From Wroclaw, Poland comes the band xDZVØNx with their album Everything We Dreamt About, released April 3rd.

Welcome to the sweet insanity that is Børa on main vocals, synths plus mandolin and Snufkin on backing vocals, synths and programming.

They describe their style as noisepop, mixed with brutalistic architecture and glitch art, and originally were associated more with the witch house scene in Europe.

XDZVØNX

Intro piece to the album is “Why I Called You“. Just by listening to the lilting short number, you can tell that this is going to be a highly electronic album.

Current truth is “Face By Face” right now is my favourite track off the album. The vocals are wonderful and just something about this is almost soul deep.

The Final Boss” really feels like a cheesy platform game tune gone cyberpunk. It’s fast and fun, brilliantly light yet bassy massive beats in this short piece.

Rolling seamlessly straight into “Panic“, the vocals puncture your ear membranes as they shred straight ahead, frantic with a reprieve at the end.

The dulcet and seductive tones of Børa in “Pray” lead into fast paced beat, that spirals and twists in an almost out of control fashion.

Bubbles” actually does sound like foamy spheres floating and eventually popping. A low electronic buzz in the bass ties down those light bubbles of sound.

The somewhat dirge start of “You Have To Be Alone” is a bit confusing until the cacophony of noise breaks through. And so we have lulls and crescendos of screaming synths as well as the human machine.

You might find “I Want To Find This Girl“, sweet and understated, almost ballad like. It is pieces like this that show a lot of depth.

Like a bad trip, the single, “Litzmannstadt” featuring Belmondo, wavers, like you are in and out of consciousness and there hints of Die Antwood. Belmondo is the rapper that embellishes this with his deep vocals and polish lyrics.

Imagine an 80’s electronic wonderland mixed with Ladytron and you have “Playground“. This is nearly hypnotic in the way it is written.

I Will Vomit Glitter” is a get your punk/industrial on extravaganza of a single. A fun upbeat track about literally vomiting glitter.

The song, “No Eyes” just explodes in a glorious wave of sound. It will suck you in with the tune and make you want to bounce.

Angelic vocals over soaring synths and hard bass is the style of “Stupid Smile“. Booming and echo filled visions of a smile that is left in the mind. You might think for a moment that something is wrong as the sound skips and wobbles like a tape being eaten by the deck but this is part of the experience.

Not sure if the vocals are Børa or Snufkin on “I Am Saint“, as they have been slowed right down to a deep rumble of a voice. And this is also the last number for xDZVONx and it leaves you wondering who that was.

There is nothing boring about this album. This is avant-garde, experimental expressionism in electronic art form. We hear Børa both sweet and harsh and Snufkin helps push the boundaries of electronic music as an extension of themselves. Every time I listen, I hear something new. This is Everything We Dreamt About from cool tunes to dance beats from xDZVØNx.

https://xdzvonx.bandcamp.com/album/everything-we-dreamt-about

https://m.facebook.com/xdzvonx

Neurobash are a two piece electronic/ industrial group from Sweden and in April, they released a new album, 2K2X.

On vocals and keyboards is EwanOberfunkKelley and on electronic wizardry is PatrikG-NomeNelson and they make up the stellar Neurobash.

We begin with “Consumed“, a high energy piece with great crisp vocals. And this also sets the overall feel of the album. Doom, questioning, desperation and spiraling decay.

NEUROBASH

Next is “Blame“, the insanity that comes about by being held responsible for terrible truths. The vocals are brilliant and it melds into the virtual maelstrom of music and yet the synths are kept so light.

Kelley has such a wonderful voice which rings effortlessly over the music and in “Screamer“, he is plaintive and evocative with a techno beat pairing with industrial crunching.

Just when you think the synth genre could not surprise you, music like “Fake” hits your ears. Distortion with heavy bass and a rhythm that is inconsistent and experimental, yet it works so well.

I almost cringed when I heard the internet dial up tone from another era. “Firewall” could be taken in this digital age as the protective shell people put around themselves to stop others from polluting or hurting them. Definitely more thought provoking and low key number.

Last year’s single, “Bloodlines” has a trippy feel to it with falsetto vocals! It’s groovy and yet ominous at the same time. This just moves along nicely as we reminisce on how we ever survived our youth. Beautiful big cords on this.

Club beat kicks in for “The Night” and this really hits the sweet spot. As Neurobash lose themselves in the night, we can lose ourselves in this great song. It winds like a snake and squeezes you with the fabulous keyboards.

Slow and rolling, like a lake, is “Amber“. It is might be not be fast but do not underestimate the depth. This is slightly off kilter and a little bit dangerous in a experimental way.

NEUROBASH

Another single from the end of last year is “Solid State“. Angry electronics bleep out along with the vocals that threaten to make you go away. This is punchy and makes no apologies for its brashness.

The b- side for “Solid State” was “Impulse“, which makes an appearance. This is darker and dirtier than its angry brother. It oozes a contempt with a wonderful synth wall of sound.

Last track is “Reminder” and Neurobash are going out with a bang rather than a whimper. Big beats with a glorious synth lead array. Futuristic and oh so danceable.

Nice production but also this is rich in texture. These guys have a lot of style and class and if this is your first time hearing them, go listen to the 2015 album Doctrine, which will equally knock your socks off.

They still are looking to push the genre with experimenting whilst giving us simply stunning music and great dance tracks. If you love great EBM and Covenant makes your toes curl, then you need to check out Neurobash and their album, 2K2X.

https://neurobash.bandcamp.com/album/2k2x-special-edition

https://www.facebook.com/neurobash/

http://www.neurobash.com/

German composer and musician, Alexander Kling, just released his latest album, Love, which consists of nine song. You will find synth and piano lead music with soundscaping from his project, Dedalos.

This is the beginning and it starts with the “Ending“, a slow yet gradual building piece, with piano at the front and centre and synths giving depth. There is definitely the feeling of melancholy.

Why” is a soundscape that taps into the Massive Attack feels. A lonely expanse with whispered questions.

Third number is “Missing“. This is the loss of another or even a part of one’s self. A languid piece of realization that not all is right. There are musical outbursts along the way as the feeling builds. The buried vocals in the background lamenting ‘miss you so much‘.

Next is a bit of “Insanity“, a reflection of a mindset. The plodding rhythm of sadness settling into ones soul which then becomes the deafening noise that encapsulates all reason.

Darkness with bright areas is how I would describe “You“. There is such poignant bubbles of joy that slowly are eaten by the intruding dark fringes.

And so “Unbearable” follows. Low flowing and tidal with sound enveloping your senses. Nothing else but the feeling of being overwhelmed and that heartbeat rhythm.

Last” is like the slow waking and a movement towards the dawn. It pauses for an effective break as the music builds. It is not joyous nor does it feel relieved but rather purpose driven.

The completion of any relationship is the “Farewell“. This is release with emotions still attached and yet within you hear the freedom to launch forward and leave the shackles of mental torment.

The conclusion is “Love“. Reflective and careful but with hope of the future, this is the title track and the end of a journey.

This is very much dark ambient/synthwave instrumental music which is very much based on real life. Alexander Kling explained to me how the album came about after the breakdown of a relationship.

ALEXANDER KLING

I started with this album after the end of a relationship. But I started to recording this album with the burning pain. Sometimes I cried while recording, it is tear notes. You can feel the atmosphere, you can feel the pain, the depression and sometimes salvation and peace’.Dedalos

This is an instrumental journey through the heavy realization that not all loves last and that there is a beauty in that suffering, though painful non the less. This is despair, loss and revelation with Dedalos and his Love.

https://dedalosmusic.bandcamp.com/album/love

https://www.facebook.com/dedalosofficial/

Zwaremachine are from Minneapolis and on the 20th of May , will release their latest EP, Ripping At The Fabric. Over the years, they have become a three piece with original member, singer/synths and writer, Mach Fox at the helm, Dbot on bass/vocals and Dein Offizer creating the rhythm on drums/percussion. They describe their sound as ‘minimal, hypnotic, industrial bodymusic‘.

This is also one of the first releases on the new label, Brutal Resonance Records and if that name sounds familiar, it might be as it is the same group that have been responsible for the long running music Zine of the name.

Mach Fox is a rather interesting fellow who has been heavily involved in the industrial scene since the 90’s and has a healthy respect for Gary Numan and John Foxx.

Can you “Resist” the 80’s feel of the first song on the EP? This pays homage to Skinny Puppy in its vicious simplicity. The synths are understated and this makes it feel even more in your face.

Time to feel the groove flowing through you with a “New Design“, guaranteed to get your body moving. The beat is like something from old Front 242 as it angrily stomps into your head.

The first single off this EP is also the title track, “Ripping At The Fabric“. It sort of reminds me a little of those science fiction movies with the electronic soundtracks except this is more full on blunt force trauma. Fox growls that this is not the beginning of the end and we certainly hope not. There is no surrender!!

The assault to your ears doesn’t stop there. “International Hero” belts you over the head. This is like electronic overload with distortion and delightful synth tones which keeps making me thinking back to Ministry’sStigmata“.

MACH FOX
photo by Roger Op Den Camp

Last track is “What We Are” and is feels fresh and fast, with a high energy rhythm. This is a great number that really shows Mach’s writing ability, even though he’s snarling lyrics, the music in the background is almost ethereal in its delicacy.

The energy is aggressive and definitely punchy throughout the whole EP. It is hypnotic and will suck you in. I hear so much of the timeless, classical industrial sounds with Zwaremachine, who are smashing their own apocalyptic, minimalistic, agrotech noise into the mix, doing exactly what makes industrial music so interesting…. experimenting with whatever gets a great a sound.

Zwaremachine’s Ripping At The Fabric isn’t re-inventing the wheel but rather, taking said wheel running you down with it and you’ll enjoy every bone crunching moment of it.

http://www.zwaremachine.band/

http://www.zwaremachine.bandcamp.com/

https://www.facebook.com/zwaremachine/

Previously we heard recently remixes from Australian and Russian duo of SiK aka Craig Saunders and Dima Ilyin, who make up Nova State Machine. We just had to let you know that on March the 24th, there was a third EP released called TCM RMXS-003 Drugs and Drums.

If you weren’t awake before you started listening you soon will be as SiK (Saunders) growls into your ear with a barrage of rhythm with “War Is A Drug Ephedrine mixby SEXGUN. This definitely reminds me of Ministry/Revolting Cocks both vocally and the melody syncopation.

For the rest of this EP you will be graced with the scintelating deep vocals of Dima. “Do or Die – BZP remix” by SEXGUN has a techno vibe and this feels like old style Front 242/Nitzer Ebb, which is never a bad thing with that fast feverish pace.

Back to a previously remixed number, however it’s easy to see why someone would want to do another version of “Harsh Reality” as it is such a strong song. SiK brings Rx Singular Obsession remix to bear down on your ears. He had made “Harsh Reality” sleek and clean while Dima’s distorted vocals rip through.

I get images of Judge Dredd, listening to “Total Control – MKUltra Mix” by FILTHmachine. It screams science fiction war games to me. Brutal vocals bellowing ‘total control, total control‘ and bouncy synths chirping in.

No Pain – Codeine Mix by nOvAsLuG who are the artists ToMsLuG from Vancouver and Craig Saunders, starts like a sound scape as it builds and swells. This becomes an industrial cacophony of noise. Dima sounds like he’s trying to convince himself he’s alright and yet it all reflects body or mind wounds.

Electronic burbles bring in “Destroy All Hope – krocodil mix” by Evil Against Evil. This starts off slow and dirty whilst it creaks and groans along. The minimalistic nature conveys the drudgery of a world bereft of all love, hope or joy.. just grey.

Most of this is not so much danceable but definitely more experimenting with the music at hand to see where it can be taken. Which is exactly what you need from a third part of a trilogy.

When all is said and done, this is another solid remix and there is everything to gain as this is pay what you want on Bandcamp. So be where the cool kids are before Nova State Machine unleash the next new album but for now lock and load some TCM RMXS-003 Drugs and Drums.

https://novastatemachine.bandcamp.com

https://m.facebook.com/NovaStateMachine

https://shoknova.bandcamp.com

https://evilagainstevil.bandcamp.com/releases

https://tomslug.bandcamp.com

Adriana Martinez and Miguel Bastida are the Mexican duo that make up Deer Mx. The band met, formed in 2013 and reside in Hong Kong of all places and released the beginning of the year, the single, “There’sNoFuture” with a video clip.

The video itself is made up of news disaster and war footage, conveniently called the WWIII Version.

This song seems to deceive you into thinking it is a slow number and for the most part it does start out that way. Though slow to start off, it is persistent even with Martinez’s dulcet tones.

This reminds me of 4AD’s time with the Cocteau Twins that offered dreamy vocals to get lost in. Add in a small dose of P.J.Harvey with Slow Dive and that’s a pretty close estimation.

The music starts to crescendo and crashes inwards with synths and a guitar blazing away.

DEER MX

Every time I hear this piece, it grows more and more on me. Pop savvy with industrial rawness. Enjoy Deer Mx and ‘There’sNoFuture”

http://www.deermx.com

https://www.facebook.com/Deer.Mx/

Feature photo by Alfonso Rosales

Konqistador released at the end of last year, the album Nafada. The band started back in 2005 and is a collaboration of Detroit musicians, Reginald Tiessen and Elizabeth Graham as well as Sydney artist INfest8.

This latest album has a theme, in which Konqistador invited female hip hop artists to perform on their tracks, although they are more known for their industrial, gothic and electronic music. These women are as diverse in nationalities as they are in sound.

Kicking off is Medusa Tn also known as Boutheina El Alouadi, from Tunisia with the single “Eden,Woman’s War“, a powerful start. Not only does Medusa Tn rap but her singing voice is beautiful and provocative, woven with the middle eastern traditional music and an industrial beat.

Adrestia” by Moroccan artist, Soultana starts as a staccato monologue with backing synths that you feel building up and then the beats kick in and it becomes a whirlwind of sound. This is a great mixture of electro and vocals. A Greek warrior goddess, Adrestia punishes those who cause injustice.

Solemn beats bring in “Hamazam” and if I didn’t know any better, I would say Meryem Saci has a cheeky little smile on her face. Meryem is from Algeria singing in French and English. She is bold and sexy and makes the intricacy of this song work for her. It is about strong women that use their power, not for war but rather strengthening bonds of love and peace.

Fourth track is “Karitha” by Iranian, Salome MC and featuring from Detroit, DJ Los, a heavy weight in the hip hop/rap/beatboxing world, who does all the scratching on this song. Salome’s voice soars to the heights and yet will hold your attention even when at a whisper. This is why Salome MC has been recognized not only as the first Iranian female rapper but perhaps one of the best in the world. For a song about the evil residing even in the best of intentions, it is such a gorgeous blend of industrial background with female sass.

Traditions can be safe and easy to follow but sometimes they are also meant to be broken and this is “Safiyya” by Moroccan songstress Soultana aka Youssra Oukaf, who has been rapping since she was thirteen and a strong voice in advocating women’s rights. The music with her voice at the beginning reminds me of vast deserts and then unleashes the storm.

Nafada” is the title track and the call rise up and rebel. Nafada means in Arabic tremor. Meryem Saci returns and is accompanied by Sultana who hails from Turkey and is yet another progressive female that championed hip hop in her country. It begins low and dark and the ladies voices are like a light, drawing you up. It feels ancient and yet it most definitely isn’t. Saci and Sultana compliment each other so well, whether they are rapping or singing.

Sahar” literally means awakening in Arabic. This piece is based on an Iranian folk tune, Morq-e sahar and performed by Miss Undastood of New York aka Tavasha Shannon. ‘My talent a gift and a curse’, when the eyes are opened to all possibility there is the realization of the double knife edge of going two ways… rising above or falling down. You can hear the influence of being brought up in America in Shannon’s style of rapping but this just brings a new facet to this story of traditional verses modern.

Kahina” by Medusa Tn is just epic. Such a big voice. Passionate hip hop bringing to life Kahlina, a queen and warrior of the Berber people. She is remembered with great fondness and kept alive in spirit as the invocation of the power women hold and that females should never be kept down or silenced because of their gender.

This could be a song Skinny Puppy created when you hear the start. Han Han brings her native Filipino languages to “Visaya“. This is fresh and dynamic with synths chiming in. The Visaya are a people in a region of the Philippines but more so the song is about how we are far more similar than we are different.

I have to use the word powerful again because that is what this album is. I’m not in any way into hip hop and yet these women are inspirational in every way. They bring a beauty to the art of rapping and yet they are so much more than that.

They are mostly the voices of a female minority of the countries they represent and this makes them pioneers and bravely throwing light on the music they love. They are most worthy of being looked up to with much respect. Not just because they are originators of an art form in their homelands but rather for their conviction to never give up or give in.

INfest8, Reginald Tiessen and Elizabeth Graham are the trio of writers that carefully crafted all the songs presented and you can hear the devotion to this project through the beautiful lyrics, as well as the fact each hip hop artist was able to inject their own influence into their track/s.

It’s an amazing cross cultural exploration and recorded mostly on two different continents, utilizing many different musical genre, mixed by INfest8 in Australia and mastered in the United States.

This is exotic and the Arabic/ middle eastern/ Filipino influences just push this into a different realm of wow. Social order, peace, solidarity and the support of women who can be the centre of change because music is the voice of change. This is Nafada by Konqistador….. hear the call.

https://konqistador.bandcamp.com/

https://www.konqistador.com

https://www.facebook.com/Konqistadormusic/

Pete Crane might be a familiar name to some, as half of Australian band Shiv-r. March heralds the album that will be the premier solo release for Crane, called That Annihilated Place, on German label, Infacted Recordings.

But before that, he has released a taster to tease our palates before the album in the form of (pre) single, “You Are Not Your Body“.

There is an instantly a bass synth heavy start to “You Are Not Your Body” and you find yourself starting to move in time to the rhythm… It combines a techno savvy rhythm with precision synth and electronics, that is delivered with industrial sledgehammer.

PETE CRANE

The second track, “Norilsk” is just full on joy. Bouncy and heavy all at the same time. If this doesn’t make you want to dance, then not even the devil could tempt you.

The Xotox remix of “You Are Not Your Body” is a heavy industrial rhythmic version that starts to drill into your brain almost literally as well as figuratively.

Moris Blak does remixes that smack you up the side of the head and his interpretation is also of title track. It winds up to the spoken word and it is a sexy beast indeed.

Dkag remix off the album a track called “Messed Up” which has an awesome amount of high energy, which you kind of expect from guys who are club DJs, because they just want people to hit the floor.

Crane has on board some impressive talent so far to remix his music and the statement is “That Annihilated Place” is a club album. So far this offering doesn’t disappoint and currently the way this music for “You Are Not Your Body” is definitely having an effect on mine. Get your groove on and wiggle to this in anticipation of more to come.

https://infactedrecordings.bandcamp.com/album/you-are-not-your-body

January saw the bandcamp release of Dirt Factory’s debut EP, Random Songs For The End Of The World. This electro industrial band is comprised of two brothers, Michael Gillman (programming and synths) and Daniel Allen (vocals and programming). More surprisingly is the fact that one lives in Brisbane and the other in Melbourne.

From the get go “Saibanetikku” is a koto drum dream that leads to an electronic beat followed by deep ahhhs and a fabulous synth accompaniment. Daniel’s modulated voice joins this simple and yet spine tingling build up. The way Michael mixes and brings in sounds and beats is subtle while still holding your attention completely.

Still on the Japanese cyber/futuristic theme, we have “Kaiju” which basically means monster. A commentary on our world, as we play with science and create the monsters that will eventually destroy us. Godzilla (Gojira) is a kaiju, created by exploding nuclear bombs. This is a science fiction nightmare which cuts a little closely to a dark reality.

DIRT FACTORY

Track three is an “Unseen Tragedy“. This is punchy with syncopation weaving throughout. The layers of vocals with different voice mixers and electronic synth is an immersive experience.

Sleazy greasy and oozing, “Give Me The Drugs“. Slower but still a ravenous beat is your pusher, making you desire more of this ode to wanting to throw one’s self into the arms of your chosen drug. Daniel will cajole and threaten you to get what he wants…. no placebo accepted.

DIRT FACTORY live December 2019 Flamin Galah, Brisbane

Will machines with AI eventually obtain “Digital Consciousness“? Is it a scientist speaking in the background? The music is again powerful and evocative with heavy drums and a futuristic feel… that Terminator efficiency, so to speak.

Robitic vocals bring you “Error Delete” with undulating electronics with such a catchy rhythm and breakout synths. This definitely brings visions of Bladerunner or Ghost In the Machine.

Slaughterhouse Shutdown” is horror movie homage with mentions of plastic for the blood splatters and no one is getting out of there alive. Haunting with gothic keyboard for ultimate creeping doom and everyone’s favourite …. fairground carnival music with screams overlayed with Psycho violin tendencies.

The final piece is “Corporate Greed” which brings to mind another song, “Corporate Slave” by another electronic Australian artist, Snog from the 90’s which was another excellent dance number. Could be the sounds of the financial world that become lost in the growing noise as the harsh beat takes over. The low vocals grace but do not take over. This loops and reverbs in a most delicious way with unbridled angst.

Remixes of “Error Delete” by Digital Anodyne (DJ Wolf Aud) and Vargil (Camilla Astrid Strand) have been added onto the end as extra bonus numbers for your listening pleasure which you are sure to enjoy.

Movies, especially in the genres of horror, science fiction and anime, have had a huge influence in the vision of these songs. Synth and noise maker extraordinaire, Michael’s roots in industrial music lay in the Wax Trax era and the burgeoning onslaught of the Belgium and German bands such as Frontline Assembly and co. However, more than this, he has not tried to ride their sound but rather forge his own, with brother Daniel firmly giving the band a voice.

The music is savvy, clever and down right satisfying. There is great depths to each song, crafted to sound bigger than just a two man effort, giving them an epic EP. As yet unsigned, Dirt Factory are far more than an uncut diamond, rough where needed and cutting edge when they could have been mediocre. These are the Random Songs For The End of The World.

https://dirtfactory.bandcamp.com/releases

https://www.facebook.com/Dirt-Factory-1924745841101379/

Third Realm are back with a brand spanking new album and I have been lucky enough to have been listening to it before the release date, thanks to the main driving force and frontman, Nathan Reiner.

Since 2000, Reiner has been creating music with this project and the latest album is out on the darkTunes Music label with bandmate, Luis Felipe Blanco, from their hometown of Buffalo, New York.

Let the insanity ensue with “Bipolar Pop” featuring CHIASM. Emileigh Rohn is the solo artist behind CHIASM, an electro/darkwave project but here backing up Reiner. Slower more deliberate beat with the atmosphere that you could be stalked by some sex crazed (well there is a little sensual moaning) porn pop princess or prince. This is still raw in its electonic style which is a nice way to start.

‘I tried to be myself and suffer…’ is the start of the chorus, “Be Myself” which I am guessing is the fear of putting your true self out there…. and then finding rejection or indifference. I hear hints of Chris Pohl‘s Blutengel influence, especially vocally which is no small feat as many wish to be Pohl but often fail.

The first single from the album is the amazing, “When The Sun Goes Down”. Third Realm couldn’t have picked a better single to introduce their latest work with. Totally danceable and more to the point, you will find yourself singing away in no time to the vampiric chorus. The beat is driving and the vocals just weave themselves into pleasure centre of your brain.

Fourth song off the rank is “Banshee” which gives a slight nod, it feels, to Sisters Of Mercy’s “Vision Thing” crossed with Blutengel‘s flare for the dramatic supernatural.

“Gazing At The Stars” is a ballad with a beat. It’s a sweet ode to dreams of love and wishing. It is poignant tribute and the synths sing out true over this catchy number.

A more techno start for “Garden of Lust” gets the body moving. There is a strange electronic moog like synth in the chorus which is a tad distracting while Reiner is singing but in all its an agreeable song, with spooky intonation.

“Background of My Mind” has a punky retro feel. It’s bouncy and very two fingers waved in the air in sentiment…. ie you cannot rule my life by playing me.

Love the synth beginning with a disco beat for “Who’s Really Listening?” and this lends to the claustrophobic nature of the album, fraught with paranoia.

With the release of the album is the second single, “Tides of the Sea” featuring again CHIASM. This is just a beautiful electronic number and vocally, Reiner and CHIASM interweave so well and compliment each other. Expressing love as being as constant as the tides, that pull and rush, the heartbeat and pulse of the seas.

I can hear the infuence of Marilyn Manson in “Deviant”, in the way the song is structured. The chorus is a persistant and tenacious stream of conciousness which pushes to be heard. One man’s deviance is another’s normalcy because we are who we are.

First impression of “Medusa” was it is going to be a power noise piece until the melody kicks in. Even though Medusa was a gorgon, this is another homage to vampiric beings and reminds me very much of the 90’s goth/electronic sound.

“Passion” has air light keyboards and that great constant danceable beat, with the slight VNV Nation smoothness that makes their older songs just soar. This is EBM at it’s best.

Some believe that soul mates are awaiting us, also known as “Twin Flames”. The ultimate partner that completes you and that joy can be heard in the jauntiness and pop sensibility given to this piece.

Slowly, the title track, “The Art of Despair” crawls darkly across the floor, a vision of murky oblivion. It is insistent and pokes at your reality.

The last three songs are remixes of “Bipolar Pop”, “Be Myself” and “When The Sun Goes Down”. Aesthetic Perfection‘s Daniel Graves, really injects himself into “Bipolar Pop” which brings extra raw power. “Be Myself” mixed by Subliminal Code, just leaps out as an electronic dance number and last “When The Sun Goes Down” is given the super slick treatment by Panic Lift.

Third Realm‘s sound is developing over time. Originally, a harsher industrial music style which has become a bit more electro and synth savvy but hasn’t lost any of its intensity.

It is not lost on me that you can almost taste the heavy German EBM, darkwave and gothic influences and especially, Blutengel and L’Ame Immortelle.

Nathan Reiner‘s Third Realm has unleashed for you a gothic horror album of inner demons, monsters in human guise and immortal love, all to a wonderous industrial beat.

https://thirdrealm.bandcamp.com/album/the-art-of-despair

https://www.facebook.com/ThirdRealm/

https://www.darktunes.com