP is called Waldhexen, and released on the 29th of November.

From the outset of “Waldhexen“, the build up alludes to a electronic trip of beat filled ebony darkness. The hissed whispers are the promise of portent. The flickering and stalking atmosphere of “Wald der Seelen“, has those beautiful synth chords that choke the air around you like a smoke imbued room. Tod basically means death and maybe death is awaiting you in the track, “Wie im Tod“, as it slowly creeps through and it is followed by “Waldhexen“, the remix version with its far more dance floor stylings, which sounds amazing.

As far as gothic electronic projects go, Eleventh Fear is really interesting, with the use of German lyrics by the French Dhenry, that gives the ambiance of a movie like Metropolis mixed with dulcet tones of Voldemort concocting a dangerous spell. You might need some Waldhexen in your life.

Waldhexen – EP | Eleventh Fear (bandcamp.com)

https://www.facebook.com/EleventhFear?mibextid=ZbWKwL

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Parisian, ManuH’s darkwave project, Distance H, has released the next single, “Reason To Rush“. In line with their previous singles, which feature a female singer, this time they have Cuban born and French based Liset Alea, gracing their track.

Alea’s dulcet tones are warm and inviting, like a lover’s breath, skipping over bare skin, drawing you into promise of more. The electronics are running there, besides the vocals, with the electric guitar breaking through, respectfully and even hauntingly in the background.

This is definitely music to zone out with, escaping the humdrum of regular life. Alea’s voice and lyrics are both soothing and inviting, coupled with ManuH’s music, it all becomes sensuous and a “Reason To Rush“.

https://distanceh.bandcamp.com/track/reason-to-rush-feat-liset-alea

https://www.facebook.com/DistanceH?mibextid=ZbWKwL

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What happens if you get two blokes, Gary Watts and Jay Taylor, to create music? The answer is Nature Of Wires vs j:dead and the new single “Thrive“, which came out on the 8th of December.

From the outset, there is the thumping rhythm and energetic synths, which points to a floor filler, and although there are lulls, this is just gathering you up for the roller-coaster ride. The j:dead vocals are spot on. Imploring, pleading and plumbing the emotional depths of the drudgery that is everyday living. Things such as job and general existence are weighing down on your shoulders, sucking the joy out of everything.

The music is very much Watts and you can hear it in the way the synths are crafted into this sophisticated industrial whirlwind, that supports and cradles the vocals. There is also the added extra bonus of being able to hear the Nature Of Wires remix of “Afraid“, which was originally only released on the physical copy of the EP, Vision Of Time.

https://natureofwires.bandcamp.com/album/thrive

https://jdeadband.bandcamp.com/album/thrive-nature-of-wires-vs-j-dead

https://www.facebook.com/natureofwires?mibextid=ZbWKwL

https://www.facebook.com/jdeadband?mibextid=ZbWKwL

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November 21st saw the Norwegian’s Dødsmaskin, release their sixth full length out on the ant-zen label. Based on the master and slave morality theory of Friedrich Nietzsche, the album is divided into two parts to represent both sides.

Have you ever started to listen to an album and had to instantly stop doing anything else, stunned into silence? Rare occurrence, but I found myself slightly slack jawed as I played the first 30 seconds to “Trusselbilde“, suddenly turning off the music thinking, ‘I must play this when I am alone, so I can turn it up as loud as I want!‘.

Okay, almost every track has a Norwegian title, but I don’t see the point of looking up the meanings, as the music will speak for itself and it most definitely does. “Trusselbilde” is the single and it is brutal. Super heavy rhythmic noise and yet there are these points of synth lightness where you can ‘breath’. It doesn’t seem possible and yet the noise grows and consumes, until it’s abrupt end. The sludgy “Døpt I Bensin, Renset Med Ild“, feels ancient and full of portent, while “Imperium” is on the move, ready to mow you down. There is the perceived horns of war, hammers of destruction and waves of domination.

This is just the first three tracks off the album and that quality is throughout the whole release. Dødsmaskin are known for their crunchy rhythmic noise, but this release seems heavier and even darker, intent on searing your nerves and probing your brain with a javelin. If harsh rhythmic noise is your thing, then you must listen to Dødsmaskin and experience their album,”herremoral | slavemoral“.

herremoral | slavemoral | Dødsmaskin | ant-zen (bandcamp.com)

https://www.facebook.com/Dodsmaskinofficial?mibextid=ZbWKwL

https://www.facebook.com/antzen.official?mibextid=ZbWKwL

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LMX has released his third album, Habits & Addictions, on the Meshwork Music label, as of October the 28th. Keep in mind that this German electro-pop musician isn’t even twenty yet…….

There is occasionally, a harder edge to this music than you think. “Addiction” has elements of industrial experimentation, while the circling fragile sadness of “Not Made For This” is in the morose synths even with the constant paced rhythm.

There are beautiful synth lines in the spiralling “More Time” with almost an 80s feel to it, then you have a kind of ambient euro dance thing going on with “That Summer“. The heart rending “Stay” is yet another facet of the performer and writer, with such a simple track that bares his soul. In all, there are ten tracks, all flourishing these incredible electronics and lyrics.

I know that it is the current rage to use those vocal modulation thingies to give the singing that echoing tone but I’m not a great fan of it, especially when you can hear the fact they can sing. I really wanted to hear LMX without it, however I’m sure maybe it’s just one of my foibles and I am fairly certain there is a multitude out there that absolutely love it. Other than that little quibble, it’s a really excellent dark pop album and some tracks did become embedded into the old brain box, refusing to leave.

LMX is going to have a long future in the music scene, if this is to go by and he does have a great pedigree, being the son of X Marks The Pedwalk’s ESTEFANÍA and SEVREN NI-ARB, who also helped produce this album. Habits & Addictions is emotion filled, raw and yet, in the end, looking for the light, LMX might become your addiction.

https://lmxmusic.bandcamp.com/album/habits-addictions

https://www.facebook.com/meshwork.music?mibextid=ZbWKwL

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November 15th was the one year anniversary for the creation of Lunar Paths, so to celebrate, they have packed up their five singles, into an EP. Appropriately, they have called the EP, Fused, which includes the single “Rise“, that we featured previously. The group consists of Diane Dubois and Kevin Hunter, whom in the 80s were bandmates in the goth rock band Cold Dance. Life moved on, Dubois living in the US but a year ago, technology reacquainted them and Lunar Paths was the result.

From the beginning, “Dérive” is star struck with the keyboards twinkling. When the vocals arrive, the track becomes ethereal and beautiful, slowly consuming your will to escape with siren song. Hmmm, I could tell you that “Rise” has a Middle Eastern tone but then, you could also go read my previous review or more wisely, listen to it.

Imagine falling backwards into the world of Dead Can Dance, circa Within The Realm Of A Dying Sun, and that will give you the feel and sound of “Altahilili“. Monumental and yet incredibly fragile. Next you are somewhere tropical, with the birds calling out and the natives drumming away to create “Lo Oa Soa“. Maybe the witchdoctor had you in his sights!

“MetaGoth#1” starts low and bassy, while the electronics like to remind you of their presence, but then there is that magnificent guitar. Like a tether to previous era that glitches and morphs with the electronics, unable to remain in the past.

Dubois has an angelic voice and even though Lunar Paths has a modern sound, I hear a harkening back to the 4AD period, tinges of Cocteau Twins and Dead Can Dance merged together, on the experimental edge. They are plumming the depths of your soul, evoking dreams of shores yet to be touched.

https://www.lunarpaths.com/

https://m.facebook.com/LunarPathsMusic/

https://m.soundcloud.com/user-215916315

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Moonsleep, is a solo female darkwave project from Shefield, UK and the 25th of November saw the release of a track called, “She Imagined Things“. This track is a part of a huge compilation put out by the label Coffin Dance, which all proceeds will go to the charity Mermaids, to help transgender youths.

The clicking beat heralds in the solemn synths and chirping electronics. Mellow and unhurried in the dream like state, wafting through your senses.

There is something hypnotic and very likeable about “She Imagined Things“. Probably the worst thing is that at 2 minutes and 45 seconds, it is over all too quickly, so you might have to put it on repeat. Moonsleep is entrancing, especially when “She Imagined Things“.

She Imagined Things | Moonsleep (bandcamp.com)

https://m.soundcloud.com/moonsleep/she-imagined-things

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So time for another quickie. because here at Onyx, we know people love a quickie! British lads, Decommissioned Forests, have had their latest album given a polish over with a whole set of remixes. This is probably hence the title, Industry Remixes.

Most of the mixes have been done by members of the band, as Decommissioned Forests or under other project names such as Non-Bio (Howard Gardner), Raelism, History of Guns (Max Rael) and The Resonance Association (Daniel Vincent). Also they have been working on video releases for a few of these tracks, bringing life to the music visually. Duncan Perry (NNYz), Mox Salnikov and Dominic Hemy (The Resonance Association) are the guest artists that help round off the mixing duties.

I think “Spectral Kleptomania” was my favourite track before and now it just has this amazing whimsy on acid effect going on. “Triggers” gets four reworkings, from using heavy guitars, rhythmic noise, ambient tones to Remy’s disturbing but entrancing drone noise.

That is just me giving you a taste of what is in stall for you should you decide to take the plunge and delve these new depths. More to the point, there is nothing holding you back, so do it today. Immerse your ears with Decommissioned Forests’ Industry Remixes because there are a lot of jewels to be found.

Industry Remixes | Decommissioned Forests (bandcamp.com)

Decommissioned Forests | Facebook

Music | The Resonance Association (trahq.co.uk)

Music | Non-Bio (bandcamp.com)

Music | NNYz? (bandcamp.com)

Music | Misha MOX Salnikov and his projects. (bandcamp.com)

Trapped | Dominic Hemy (bandcamp.com)

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No Devotion Records is based in the Mexico, Phobos Reactor are German and TFG (TONTTU) likes to normally yell at gnomes in Finland. Keeping up so far? So of course, the natural progress is to put out two tracks on imbibing alcohol rather heavily. “Kangastuksia” and “Tomaatteja” are the songs in question, which most of us would have issues saying sober. Together they are Delirium Tremens, also known medically as the DTs where the subject is having the worst form of ethanol withdrawal.

Finnish for mirages, “Kangastuksia” feels pretty real from the the wubbing beats to TFG’s howled vocals. Everything is spinning around in the possible club setting, free flowing drinks and the strobing lights in your eyes as the main character completely loses his shit.

“Tomaatteja” means tomatoes and tomatoes can be squeezed of juice, so maybe Bloody Mary’s! Maybe science fiction Bloody Mary’s as the music goes for a change of pace. The electronics are lighter and free flowing whilst the vocals has become utterly anguished. It seems the hair of the dog (hangover cure) for someone has become his undoing.

Sooooo, it seems we have part one, the raucous night out getting wontingly smashed, yet again, until you are ready to up chuck (vomit) and part two, the screaming pain and nausea the next day and looking for a cure which for some is having another drink. Phobos Reactor has created a dance whirlwind in “Kangastuksia” with TFG’s fun vocalisation, while “Tomaatteja” is serene compared to the pained, gurgling rhetoric bursting forth. Remember kids, drink responsibly because the only Delirium Tremens you want to suffer is by Phobos Reactor and TFG (TONTTU).

Delirium Tremens | Phobos Reactor feat. TFG (TONTTU) | No Devotion Records (bandcamp.com)

https://phobosreactor.bandcamp.com/

https://www.facebook.com/Phobosreactor

https://digital.panicmachine.com/

https://www.facebook.com/TONTTUofficial