This year, the band, Amaranth, in conjunction with Sounds And Shadows, released the epic goth/EBM/industrial compilation, Tiny Gods Who Walk Beside Us. All songs were donated by the bands for a rather wonderful cause.

Most dark alternative types will tell you they are very fond of animals and especially cats. When band member of Amaranth, Ken Magerman found out his young cat, Freya, had cancer in her leg, Ken was devastated and desperately wanted to save his feline companion’s life. This is an expensive procedure, so musician friends from around the world offered songs to help pay for this treatment, so began this complilation.

The classical undertones of Lorelei Dreaming bring us “Edge Of The World” (I.X.XI Remix), which is grand beginning with beautiful choral touches that give this great depth and a glittering beauty.

For Freya” is a very raw piece from Amaranth, but then this is understandable knowing where this song is coming from. With bluesy overtones that expand to anguished gothic rock.

A quieter synth lead piece from US act, Covenant Of Thorns in “Dahlia” (The Joy Thieves remix). A sweet number that is both darkness and light at the same.

Got to say, Corlyx‘s “Deform” (ESA remix) is a really a great song and remix. A mixture of trap syncopation and lazy beats keeps this very entertaining.

Antipole and their sexy song, “1983” featuring the completely sexy Eirene (People Theater remix) show you their brilliance. Danceable, pop electro synth number which you can’t help but enjoy the airy joy it exudes.

Like silk, Ego LikenessDarkness” (Dracos Deep Mix) will grace your ears. This is smooth, electro beats and oh so catchy to boot with this remix.

Machinery Of Desire drip with gothic honey in the form of “Forever Remain“. I would not be surprised in the least of they were influenced by Wayne Hussey’s The Mission. That similar winding flowery style.

The synth musing of Adoration Destroyed in “Both of Me” (Authentic Impulse Remix) as they try to reconcile the two sides of their personally. Those that like Third Realm will really enjoy this number.

Crying VesselIllusions” (remix Dead Agent) is a throw back to the early 80s electronic period. A simple, clean track with a light touch in the remix, making this a really danceable track.

The haunting number of “Code Blue” by I Ya Toyah (remix Arcontas Blank) rings out with that wonderful heavy organ based synth filling it out. A song close to singer Ania Tarnowska’s heart, about the loss that comes with suicide.

Really digging Twin Tribes the more I hear them and “Dark Crystal” is a great example of their post punk, goth electro sound. Really fabulous tune that chimes away and gets into your head.

Radiograph is in essence John Edwards from Palais Ideal and he has contributed “Catnipped“, an instrumental piece centred on an electro beat/ synths with guitar accompliment. Edwards is well known musician in the scene and a deft hand at penning a tune.

Silver Walks has remixed “Fuck That Fascist Beat” by Caustic. This already a good song which now is even more urgent in the remix. The song is probably more poignant than ever before and is old school style industrial done well.

Straight from the beginning, you hear that this is going to be a bit special. Seven Federations gives you “Syzygy” or a celestial alignment. It is reminiscent of Attrition’s classic “Into The Waves“, with its simple beauty.

VlimmerSchnittstelle” is ethereal and unearthly as they try to interface. Even though ethereal, it feels so organic at the same time, natural.

Dogtablet are kind of a mini super group. “Showtime” (Melodywhore Slave Remix) is a rhythmic groove piece with piano as the standout instrument amongst the electronica.

If you like pure instrumentals with some sublime synths and an interesting configuration, then Kiss Of The Whip has “This Pain Is Ours” for you.

Welcome to Steven Archer’s The Showroom“. It’s s little dirty and has a bassy chorus which is never a bad thing. Archer who is also Stoneburner, is all class.

This isn’t even mixed and Cliff and Ivy have a tremendous earworm in “Will To The Power“. I have to say, Christian Death. It smacks of many the great things about Rozz Williams and company in the 80’s.

The off kilter start by Orcus Nullify, launches “March Of The Lost“. Very much in the vein of the Bauhaus vibe with a experimental edge. A dirge to the those forever destined to wander without end.

The sombre tones of Ritchual‘s “You Lied” lilt with a plaintiff anguish. This is clean, delightful synth wave with a European flavour even though they are based in Austin.

Sister Sarin is the project for Hemlock and she gives to you “Split“. This is a percussion heavy piece with all the keyboards rounding out the beat heavy sounds.

Get ready for the nightmarish spokenword performance of Swansect with “Clovermouth“. This is claustrophobic and sinister in the modern era electro.

Rob Early and Simeon Fritzpatrick are 11Grams and you are going to feel them in your “DNA“. This is a blend of old school industrial with a clever reinvention, which they are well known for. Slow and menacing, as it gets under your skin.

Ego Likeness is the last track on the album for the digital download with “Breedless” (Sombre Remix). The lyrics are truly interesting to listen to, with ‘maybe my mother was a hydra‘ as well fae folk and other such creatures making Ego Likeness the crooning sexy beasts they are.

This is a great showing of gothic, synthwave, EBM, darkwave and industrial being represented and definitely worthy of many listens. The best part of this story is that Freya may have lost a limb but she is still with Ken and a truly loved being.

My last cat passed away at 20 years of age and I mourned her death for many years until l adopted a rescue cat and to be honest, fell in love all over again.

Once cats were revered as celestial beings in Egypt and one can understand why. We love their arrogance, sass and let’s face it, they can be completely selfish pricks yet if you do love them, they will give you so much in return.

So show some love for Freya and her kind as well as all the wonderful bands that have been so generous.

https://theamaranth.bandcamp.com/album/tiny-gods-who-walk-beside-us

https://loreleidreaming.bandcamp.com/

https://acot.bandcamp.com/

https://corlyx.bandcamp.com/

https://antipole.bandcamp.com/

https://egolikeness.bandcamp.com/

https://machineryofdesire.bandcamp.com/

https://adorationdestroyed.bandcamp.com/

https://cryingvessel.bandcamp.com/

https://iyatoyah.bandcamp.com/

https://twintribes.bandcamp.com/

https://palaisideal.bandcamp.com/

https://causticngp.bandcamp.com/

https://sevenfederations.bandcamp.com/

https://blackjackilluministrecords.bandcamp.com/

https://dogtablet.bandcamp.com/

https://kissofthewhip.bandcamp.com/

https://stoneburnerofficial.bandcamp.com/

https://cliffandivy.bandcamp.com/

https://orcusnullify.bandcamp.com/

https://ritchual.bandcamp.com/

https://shadowsandrust.bandcamp.com/track/tripwire

https://swansect.bandcamp.com/

https://11grams.bandcamp.com/

From the darkest rescesses of San Antonio, Texas, there was a predatory beat out on the street, as goth rockers, Saturday Nite Shockers in March, let loose the single, “Blessed Be” (which is not to be confused with The 69 Eyes, “Blessed Be“).

The very first cords take me back instantly to a guilty pleasure and remind me of that slightly goth and all glam Finnish band, Negative. This is an ode to darklings of the night and the brotherhood of being a part of a culture that isn’t always understood and often looked down on.

The vocals are clear and clean, the guitars sing and wail and the rhythm section throttles it forward.

This is the first song I have ever heard from Saturday Nite Shockers and it was far more melodic and not completely full on as I thought it was going to be which isn’t a bad thing as it shows depth. With a band name like that, I’m fairly sure they also like to melt your ear holes when in full swing.

SATURDAY NITE SHOCKERS

These guys aren’t on bandcamp, however you can find them on Spotify, iTunes etcetera or if you check out the YouTube link that will help you find out more information.

Not sure if they realize it but I think they might be channeling the Finnish goth rock scene because they have the more suave punchiness punk of The 69 Eyes, who were influenced greatly by The Misfits, with those wonderful guitar riffs so reminiscent of Negative plus the dark romanticism of HIM.

Check out Saturday Nite Shockers and their single, “Blessed Be” all you ghouls, lost boys, witches and rock’n’roll bitches.

https://www.facebook.com/saturdayniteshockers/

When you talk about industrial electronic noise acts like Coil, Throbbing Gristle and In The Nursery, you have to add Coventry band, Attrition. January saw the release of a new single, “The Great Derailer” from the album, The Black Maria, which is due out in the coming months.

Martin Bowes is the one member who has been continuously part of the group from the beginning in 1980 and has always steered Attrition to being a much lauded and still viable act now, even in 2020.

Martin Bowes

Of course the title song is first, “The Great Derailer” which is exactly five minutes long and begins with the jangling of guitars, juxtaposted with female vocals. Bowes‘ gutteral tones gravel along with Emese Arvai-Illes as the female lead, almost floating above Bowes. Who is “The Great Derailer“? There is a sound bite that seems awfully like one U.S. president called Trump. The violins are discordant and almost manically high pitched with fervour, off-set by the mellow tones of the cello, all heightened by the soprano wailing, rising and falling. Whoever this Great Derailer is, they revel in the turmoil created by the direputable and unruly.

The B-side is “The Pillar (For Ossington)“. Ossington Subway Station is located in Toronto, Canada and also the place that Martin made field recordings of the trains as they pass by and stop. This is a much more sublime piece, almost clasical in nature, with female vocals like the calling of the sirens to lure you into their world within a hurtling steel carriage.

There are a bonus four remixes of “The Great Derailer” on the digital format. There is “The Great Derailer” by Planetdamage remix, “Entertain YouDead Happy remix, “The Great DerailerMr Toma Vs Noirmagnetik remix and Khost‘s remix “Derail“. Each is diverse and a new surprise from Planetdamage’s laid back dismantling to Khost’s reimagination in industrial power noise.

My first real introduction to Attrition was in the early 90’s with the compilation Recollections ’84 – ’89, put out by the label Projekt, who are well known for their electro ambient releases, even though I had heard the odd song here and there. As leaders in their field, they have released some powerful albums full of creativity and dark beauty.

Now in 2020, on the Two Gods label, Attrition is about to grace our ears again. Martin Bowes is threatening us with another single and new album….. and I for one can’t wait to hear what comes next.

https://attritionuk.bandcamp.com/album/the-great-derailer

https://www.facebook.com/ATTRITIONMUSIC/

http://www.attrition.co.uk/

End of November, 2019 saw the release of goth rockers, Her Despair’s latest EP, Exorcisms of Eroticism. This 6 piece band are based in London and currently not signed to any label, though I wonder how long that will last.

Pandaemonium” is a banger of a number to start off with. Those crystal clear vocals that draw you into the heart and heat of song. Author, John Milton, wrote the novel, Paradise Lost and created a capital of Hell called Pandaemonium, city of fallen angels and daemons. This builds in its terrible beauty of a soul left bereft and shunning heaven’s God .

A single off the EP is “The Exorcism“. Again you hear the wonderfully crafted lyrics with the musical sensibilities of Ville Valo (HIM). A few goth girls are going to melt with this and I can see why. The guitar riff in this is a killer.

Third track, “In That Moment”, has the orchestration wooing you whilst giving you a sense of wonder at how they manage to make this sound so grand and polished. The electronic aspect is spectacular.

For such a darkly named song “Like A Crucifixion“, it feels so light and up beat with a great, catchy chorus. If this is the next single, I would hardly be surprised.

I think English icons, Paradise Lost might have misplaced a track in “Beyond The Veil” as it really reminds me of their goth phase. This is a slightly slower number and I’m not sure if the reference is a veil of mourning or the distance between death and life, though no matter as it all works.

Of course all this commentary of passing to the land of the dead leads well into the final track, “Final Rest”. The sentiment is beautiful as the music swells with the acknowledgment of going to a place of peace… their heaven.

HER DESPAIR

For Her Despair, this is the second EP since the band first released Mournography in 2018. There is great wealth of literary expression and the use of poetic English language is lovely to see.

The band cites influences like The Sisters of Mercy, My Dying Bride and Karl McCoy’s wonderful, Fields of the Nephilim and honestly you can hear touchs of these 80’s iconic goth bands but also more recent acts like The 69 Eyes, Lacrimosa Profundere and more than a passing nod to tragic love hero’s, HIM.

Goth rock needs shots in the arm like this every once in a while because what the world doesn’t need is another Sisters of Mercy clone, yet this is a classic example of love lost, longing and dwelling in darkness, set to a backdrop of heaven and hell. Beauty is in the darkness and in the music of Her Despair.

https://herdespair.bandcamp.com/

https://www.facebook.com/herdespair

https://m.soundcloud.com/herdespair

This year English duo, Unquiet Dead had the release of their second album, Anima Ignis. Located in Bedfordshire, Lora Maze is vocals and synths while Jason Kahl plays guitar and bass. Both are responsible for programming.

So the intro is “Flames”, which welcomes you into the style that is Unquiet Dead. Soaring harmony with a tribal sound, punctuated with the guitar, giving it a whole lotta oomph!!!

“Ash” was a single and has an almost White Zombie, Southern American feel to it until the vocals from Maze kick in, seductively slipping into your ears. A psychedelic trip in a limosine, in leather with a devil may attitude.

Yet another single off the album is “Legend”. Do I detect the use of didgeridoo? Kahl’s driving guitar work throttles this forward. And the remix by London based electro/industrial group, Machine Rox for the single is absolutely killer. Vocally this reminds me of Faith And The Muse.

Keeping up the unrelenting pace is “Puppet Strings“. You have to love the harmonization Unquiet Dead utilize. No one is pulling their strings with this danceable number.

Now for a change of pace. Of course “Cat People (Putting Out Fire With Gasolene)” was written and performed by David Bowie with Georgio Moroder back in 1981 and has been covered a multitude of times. The whole thing with covers is to make it your own. A purposely slow beginning which changes up with the power vocals.

And back to the head bobbing ferocious beats. Burn My “Head Down” is about getting out from underneath someone’s control… which might be a theme of this album. Hints of electric T-Rex litter this.

Track seven is “Bitter Pill“, where they have to be ‘careful what I say or they might put me away’ and any song mentioning pitchforks is worthy of monster movie staking.

Build A World Worth Dying For” is pure swirling vocals entwined with guitar and backed up with synths. A plea to make this world a better place that we know it can be. A beautifully crafted song with and equally beautiful sentiment.

The synth sound mimicking a theremin in “Is This War?”, Is almost hypnotic. Not the fastest track but this will definitely keep the audience entertainered, especially waiting to hear Maze’s vocals to take them away.

I Can Hardly Wait” is slower, more dirge style piece which drags the corpse along behind it still kicking. Languid guitar riffs bubble in the cauldron.

Last track is “If You Don’t Want Me” and true to form, if you aren’t wanted, there are no constraints on what you can do and be who you want to be. This fades to a mantra of almost southern Baptist proportions.

On Bandcamp, the band have quoted Toyah Wilcox as saying ‘Really rather remarkable’. I can tell you now that in the music scene, Toyah is a very hard woman to impress as she is a bit of a perfectionist.

Whatever style you want to try to place these two, it is undeniable that Unquiet Dead are really very talented. They take the psychedelic sounds of a bygone era and marry it to a modern electronic/ industrial genre with those amazing vocals to create something just a little special.

The bastard child of Bolan/Bowie/Eno and Inkubus Sukkubus with no apologies. Check Unquiet Dead out.

https://www.facebook.com/unquietdead/

https://open.spotify.com/album/0KO0hqCUtvxZaA0BrNIuZ7

https://unquietdead.bandcamp.com/releases

http://itunes.apple.com/album/id1321653244?ls=1&app=itunes

https://www.amazon.co.uk/dp/B077YC5SPC/ref=sr_1_1…

Finland seems a very small country, with an even smaller population and yet, somehow, they have far more than their fair share of talented musicians. Hateful Chains is a four piece gothic/darkwave band from Turku, who started up in 2016.

From their stunning guitar to the striking female vocals, this makes your ears prick up on their latest single, “It’s All Right“.

HATEFUL CHAINS

The guitar work is refreshing actually, light and almost joyful, not dark and dredging, reminding me of another Finnish band, Negative. Negative was for me a glam rock band quintessentially, so there goes my goth cred points but it works so well here.

Paired with the vocal talent of the female lead, Flora Kok, who has a nice powerful range from alto to soprano, without going all operatic. Dare I say, a bit Grace Slick to my ears. Yep, I said it.

The Finnish always amaze me with their virtuosity with their instruments and ability to create such memorable songs.

This is a great single which deserves to be noticed in world full of the same old same old. I think this more than a bit of ” It’s All Right“.

https://hatefulchains.bandcamp.com/

http://hatefulchains.blogspot.com/

https://www.facebook.com/HatefulChains/

Neon Tzigane are a London based duo, comprised of vocalists Howling Mina, who also handles percussion and Samson Deluxe on guitars and programming. They have released a third EP, Paramisha.

“The Lost Cities” has tried to incorporate a middle eastern sound which weaves through the song as this duo sing us a tale of civilizations gone forever beneath the shifting sands of mysterious desert climes.

You can hear the old 80’s goth wave jangly guitars on “lost without you”. Deluxe takes the reigns on this track vocally, with Mina doing a fine job backing him. This is a really good pop tune, though short, rather upbeat and quite unlike any other track on the EP.

“Nothing Is Forever” begins with a guitar riff that Pete Steele from Type O Negative would be proud of. Howling Mina and Deluxe harken back to parts of 60’s psychedelia mixed with Black Sabbath.

The last track on this EP is the title, “Paramisha” with its slow build up before the guitars chime in, laced with synths as the sound winds up. This is a purely instrumental piece, that we are confronted with, which leaves you wondering if there is more to come.

All four tracks are fairly different from each other, which isn’t always a bad thing if you like variety and hearing how a band can challenge themselves. Should be interesting to watch Neon Tzigane develop and anticipate what they will release next.

https://neontzigane.bandcamp.com/

http://open.spotify.com/album/15j4tBUh 

http://www.deezer.com/artist/55951002

Those busy lads from the north of England are back. I previously, for another publication, reviewed Auger‘s first album. Since last year, they have been making a name for themselves by touring the UK and Europe, whilst writing a new album named, From Now On I.

The newest single is a song called “Find My Own Way Out”, released on the label, darkTunes Music Group, ahead of the awaited album release.

This song is a great progressive piece of electronica/industrial with good vocals from Kyle Wilson and guitar work by Kieran Thornton. It is all nicely blended and a good strong number with a memorable chorus.

Lyrically you find a song about being pushed and let down even after putting your faith in others. In the end it’s about getting yourself out of dark places you end up dwelling in. Finding that light inside you to push forward and be the cataylst of change you need.

In a year, I can hear the difference in these guys. Their sound had matured and become much tighter which is a credit to them.

Auger have really started in earnest to cultivate a sound that is uniquely their own and it pleases me no end to say, check out these young fellas and cannot wait to hear the new album.

http://http://www.auger.band

https://www.facebook.com/AugerUK

https://www.instagram.com/auger.band

http://www.darktunes.com

https://www.darkmerch.com

http://tinyurl.com/darkTunesFB

https://twitter.com/darktunesgroup

https://www.instagram.com/darktunesmu…

https://open.spotify.com/user/darktun…

The Odyssey is a grandiose tale by the Greek writer Homer but it is also an album devised by far more modern Greeks, whom are no lest dedicated to the art of story telling in the form of Dark Awake, while Regard Extreme is the French connection in this collaboration.

So we are onwards “Towards A Long Journey” and it is slow and steady with each classical instrument getting it’s fair turn. This flows like deep water and oozes ancient charm of the mediterranean as our hero Odysseus leaves the Trojan Wars to head home to his kingdom.

“Polyphemus (A Trick Against The Cyclops)” has a gorgeous string ensemble which breaks in and out with horned instruments. You even get to hear the cyclops as the music goes from light and laid back to more intimidating, building. His enraged yells as he has been blinded in his one eye, calling on his father, Poseidon.

And so we enter the “The Land Of Laistrygones”, the seriousness is expressed which the deep menacing tones of this dirge as Odysseus and his fleet land on an island, only to find man-eating giants who hurl boulders at the unsuspecting fleet, sinking all ships bar one.

Odysseus must make the trip to see the dead and blind Theban, “Teiresias (Prophet In The Underworld)”, seeking advice. The music reflects the other worldliness and the unnatural, as the living invade the realm of the dead. This is far more electronic but suits well.

Whilst on the way back Odysseus and his men, land on an island belonging to “Circe (Metamorphosis)” who is a goddess of magic and a nymph as well as a daughter of Helios the Sun God. She turns all the crew into swine and Odysseus promises to live there for a years if she reverts the spell, which she does. The strings are hesitant and the heaviness is palpable and a single female soprano can be heard. Circe has gotten what she desired.

ody 2

The most famous part of The Odyssey is of course “The Sirens (Fascinating Song)”. Their song lures the unwary sailor onto the rocks so that all hands may drown, consumed by the sea. A lilting female vocal rises and falls like the sea swells, enchanting and mesmerizing with such clarity backed by a piano played discordantly, a foreshadowing that not is all as it seems.

A single violin and chatter herald in what sounds like giant horns announcing battle. Travelling within a confine with enemies on both sides, waiting for something to happen. “Scylla and Charybdis” literally means to have to choose between two evils. A strait of water they must travel has Scylla on one side and Charybdis on the other. Two monstrous females that consume all that come past them. Scylla with her giant toothy jaws in 6 heads or Charybdis whom acts like a whirlpool sucking all within.

Soon our adventurers make their way to “The Island Of The Sun God (Helios)” where everything is fairly nice, the beautiful Helios has a chariot to draw the sun across the sky and he has a herd of immortal cows. The music is light with female singers giving pleasant intonations. This seems a sweet reprieve from the ominous pieces previously. One dead, blind Theban seer had warned them not to eat the cattle of Helios but no, the daft crew just had to eat them, enraging Helios into asking Zeus to take vengeance.

The sounds of water dripping within a cave. “Ogygia (Calypso’s Island)” is Odysseus’ next landing alone. Here he is met by the nymph, Calypso who has fallen in love with Odysseus and wishes to marry him. He refuses and holds him there for 7 years until Zeus intervenes, then she gives him a boat supplied with food and wine. The music wends its way, wary and building and reprising like an argument but constantly writhing seeking resolve. Then it becomes stark and grey with the voice of a goddess. Is this Calypso asking to be loved? Synths make this slightly deranged feeling that lingers.

Telemachus was Odysseus’ son and his education had been left to the wise old Mentor. “Mentor (A Message From A Goddess)” is about Athena taking the guise of Mentor to instruct Telemachus to go find his father before his mother remarried. It is etherial, light and unearthly as the visitation of Athena should be. Whispers and vocal exclamations heighten this sensation of light.

Ody 1

“Ithaca (Return Of The King)” is fair self-explanatory. An unrecognizable Odysseus participates in a show of strength and then kills all the suitors. After convincing his wife it really is the King, all is set to right. Dark and brooding with almost industrial banging, maybe the impending death knell. Though it doesn’t sound like the happiest of returns but then slaughtering all your enemies is like that.

This is indeed a music interpretation of the Odyssey. Musical visualizations of important pieces of this two and a half thousand-year old poem. It is evocative and poignant. If you love neo-classical music or have a great love of the Homeric poem, then I highly suggest you check this out. They say beware of Greeks bearing gifts but in this case it’s a good one!

 

https://darkawake.bandcamp.com/album/the-odyssey?fbclid=IwAR1TCMTiY9MWU5UCD7GJ6Bkv46JDjPZDRbgktSrhz5gRiT4t4A5i7NnnuQM

https://www.facebook.com/pages/DARK-AWAKE/189786207738223

https://www.facebook.com/regardextreme/

From the online publisher, Ton Doigt Dans Mon Cul Netlabel, we have an E.P. with two artists. Building Castles Out Of Matchsticks (Anne Sulikowski) from Canada and Sean Derrick Cooper Marquardt of the USA with the rather intriguing title….Why Should I Give You The Cure, When I Can Always Give You The Treatment.

building
Building Castles Out Of Matchsticks (Anne Sulikowski)

Swirling noise with reverb pulsate cosmically, like an epic space trip into the unknown. Why unknown? Because we, as the listener, are unsure of this journey and we are here for the ride and experience.

Like twinkling stars and beating quasars, this transfixed you though sound alone. It is imagination unbound and the composer might be the alien hand guiding us.

It is hard to imagine that Sulikowski can make many of these amazing sounds on a guitar but then “Differential Diagnosis” is a 13 minutes and 42 seconds piece of electronic beauty and the only number by Building Castles Out Of Matchsticks.

 

sean
Sean Derrick Cooper Marquardt

 

 

Someone is leading a crowd in unity in “Dreamers” and so starts Sean Derrick Cooper Marquardt‘s contribution. Laid over the top is discordant piano and feedback, then it suddenly……stops.

“We Destroyed All the Mirrors and Glass Out of Fear That You Will Forget Us and Fall In Love With Yourself” could be the longest song title I have ever had to write and this is a low cacophony of sound, which when you listen you can hear drums and chanting within, like Tibetan monks and their throat music, within a storm, within a can.

Bells chime, clear and bright over a haze of noise. This is “Instant Karma” which is the segue way, even though it suddenly stops for the last piece, “Tod von Heike Klar”. Buddhist monks chant with german spoken word, not so much vying for attention but running in harmony with the chanting. You just accept the words and sutra rather trying to understand them or garner meaning.

These pieces take you on journeys to feel and hear whatever you take from them but ultimately, let it take you away to new realms.

Yes, this was released 2 years ago but then this is the whole point about music is the search for what gives you pleasure and bringing things to the broader attention.

All music on the Ton Doigt Dans Mon Cul Netlabel is for free download, so why not indulge your senses.

soundcloud.com/buildingcastles
buildingcastlesoutofmatchsticks.bandcamp.com

https://www.facebook.com/seanderrickcooper.marquardt

www.facebook.com/tondoigtdansmoncul

http://tondoigtdansmoncul.bandcamp.com/