This May saw the release of Manchester’s, Rhys Bloodjoy‘s album, Human. Pattern. Repeat. In hiatus, ensconced in Spain during the height of COVID-19, Rhys found himself in a position to find inspiration to create.

Bloodjoy’s style is described as shoegaze, sophisticated electro loops with melody. With that in mind, let’s delve into this noise monster.

Instantly you are taken by the electro beat and the almost Joy Division guitar with “Death By Succubus“. The vocals are distorted and the guitar starts to wail as the song picks up speed, becoming more frenetic. And then nothing…….

Suck” has a middle eastern feel, threading it’s way though this rhythm driven piece. Like a psychedelic trip in a demented hippie van of free love and sexually driven tension.

Single, “Run From The Hunter“, draws on an almost American native rhythm and texture. Feed back upon feed back, as the guitar fuels the claustrophobic feel that you can’t get away from.

An interesting title in “Birth Canal Contemplations Blues” and like a Jim Morrison messiah from under the sheets, Bloodjoy wants to make love with that waggling tongue.

Celebration” is down and dirty rock and roll that is relentless and pulsating. Not everything is worth celebrating because life can be difficult and painful without being constantly reminded as well that you can do better.

An intense build up to “Infernal Regions” that winds around your senses. Reminiscent of The Cramps‘, Lux Interior, both vocally and suggestively in a lurid wanton manner. This lascivious and dark.

RHYS BLOODJOY

Final number is the title track, “Human. Pattern. Repeat.” It is a short explosion of screaming noise and reverb that rings out, then suddenly fades to nothing.

Death and sex are often thought of as two sides of the same coin, just like genius and madness. Bloodjoy likes to use the references of one for another or double entendre to evoke those feelings and ideas through both the lyrics and the tone of the music.

It is a clever use of off kilter psychedelic with raw guitar mixed with that industrial sensibility, which makes it a tad unusual and extremely interesting.

It’s got a little bit of everything for those that love experimental, noise and shoegaze styles. Check out Rhys Bloodjoy’s album as it is name your price for the download or you can buy the vinyl LP and remember Human.Pattern.Repeat.

https://bloodjoy.bandcamp.com/album/human-pattern-repeat-vinyl-lp-digital

http://www.facebook.com/RhysBloodjoy

http://www.bloodjoymusic.com/

The latest single from Italian duo, Kill Your Boyfriend came out the end of 2019, called “Elizabeth” on Depths Records and the label is based in London. This is the appetizer before they release their new album this year.

KILL YOUR BOYFRIEND

An anguished, noise filled introduction reminiscent vocally of Kirk Brandon (Theatre Of Tragedy and Spear Of Destiny) with the intensity of Andy McElligott (Sex Gang Children), asking ‘why are you here?‘. This is experimental noise with a shoegaze twist. Heavy beats and grating industrial screeching as “Elizabeth” undulates and graduates until the last prolonged note heralds the end.

Almost three and a half minutes of song and yet it pulls you in and spits you out, like hardly any time had passed at all. Plus there is a remix of “Elizabeth” for your listening pleasure. If you enjoy your industrial noise then there is no doubt you will get into Kill Your Boyfriend and if you haven’t heard of these guys before, then this could be the gateway drug that sucks you in.

https://killyourboyfriend.bandcamp.com/album/elizabeth-2

https://www.facebook.com/kyboyfriend

https://killyourboyfriend.net/