Just when you thought is was safe to get back into mother nature, a single is carelessly discarded by the lads in DECOMMISSIONED FORESTS and low it was called “Drop Brick“. It was released in January, on the 14th of 2022, ahead of the soon to be unleashed Industry album. I, your humble reviewer decided to cheekily nick this description from their bio…..
Formed around the creative axis of Howard Gardner (Non-Bio, Pillars Of Golden Misery), Max Rael (History Of Guns, Spucktute, Raelism), and Daniel Vincent (The Resonance Association), DECOMMISSIONED FORESTS create music that is dark in outlook and electronic in nature.
Not going to lie, the keys from the beginning bring forth memories of Tubular Bells, but the vocals of Max Rael save us. For the initiated, Rael very well could be channeling Coil’s John Balance, it is truly uncanny and very lucky that Coil is a band that the group are very much into. On much more serious note “Drop Brick” is empathising with a monster. The thoughts that they might go through, pain, loss, anger, loneliness and the hunger to have to what is kept from them. In the end there is no end and only the exhaustion of reality. The synths peal over and over again, cementing the ground hog perception and you feel the heaviness of wanting to pass away.
The more murky sounding “I Can Stop The Noise” is kind of the b-side, filled with a story told in a matter of fact way about a nurse in a psychiatric hospital, whom hates her husband and plans something diabolical. The electronics are so low, you strain to hear them as they dwindle to a slowing heartbeat.
There are no less than four remixes of “Drop Brick” and one deconstructed mix which I think I can safely say where done by all the band mates. The Pillars Of Golden Misery is is all prickly and angry while the Safety Deposit Box version feels like a much more lighter version with it’s cute electronics, that is until the sped up vocals join in like that mantra. The Raelism remix is like a lads night down the pub with the boys that gets thrown into the Twilight Zone. Talking about the weird and wonderful is The DOMH Deconstructed version, giving you Twin Peaks vibes with the vocals running backwards, the swell of electronics in the background that just seem out of reach yet full of promise to swallow you in the noise. The Non-Bio remix is full of the noise and cacophony of buzzing electronics trying to crawl under your skin, as they are pushed to the limit and we wouldn’t expect anything less.
The guys have also included the original demo version of the song which was originally named “Halt Program“. It is a far more keyboard friendly version, the bare bones so to speak, without the vocals but it is still a very compelling piece of music and it is interesting to see how it developed into “Drop Brick”. DECOMMISSIONED FORESTS manage to find the quirk in things and bring them to the fore. The ability to make you listen to what is almost most there or the subtle yet sudden change in direction that takes on a completely different journey. Call it experimental post-industrial or dark electro-ambient or whatever but in the end it is about that journey you take with them and in that process, the visions they can bestow.