For those uninitiated, Neon Insect is the personal industrial project of German based musician, Nils Sinatsch. He has been at this from a fairly young age and is a rather accomplished fellow. This year sees the release of his album, New Moscow Underground.

Thanks Nils for the Cyrillic text of the opening piece, .До свидания!, aka “Goodbye!”. Unless you can read Russian, this will be lost on you but the intro greets you with national drunken fervour and the sounds of maybe someone being tortured and gunfire……..

“Fist, Hit, Cracking Bones” however really packs a nice punch, if you can forgive the pun with this first single. Featuring KVMILLA on vocal backup, complimenting Nils‘ deeper tones, highlighting the darkness. There is very little information on this lady other than she lives in Sweden, has a YouTube channel and likes to cook.

‘If you want a vision of the future, imagine a boot stamping on a human face – forever…..’ is a hard to forget quote from George Orwell and the start to “This Is Our City”. A build up of sound apon a constant beat, only to broken by the unearthly vocals. Defiance in the face of the ever tightening grip of authority.

Like an ode to Blade Runner, “Dear Cyborg” featuring NURS, starts in the rain with low menace as the tempo builds in an ever growing electronic screeching/squealing of song. This slightly experimental mash of sounds has New Yorker, NURS who is known for her industrial/post industrial/experimental noise.

Nils Sinatsch – NEON INSECT

The beginning of “Mazerunner” featuring Earl Squanchy (the next door neighbour who just happens to be a rapper), just really hits me as a reminder of Fields Of The Nephilim. A slower track with it’s desolate, wind swept feel, plodding along to meet whatever is left of humanity. Slightly discordant with that old saloon piano at the end.

Long Live The Queen or “L.L.T.Q.” is dark heavy stuff and previously features on the album Glitches. Featuring Claus Larsen of Leæther Strip and this time around wonderfully remixed by Slighter, this has hints of that beat made famous by The Prodigy in “Firestarter”, punctuating this number once it takes off from a sludgy beginning. Static and noise crest to a nearly unbearable level, until it drops, only to clean you up in the follow through. Having Claus Larsen singing on your track is the industrial equivalent to having the Queen of England as your personal Facebook friend.

“h4CX” has my imagination thinking it sounds like the synapses going off in the brain, this is the joy of brilliant beats with light electronic tones. It feels like a journey at light speed. There is something almost delicate about this, which I can’t quite put my finger in and its over it seems so quickly, even though it goes for almost four and a half minutes.

Second single off the album is “It’s Gotta Be Me”. This is actually a really funky number with a super infectious chorus. Very electronic and yet it just seems so smooth. Vocally this is suitably low and growly, just what the doctor ordered. Definitely nothing wrong with this song what-so-ever.

“Downtown Network” featuring New Moscow Exile Ensemble is great piece of music and it is a mixture of noise and feedback with classical instrumentation woven into the fabric. There is a most ambient air to this.

Slow and oppressive is how “Blossom” feels. Heavy like the steel in Sinatsch‘s voice for such a light title of a flower. The female voice is what gives this piece shards of light filtering in the dark folds. And so end this journey.

There is an audio drama at the end which has talented voice actors helping to tell this tale.

An Orwellian vision of the future or a dystopic view of current life? You are going to have to decide this. But while you ponder this question, you can revel in the music Neon Insect has offered up which is so very varied and rich in it’s textures. It is like looking though a fractured lens with dark hues and lengthening shadows.

This is the third album under the name of Neon Insect, however Sinatsch is a seasoned artist with many more projects under his belt as well as being a sound engineer.

We hope this is a successful venture leading to more albums. So if ruination, Orwell, cybernetics and visions in noise are your thing, then you better get this album now!!

Please note that you can order the CD on September the 15th and the Cassette on August the 30th through Bandcamp.

http://www.neon-insect.de

http://www.neoninsect.bandcamp.com

Instagram + Twitter: @neoninsect


From the online music publisher, Ton Doigt Dans Mon Cul Netlabel comes the artist La Flore Intestinale, whom recently released Onani: Ambient Works Volume One.

La Flore Intestinale is the nom de plume for the female mind and noise artist, Florence, behind this experimental, avant-garde music, who is based in Saguenay, Quebec.

“Apres Le Guerre Lorsqu’il Ne Reste Que Les Morts” literally means ‘After the war when only the dead are left’. A haunting, wavering electronic noise breaking with distortion greets your ears. You can almost image a far off war being waged in the distance getting louder as the mortars go off, as it closes in on you, only to fade out.

Is it industrial knocking of a machine in constant motion?  Getting gradually louder with a near imperceptible buzzing drone above it all that eventually takes centre stage. This is “Blank Keurig Space Tape”.

The science fiction effect of “Tentaculas” is a temporary interlude before “Satic Black Tits”. Like a radio in a Faraday cage, the voices cut in and out as the static takes over the airways, creating its own morse code calling out to the world.

Beautiful chords strike out for “Melissa, The Professor’s Daughter”. This is relaxing and floats with lightweight synth, lulling you into a sense that all is in equilibrium. It gently charms your ears into another realm.

Ton Doigt Dans Mon Cul Netlabel puts all of its music online for free download, so what is stopping you from checking out La Flore Intestinale? Absolutely nothing, so enjoy the electronic soundscapes today!

ton doigt

www.facebook.com/lafloreintestinale
soundcloud.com/la-flore-intestinale

www.facebook.com/tondoigtdansmoncul
tondoigtdansmoncul.bandcamp.com

Adam Majdecki-Janicki is an artist from Darlowo, Poland, who creates ambient/experimental industrial music and he has a new album out on Bandcamp called Next Bardo.

Distortion, static and grinding/high-pitched squealing industrial is the basis of “Work, Consume, Die, Become Cremated”. A commentary of what daily life as an adult in the modern world is really like. A drudgery of endless monochrome, until the human machine fails and is no longer of use.

“The Flower Thief” is an ethereal floating experience. The almost sound of bells tolling in a strange ambient world that feels not quite in focus and drifting. What could be strings can be heard in the distance, trying to call your attention.

A slight 1950’s science fiction feel mixed with Hammer Horror style pipe organ music heralds “Melancholy Baby Dies from an Overdose of Time”. Dark gothic overtones with a pounding beat that never slows or stops but just when you are used to that beat, it disappears into the dirge, though later reprised without its former strength..

“A Thunder of Eternal Music” is like a hypnotic drone trying to lull you. The drum machine keeps time while the distortion wends it way into your brain. Most definitely almost tribal and ancient, a calling to our primitive past.

It has the avant-garde feel of Cabaret Voltaire. Being experimental means that in the end, everything is up for interpretation and reinterpretation, so what you perceive this time may not be the same on a second listen. So get a bit old school dark/ambient/electro.

http://adammajdeckijanicki.bandcamp.com/album/next-bardo

 

From the online publisher, Ton Doigt Dans Mon Cul Netlabel, we have an E.P. with two artists. Building Castles Out Of Matchsticks (Anne Sulikowski) from Canada and Sean Derrick Cooper Marquardt of the USA with the rather intriguing title….Why Should I Give You The Cure, When I Can Always Give You The Treatment.

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Building Castles Out Of Matchsticks (Anne Sulikowski)

Swirling noise with reverb pulsate cosmically, like an epic space trip into the unknown. Why unknown? Because we, as the listener, are unsure of this journey and we are here for the ride and experience.

Like twinkling stars and beating quasars, this transfixed you though sound alone. It is imagination unbound and the composer might be the alien hand guiding us.

It is hard to imagine that Sulikowski can make many of these amazing sounds on a guitar but then “Differential Diagnosis” is a 13 minutes and 42 seconds piece of electronic beauty and the only number by Building Castles Out Of Matchsticks.

 

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Sean Derrick Cooper Marquardt

 

 

Someone is leading a crowd in unity in “Dreamers” and so starts Sean Derrick Cooper Marquardt‘s contribution. Laid over the top is discordant piano and feedback, then it suddenly……stops.

“We Destroyed All the Mirrors and Glass Out of Fear That You Will Forget Us and Fall In Love With Yourself” could be the longest song title I have ever had to write and this is a low cacophony of sound, which when you listen you can hear drums and chanting within, like Tibetan monks and their throat music, within a storm, within a can.

Bells chime, clear and bright over a haze of noise. This is “Instant Karma” which is the segue way, even though it suddenly stops for the last piece, “Tod von Heike Klar”. Buddhist monks chant with german spoken word, not so much vying for attention but running in harmony with the chanting. You just accept the words and sutra rather trying to understand them or garner meaning.

These pieces take you on journeys to feel and hear whatever you take from them but ultimately, let it take you away to new realms.

Yes, this was released 2 years ago but then this is the whole point about music is the search for what gives you pleasure and bringing things to the broader attention.

All music on the Ton Doigt Dans Mon Cul Netlabel is for free download, so why not indulge your senses.

soundcloud.com/buildingcastles
buildingcastlesoutofmatchsticks.bandcamp.com

https://www.facebook.com/seanderrickcooper.marquardt

www.facebook.com/tondoigtdansmoncul

http://tondoigtdansmoncul.bandcamp.com/

Sometimes gothic bands try to sound far too much like previous bands because that is considered “goth”, however originally it was born out of the counter-culture of the punks and therefore extremely experimental. In some ways we have lost this genuine expression to be different and sound different.

From Chile hails the duo Humanfobia with their highly experimental style on the album Bailo con mis Pesadillas with 15 tracks in all. Mist Spectra is the female vocal while Sábila Orbe is the programmer and male vocals.

“Fantasma en la Carretera (Dance Version)” starts this off….it’s not so much dance as a hypnotic beat with Mist Spectra cooing to you. No idea what she is saying as my Spanish is non-existent and yet language has never been a barrier with music.

As is much of this album, “Adios Mundo Cruel (Cancion para Suicidarse)” is off kilter and uneasy. Haunting could be the word as they say goodbye cruel world.

Sequenced drums and bleeps gives us the feeling we aren’t quite in a chanting raising of the dead, not yet anyways on the title track “Bailo con mis Pesadillas”.

The beginning of “Vacio Hermetico” makes you think you are about to get a dance track but no and that beat recurs and grows becoming less friendly. A nightmare revisiting and maybe a portent.

Ever have a song make you think of whales? “Arboles Deshojados” sounds like the song of humpback whales, that beautiful calling out while a tape runs backwards, or so it seems.

humanfobia2
Sábila Orbe and Mist Spectra

The unnatural creaks like Diamanda Galas are reminisent in “Calles Lobregas” while “Colapso Dimensional II” is a little more etheral but still with that air of uneasiness as the tempo is always in flux.

“Mareo Lugubre” is atmospheric with its computer enhanced vocals. Orbe lends his growling vocals to “Sombre Nigromante” until we land in the “Mausoleum of Ruins” with the eerie female vocals of Spectra and electronica that warbles in and out and a pervasive fuzzy tone.

One of the longer numbers is “Chant from the Grave (with Wertredgreen)” which makes me think of Twin Peaks, with that feel that things are going backwards rather than forwards.

“Buried By Mistake” at just over a minute long is an interlude to the next song “Catalepsy”. Does this mean catatonic death like state after an epileptic fit? In fact this really was a thing and some poor suffers were put into the ground alive. This fits in to the whole buried by mistake.

We revisit “Arboles Deshojados (Atmospheric Version)” and just when you ask how could it get much more atmospheric, it sounds like we are in a pea soup fog with extra shadows thank you.

Aaaaaand lastly for all you that absolutely love the whole death and spectral show, there is a 30 second EVP done at San Fernando cemetary. If you dare, what will you hear???

Those who remember Diamanda Galas, will see much in common with Humanfobia. Theatrical and highly avant-garde though more spooky and haunted than Galas who was far more like a full on demonic ritual gone very wrong (or very right depending on your stance). Mist Spectra is far more mellow and laid back.

This is most definitely mood music and won’t be something you hear on the dance floor. It is quirky and atmospheric and will more than likely scare your normal friends but then that’s half the fun. Ghostly haunting, buried alive, the unmentionable things that inhabit the graveyard and then there is Humanfobia with Bailo con mis Pesadillas which literally means I Dance With My Nightmares.

This album is for free download on their Bandcamp site.

bandcamp: humanfobia-official.bandcamp.com
hearthis: hearthis.at/humanfobia/
facebook: www.facebook.com/humanfobia/