Fancy a little gothic Christmas? Nothing says cheer like a carol and Vazum have released for those that aren’t inclined to listening to the regular fare, an EP of dark, tormented odes to the Yuletide, Vazumnacht. If you are unfamiliar with Vazum, they are a gothic/deathrock/shoe gaze, two piece made up of Zach Pliska and Emily Sturm, who are based in Detroit.
There are three numbers on this EP, starting with “Carol Of The Witch“. This is a parody of the traditional song “Carol Of The Bells“, which is instantly striking from the start, done as guitar riffs but after the beginning, this become a gothic dirge of pagan proportions. Discordant guitars sit with Pliska’s almost groaned vocals, while Sturm’s singing, storm through like light breaking through darkness. There are resurgences of the original tune but it just ties it all in.
Me thinks a bit of devil may care is a foot in “Unholy Nite“. Like a chant to summons the dark lord, this shadows “Holy Night” with references to the dark saviour and sulphur.
The synths almost feel off beat in comparison to the guitar, giving an off kilter sensation to “Bark The Hellhounds” and yes this is a nod to “Hark The Herald Angels” but done in the creepy, hurdy gurdy style that Vazum excels in.
In essence, Vazum have taken the bones of three highly favoured carols and not only putting their spin on those songs but for the most part, created new songs. So darklings, get your gothic finest on and celebrate the doomed side of Christmas with Vazumnacht.
Electronic Boston band MAN1K1N, made up of singer Johnny Veil and drummer CristianCarver, have released a single in November called, Into The Wounds. Turns out this is, in my eyes, like a double A side of sorts with the songs, “IntoThe Void” and “Wounds:.
Veil’s voice is very reminiscent of MarilynManson’s timbre but that’s where the comparison ends. Darkwave electro is a very apt description with a trip hop influence, making this such an interesting style that is very pleasing to the ears. This is almost a parody of those in the gothic subset that push for an ideal look of beauty but within can be rotten to the core.
“Wounds” is a swirling maelstrom of uplifting electronic synths and beats coupled with brutal, angst ridden lyrics, which works. I can only best describe the feeling as wanting to dance without limits but you know your heart is breaking. This is the remix by Big Time Kill, who have lent their distinctive fingerprints.
“Into The Void” is a good, solid number and the Big Time Kill remix of “Wounds” sounds glorious. You can find Into The Wounds on Bandcamp and it’s name your price, so you should go check out this offering from MAN1K1N.
The 3rd of August is the release date for British duo, Unquiet Dead’s new single, “Burn My Head Down“.
Jason and Lora have created a video piece, featuring the world’s only chain rope aerialist, Californian, Drago Nesa, who also does firebreathing as well, hopefully not at the same time. Spectacular talents indeed.
As always, you can hear that 70’s glam sound bubbling up through this number. Previously I mentioned Marc Bolan’sTRex maybe being a big influence on UnquietDead, just as they were on the post punk scene.
This single is the protest song of getting your freedom back when you are being oppressed and kept down. There are the outburst of adrenaline/anger and more emotional acceptance within, all washed down with that driving enthusiasm.
The video, though made in this time of isolation, is just as energetic and absorbing as the song itself. I’m still wincing at the whole swinging around on a metal chain thing which is done so elegantly by DragoNesa. Immerse yourself in the experience of Unquiet Dead’s “Burn My Head Down“.
From across the southern oceans, the New Zealand capital of Auckland, in November 2019, Death With Machines released their latest EP, Leech. Lawrence Legacy (aka Lawrence Baniecivich) is mastermind and/or overlord
Let me introduce you to the murky, sleazy beats that is “Born Evil“. Baniecivich forcefully whispers to you which is punctuated by the gutteral groan saying ‘born‘ with the follow up whisper ‘evil’. This is reminicent in some ways of Aesthetic Perfection. It is catchy and a good start to the EP.
“Leech“, the title track is just begging for you to groove along to as the lyrics are puncuated out. This is reminicent of industrial bands from the 80’s and 90’s like Front 242 and Suicide Commando, who often had sado-masochistic themes.
‘I hate the way you make me laugh, I hate the way you make me cry’ and we have the song aptly titled ‘Hate’. This is a smoldering beat that is even and constant…. even insistent. If you hate someone then you can’t love them and they can’t break you, except that hate turns inwards.
Last song is “TheGallows“. This is slow and if you can’t guess, a song about death and cold bodies. All returns to nothingness and all are equal in the eyes of death. A nice depressing little number.
So gravely growling is Lawrence’s trade mark vocal and it works for an EP of lust, loss, anger and something just a bit demonic. Get into some Kiwi cyber industrial, listen to Leech by DeathWithMachines.