Previously we heard recently remixes from Australian and Russian duo of SiK aka CraigSaunders and Dima Ilyin, who make up Nova State Machine. We just had to let you know that on March the 24th, there was a third EP released called TCM RMXS-003 Drugs and Drums.
If you weren’t awake before you started listening you soon will be as SiK(Saunders) growls into your ear with a barrage of rhythm with “War Is A Drug– Ephedrine mix” by SEXGUN. This definitely reminds me of Ministry/RevoltingCocks both vocally and the melody syncopation.
For the rest of this EP you will be graced with the scintelating deep vocals of Dima. “Do or Die– BZP remix” by SEXGUN has a techno vibe and this feels like old style Front242/Nitzer Ebb, which is never a bad thing with that fast feverish pace.
Back to a previously remixed number, however it’s easy to see why someone would want to do another version of “Harsh Reality” as it is such a strong song. SiK brings RxSingular Obsession remix to bear down on your ears. He had made “HarshReality” sleek and clean while Dima’s distorted vocals rip through.
I get images of Judge Dredd, listening to “Total Control – MKUltra Mix” by FILTHmachine. It screams science fiction war games to me. Brutal vocals bellowing ‘total control, total control‘ and bouncy synths chirping in.
No Pain – Codeine Mix by nOvAsLuG who are the artists ToMsLuG from Vancouver and CraigSaunders, starts like a sound scape as it builds and swells. This becomes an industrial cacophony of noise. Dima sounds like he’s trying to convince himself he’s alright and yet it all reflects body or mind wounds.
Electronic burbles bring in “Destroy All Hope – krocodil mix” by Evil Against Evil. This starts off slow and dirty whilst it creaks and groans along. The minimalistic nature conveys the drudgery of a world bereft of all love, hope or joy.. just grey.
Most of this is not so much danceable but definitely more experimenting with the music at hand to see where it can be taken. Which is exactly what you need from a third part of a trilogy.
When all is said and done, this is another solid remix and there is everything to gain as this is pay what you want on Bandcamp. So be where the cool kids are before Nova State Machine unleash the next new album but for now lock and load some TCM RMXS-003 Drugs and Drums.
PeteCrane might be a familiar name to some, as half of Australian band Shiv-r. March heralds the album that will be the premier solo release for Crane, called ThatAnnihilatedPlace, on German label, InfactedRecordings.
But before that, he has released a taster to tease our palates before the album in the form of (pre) single, “YouAreNotYourBody“.
There is an instantly a bass synth heavy start to “YouAreNotYourBody” and you find yourself starting to move in time to the rhythm… It combines a techno savvy rhythm with precision synth and electronics, that is delivered with industrial sledgehammer.
The second track, “Norilsk” is just full on joy. Bouncy and heavy all at the same time. If this doesn’t make you want to dance, then not even the devil could tempt you.
The Xotox remix of “YouAreNotYourBody” is a heavy industrial rhythmic version that starts to drill into your brain almost literally as well as figuratively.
MorisBlak does remixes that smack you up the side of the head and his interpretation is also of title track. It winds up to the spoken word and it is a sexy beast indeed.
Dkag remix off the album a track called “MessedUp” which has an awesome amount of high energy, which you kind of expect from guys who are club DJs, because they just want people to hit the floor.
Crane has on board some impressive talent so far to remix his music and the statement is “ThatAnnihilatedPlace” is a club album. So far this offering doesn’t disappoint and currently the way this music for “YouAreNotYourBody” is definitely having an effect on mine. Get your groove on and wiggle to this in anticipation of more to come.
What do you get if you cross Australian and Russian industrial music? NovaStateMachine and they are going to be releasing their back catalogue in the form of EPs, as spanking new remixes.
NovaStateMachine is the collaborative brainchild of Sydney sider CraigSaunders who is also know as SiK from the band Novakill and moscovite DimaIlyn who is best known for his band, UltimateSoldier.
The first EP to get the treatment is TCZRMXs001:HarshReality, which is made up of four songs off the TotalControlZone album, from 2019 on the lads own label, Shoknova.
“HarshReality” Shokhammerremix by Novakill is a fantastic number to start off with. Who doesn’t like hard and fast tempo straight up to get the blood pumping. Novakill is Saunders main project and sometimes it’s a worry having the band do their own remixes but not here.
Making themselves a “HardTarget – insurgentmix” by giving a pounding industrial electro upgrade to this piece of hardware. This is a nice body rocking piece and no body armour required.
The cry to war in “NeverMore” is the UltimateSoldierRMX. Using sound clips of news based around the Kurds and the war against the Taliban, this is less doof power and more thinking man’s electro synth. Not to say there isn’t still a driving purpose but this is has a certain amount of finesse. UltimateSoldier is the Russian project for DimaIlyn.
“TheFuture” has the Uncertaintymix by Holon gracing it. This is a slow build up, spiraling and growing. Beautiful synth chords that seem to go on towards….. well we don’t know yet because it’s the future. For those those who are unaware, Holon is an electro ambient group.
This is a rather cleverly put together EP when you think about it. “HarshReality” is the current view, “HardTarget” is what is required to survive, “NeverMore” is what is desired and “TheFuture” is the unknown.
TCZRMXs001:HarshReality has an impressively good quality production and worthwhile supporting to hear what other exciting remixes will follow and who will be involved in this endeavour. NovaStateMachine has given us an impressive example how industrial music is ever evolving. Get some in your ears and the best bit is that you can name your price on bandcamp. Ace!
From across the southern oceans, the New Zealand capital of Auckland, in November 2019, Death With Machines released their latest EP, Leech. Lawrence Legacy (aka Lawrence Baniecivich) is mastermind and/or overlord
Let me introduce you to the murky, sleazy beats that is “Born Evil“. Baniecivich forcefully whispers to you which is punctuated by the gutteral groan saying ‘born‘ with the follow up whisper ‘evil’. This is reminicent in some ways of Aesthetic Perfection. It is catchy and a good start to the EP.
“Leech“, the title track is just begging for you to groove along to as the lyrics are puncuated out. This is reminicent of industrial bands from the 80’s and 90’s like Front 242 and Suicide Commando, who often had sado-masochistic themes.
‘I hate the way you make me laugh, I hate the way you make me cry’ and we have the song aptly titled ‘Hate’. This is a smoldering beat that is even and constant…. even insistent. If you hate someone then you can’t love them and they can’t break you, except that hate turns inwards.
Last song is “TheGallows“. This is slow and if you can’t guess, a song about death and cold bodies. All returns to nothingness and all are equal in the eyes of death. A nice depressing little number.
So gravely growling is Lawrence’s trade mark vocal and it works for an EP of lust, loss, anger and something just a bit demonic. Get into some Kiwi cyber industrial, listen to Leech by DeathWithMachines.
Third Realm are back with a brand spanking new album and I have been lucky enough to have been listening to it before the release date, thanks to the main driving force and frontman, Nathan Reiner.
Since 2000, Reiner has been creating music with this project and the latest album is out on the darkTunes Music label with bandmate, Luis Felipe Blanco, from their hometown of Buffalo, New York.
Let the insanity ensue with “Bipolar Pop” featuring CHIASM. Emileigh Rohn is the solo artist behind CHIASM, an electro/darkwave project but here backing up Reiner. Slower more deliberate beat with the atmosphere that you could be stalked by some sex crazed (well there is a little sensual moaning) porn pop princess or prince. This is still raw in its electonic style which is a nice way to start.
‘I tried to be myself and suffer…’ is the start of the chorus, “Be Myself” which I am guessing is the fear of putting your true self out there…. and then finding rejection or indifference. I hear hints of Chris Pohl‘s Blutengel influence, especially vocally which is no small feat as many wish to be Pohl but often fail.
The first single from the album is the amazing, “When The Sun Goes Down”. Third Realm couldn’t have picked a better single to introduce their latest work with. Totally danceable and more to the point, you will find yourself singing away in no time to the vampiric chorus. The beat is driving and the vocals just weave themselves into pleasure centre of your brain.
Fourth song off the rank is “Banshee” which gives a slight nod, it feels, to Sisters Of Mercy’s “Vision Thing” crossed with Blutengel‘s flare for the dramatic supernatural.
“Gazing At The Stars” is a ballad with a beat. It’s a sweet ode to dreams of love and wishing. It is poignant tribute and the synths sing out true over this catchy number.
A more techno start for “Garden of Lust” gets the body moving. There is a strange electronic moog like synth in the chorus which is a tad distracting while Reiner is singing but in all its an agreeable song, with spooky intonation.
“Background of My Mind” has a punky retro feel. It’s bouncy and very two fingers waved in the air in sentiment…. ie you cannot rule my life by playing me.
Love the synth beginning with a disco beat for “Who’s Really Listening?” and this lends to the claustrophobic nature of the album, fraught with paranoia.
With the release of the album is the second single, “Tides of the Sea” featuring again CHIASM. This is just a beautiful electronic number and vocally, Reiner and CHIASM interweave so well and compliment each other. Expressing love as being as constant as the tides, that pull and rush, the heartbeat and pulse of the seas.
I can hear the infuence of Marilyn Manson in “Deviant”, in the way the song is structured. The chorus is a persistant and tenacious stream of conciousness which pushes to be heard. One man’s deviance is another’s normalcy because we are who we are.
First impression of “Medusa” was it is going to be a power noise piece until the melody kicks in. Even though Medusa was a gorgon, this is another homage to vampiric beings and reminds me very much of the 90’s goth/electronic sound.
“Passion” has air light keyboards and that great constant danceable beat, with the slight VNV Nation smoothness that makes their older songs just soar. This is EBM at it’s best.
Some believe that soul mates are awaiting us, also known as “Twin Flames”. The ultimate partner that completes you and that joy can be heard in the jauntiness and pop sensibility given to this piece.
Slowly, the title track, “The Art of Despair” crawls darkly across the floor, a vision of murky oblivion. It is insistent and pokes at your reality.
The last three songs are remixes of “Bipolar Pop”, “Be Myself” and “When The Sun Goes Down”. Aesthetic Perfection‘s Daniel Graves, really injects himself into “Bipolar Pop” which brings extra raw power. “Be Myself” mixed by Subliminal Code, just leaps out as an electronic dance number and last “When The Sun Goes Down” is given the super slick treatment by Panic Lift.
Third Realm‘s sound is developing over time. Originally, a harsher industrial music style which has become a bit more electro and synth savvy but hasn’t lost any of its intensity.
It is not lost on me that you can almost taste the heavy German EBM, darkwave and gothic influences and especially, Blutengel and L’Ame Immortelle.
Nathan Reiner‘s Third Realm has unleashed for you a gothic horror album of inner demons, monsters in human guise and immortal love, all to a wonderous industrial beat.
American industrial/EBM is alive and well, with the prime example, Slighter, also known as Colin Cameron Allrich. This accomplished musician and producer is based in Los Angeles and can be found on the Confusion Inc. label.
In May, Slighter brought forth his latest album call Automata which can be found on Bandcamp and most recently released a deluxe version with ten extra tracks.
There is nothing more memorable than a heartbeat and “The Shadows” has this familiar rhythm. This is a quiet and retrospective feeling number about things now passed and how the past can repeat itself to start off the album
In isolation, there is a loss of identity and the ability to be forgotten. Oscillating electronic tones with the vocals droning over the top of “Isolate”. This is serpentine in the way the music flows. If you can’t guess by now, this isn’t going to be the happy joy album…
“Give Me” is a solid EBM track. This features Craig Joseph Huxtable on vocal duties, who is best know for the Vancouver bands, Öhm and Landscape Body Machine. It has those wonder low vocals and heavenly ‘oooohs’. This isn’t the first time Huxtable has a dalliance with Slighter, as seen on the Erode album with the song, “Lights Out”.
The dark, atmospheric piece, “Survive”, is made even more delicious by the whispered lyrics. Colin’s enunciation is brilliant and so very crystal clear, so you can see the darkness reflected over and over again, accented with that solo guitar.
“Imbalance” is a spoken word observation about the destruction humans have caused our planet and that the Earth will go back into equilibrium without us in the end. Kadin Contois is the featured voice, speaking at us in a monotone, matter-of-fact way. Contois is an industrial musician from Virginia, formerly known as Pseudocide..
Not much is known about Floridian vocalist, Christy Hannon but her sweet tones ring true from the start of “Walls”. A hint of a swelling musical build-up and growing beat, yet this is deceiving, as the song does not get any faster.
Moris Blak is a Bostonian industrial powerhouse on the Australian label, Blind Mice Productions and can also be found on the track, “TheHunt”. Allrich gives us a much bigger vocal presence which might be influenced by Moris Blak’s heavy, moody bass beats. This is great. It’s seedy, bold, dangerous and could be picking its nose but you wouldn’t dare tell them to stop. Well worth looking for the Moris Blak Industrial Bass Edit on SoundCloud.
“Undertow” is a great gradual building, almost symphonic sounding piece. Not symphonic because of an orchestra, rather the vastness of the sound. It is so simple and yet so huge in its concept. Maybe this is also the link to tidal waters… A drop is nothing but a sea is deep, mysterious and powerful. All this is managed with simple electronics and vocals
If “Undertow” wasn’t good enough to set the hairs on your neck on end, then “A Moment of Inexplicable Clarity” just might. This is so ambient and thick with delicate vocals and synths that wouldn’t be amiss on Jeff Wayne’s War of the Worlds. American author, Rachel A. Desilets lends her hushed tones to her husband’s masterpiece. It has to be said, these two numbers compliment each other so very, very well.
The final track for all intent and purpose, is “Static on the Line”. This is slow and grimy, like you are stuck in a greasy, dirty hotel room, with a phone against your ear, dealing with the grainy reception.
On the deluxe version, there is a reworked version of each song, from darkwave to techno/trip hop. Soundscapes through to dark electro but it never feels disjointed or at odds with itself which is an artform.
There is a reason Colin C. aka Slighter, is featured on television programmes such as Bones and True Blood. Simply put, he is quite the evocative musician. If you like to not only hear your music but also see and feel it, then you should definitely give Slighter an opportunity to get into your ear and maybe even introduce you to some talent you may not have had the delight to be entertained by yet.
Finally I get around to this. While I was writing for another publication, I promised one Daniel Graves, that I would review the next album he brought out. Enough of the excuses as Aesthetic Perfection did give us another new album in March, titled Into The Black.
“God’s And Gold” kicks this off and all you can think is, if this is the first track then what is rest going to be like?! This is a stonking number and deserves to be the single. It is beautifully bass heavy and Graves‘ throat ripping vocals are offset by his gorgeous, angelic voice that he sweetens our ears with. Do we need, crave or turn away from deities and riches? So bloody catchy. Richard Z Kruspe of Rammstein fame, beats us over the head with that guitar work.
The techno/ industrial beat is going to grab you and take you into the ‘Wickedness’. It is just dirty enough, you can feel the sexy smuttiness make you wiggle your arse. We like this type of wickedness.
“No Boys Allowed” could be considered the anthem track of the album and was the first single released. The title of this song may not be what you think and is in no way a sexist piece in the slightest. This is an ode to being allowed to be who you are and not being bullied into someone else’s ideal, ie a ‘real man’ and not a boy. A song that is also a powerful comment. The music is slightly off kilter, with electronic bleeps and estranged keyboard strains.
We are treated to a sweetly sung melody from Graves at the beginning of “Supernatural”. Questioning faith in the afterlife and God …. how much do you need to believe to get through this existence? It’s an almost pretty number.
“Echoes” is a far more pop orientated number, featuring Jinxx of Black Veil Brides. With a catchy chorus, this is very pleasant on the ears.
Track six features both Jinxx and one Krischan Wesenberg of a little industrial band called Rotersand (who are well worth checking out). Graves wants to know will “We Wake Up” from the dreams we have at night or if the monsters in them will consume us and drive him crazy. This is a slow measured piece, sung with a gusto that only losing sleep can provoke.
“If I Die”, again is featuring Jinxx, is a more lively number, with strong guitar riffs, highlighting the fact that even in this age of connection, if we pass, will people remember us or even care that we ceased to be. The guitar work reminds me a little of Within Temptation.
Yes!!!! Hit with the electronic beat once more and we are off with “SaintPeter”. The beat fits so perfectly with the synth and as ever Daniel‘s voice modulates between sweet and sassy. In fact it creeps me out a little that he croons eerily like IAMX‘s, Chris Corner (who has a seriously amazing voice as well).
The EBM is strong in “YOLO”, which I’m going to guess is you only live once…. modern acronyms are not my strong point but then I am from the era of a childhood under nuclear threat and this resonates no matter what your age.
The last song, “Mourning Doves”, has a real 80’s sound to it. Slightly bittersweet in its sentiment and it soars in its simplicity. Again Jinxx joins in and this is a gorgeous way to finish the album.
As well as the input from Kruspe, Jinxx and Wesenberg, you can also find the guitar work by Anaal Nathrakh guitarist, Mick Kenney who also co-wrote several of the songs.
For all intents and purposes, Graves is indeed the driving force of AestheticPerfection and it is his talent and vision that have developed the sound from originally aggrotech to smooth EBM/industrial with a pop sensibility.
This is very much an introspective album in many ways. It questions religion, spirituality, life, death and does it all really matter in the end or do you simply accept this life and live it because you only get one shot.
Aesthetic Perfection are one hundred percent independent by self releasing on Bandcamp and Patreon. I would really encourage anyone who hasn’t listen to Graves before or not indulged in bathing their ears with Into The Black, to do so. This is a ripper and will continue to grow on you.
Mach Fox (Zwaremachine) is from the USA and Ania Tarnowska (I Ya Toyah) is also from the United States of American and they have come together to give you the single “Smile That Killed A Country”, ahead of their Code Blue Tour.
Ania has a smooth and unhurried voice, while she croons and caresses your ears, inviting you into this electronic wonderland. In opposition you have Mach Fox, with his much more earthy, gravelly tones, giving this song it’s far more gritty feel.
This is sexy and kind slow but with a constant beat. There is no distant screams but I Ya Toyah whispers and cajoles like a lover with angelic tones. With a voice like that, I can believe she might smile and kill a few people by turning their legs to jelly.
Mach Fox compliments her completely vocally as they weave between each other, almost taunting each other, seeing who can pull off the most naughty sounding lyrics. Honestly, they both do really well in that department and couples grinding and gyrating on the dancefloor, getting hot and heavy would really find this heating up their ardour.
“Smile That Killed A Country” honestly makes me think back to the laconic and iconic sounds of Portishead. There is something almost otherworldly about nice laid back electronics.
You can listen to this song on Bandcamp if I have hopefully whetted your appetite and as always please support artists if you like their music.