From Wroclaw, Poland comes the band xDZVØNx with their album Everything We Dreamt About, released April 3rd.

Welcome to the sweet insanity that is Børa on main vocals, synths plus mandolin and Snufkin on backing vocals, synths and programming.

They describe their style as noisepop, mixed with brutalistic architecture and glitch art, and originally were associated more with the witch house scene in Europe.

XDZVØNX

Intro piece to the album is “Why I Called You“. Just by listening to the lilting short number, you can tell that this is going to be a highly electronic album.

Current truth is “Face By Face” right now is my favourite track off the album. The vocals are wonderful and just something about this is almost soul deep.

The Final Boss” really feels like a cheesy platform game tune gone cyberpunk. It’s fast and fun, brilliantly light yet bassy massive beats in this short piece.

Rolling seamlessly straight into “Panic“, the vocals puncture your ear membranes as they shred straight ahead, frantic with a reprieve at the end.

The dulcet and seductive tones of Børa in “Pray” lead into fast paced beat, that spirals and twists in an almost out of control fashion.

Bubbles” actually does sound like foamy spheres floating and eventually popping. A low electronic buzz in the bass ties down those light bubbles of sound.

The somewhat dirge start of “You Have To Be Alone” is a bit confusing until the cacophony of noise breaks through. And so we have lulls and crescendos of screaming synths as well as the human machine.

You might find “I Want To Find This Girl“, sweet and understated, almost ballad like. It is pieces like this that show a lot of depth.

Like a bad trip, the single, “Litzmannstadt” featuring Belmondo, wavers, like you are in and out of consciousness and there hints of Die Antwood. Belmondo is the rapper that embellishes this with his deep vocals and polish lyrics.

Imagine an 80’s electronic wonderland mixed with Ladytron and you have “Playground“. This is nearly hypnotic in the way it is written.

I Will Vomit Glitter” is a get your punk/industrial on extravaganza of a single. A fun upbeat track about literally vomiting glitter.

The song, “No Eyes” just explodes in a glorious wave of sound. It will suck you in with the tune and make you want to bounce.

Angelic vocals over soaring synths and hard bass is the style of “Stupid Smile“. Booming and echo filled visions of a smile that is left in the mind. You might think for a moment that something is wrong as the sound skips and wobbles like a tape being eaten by the deck but this is part of the experience.

Not sure if the vocals are Børa or Snufkin on “I Am Saint“, as they have been slowed right down to a deep rumble of a voice. And this is also the last number for xDZVONx and it leaves you wondering who that was.

There is nothing boring about this album. This is avant-garde, experimental expressionism in electronic art form. We hear Børa both sweet and harsh and Snufkin helps push the boundaries of electronic music as an extension of themselves. Every time I listen, I hear something new. This is Everything We Dreamt About from cool tunes to dance beats from xDZVØNx.

https://xdzvonx.bandcamp.com/album/everything-we-dreamt-about

https://m.facebook.com/xdzvonx

Die Notwendigkeit der Notwendigkeit translated into English means the need for the need and is also the title for the first album release for the Munich based trio of PAAR.

This three piece comprises of vocalist Ly Nguyen, Rico Sperl plus Matthias Zimmerman and they can be found on the Berlin based label, GRZEGORZKI Records.

Can’t help but notice that German precision, perfect beats and timing. “Common Crimes” starts and is soon in the swirling heady territory of the wonderful Curve. Nguyen’s vocals curl and bedazzle, adding to a powerful wall of noise.

PAAR

Beauty Needs Witness” is brooding and bass heavy, seems to hold a great sadness of lost innocence. The guitars almost cry out to you.

The intro to “Rework” is delightful and breezy. This is what Siouxsie and the Banshees would sound like if in a lighter brighter world. The guitar work again is an exquisite construct to hold the vocal jewel.

Modern” at the beginning makes itself known with frenetic buzzing guitar work and an almost imperceptible oriental quality to the tune at times. Nguyen is joined by guest vocalist Grotto Terrazza also known as Thomas Schamann, who’s deep sonorous tones melt nicely in accompaniment.

Again a nice lightness that highlights the darkness is heard in “Pure” which wouldn’t amiss on a Cocteau Twins album.

Eis” is a little faster and more jaunty and the guitar work is wonderfully jangly and this song has a lot of personality. It would almost be a crime for it not to be a single.

So what lays in the “Lakes“? Not sure because either it’s unknown or they aren’t listening. But seriously a tune with mystery at its heart.

Last track is “Metal” and this is sassy, in same way as Blondie both vocally and guitar wise. That punk infused joy of new wave music, with a shimmy inducing last song, which is a great one to end on.

Earlier I mentioned Cocteau Twins and a lot of this is very much in the vein of that 4AD ideal and ethos. This embodies that movement of when new wave was developing out of the punk scene in the late 70’s going into the 80’s, fused with that sweet European cold wave/dark wave sound and cool culture.

Art inspiring music and music inspiring art which might explain the title, the need for the need or Die Notwendigkeit der Notwendigkeit, for art and music do not exist without the other muse and here PAAR are the catalyst.

https://paarmusic.bandcamp.com/

https://m.facebook.com/Paarband/

https://www.instagram.com/paarmusic/

https://m.soundcloud.com/paarmusic

http://www.paarmusic.com/

Adriana Martinez and Miguel Bastida are the Mexican duo that make up Deer Mx. The band met, formed in 2013 and reside in Hong Kong of all places and released the beginning of the year, the single, “There’sNoFuture” with a video clip.

The video itself is made up of news disaster and war footage, conveniently called the WWIII Version.

This song seems to deceive you into thinking it is a slow number and for the most part it does start out that way. Though slow to start off, it is persistent even with Martinez’s dulcet tones.

This reminds me of 4AD’s time with the Cocteau Twins that offered dreamy vocals to get lost in. Add in a small dose of P.J.Harvey with Slow Dive and that’s a pretty close estimation.

The music starts to crescendo and crashes inwards with synths and a guitar blazing away.

DEER MX

Every time I hear this piece, it grows more and more on me. Pop savvy with industrial rawness. Enjoy Deer Mx and ‘There’sNoFuture”

http://www.deermx.com

https://www.facebook.com/Deer.Mx/

Feature photo by Alfonso Rosales