November 21st saw the Norwegian’s Dødsmaskin, release their sixth full length out on the ant-zen label. Based on the master and slave morality theory of Friedrich Nietzsche, the album is divided into two parts to represent both sides.
Have you ever started to listen to an album and had to instantly stop doing anything else, stunned into silence? Rare occurrence, but I found myself slightly slack jawed as I played the first 30 seconds to “Trusselbilde“, suddenly turning off the music thinking, ‘I must play this when I am alone, so I can turn it up as loud as I want!‘.
Okay, almost every track has a Norwegian title, but I don’t see the point of looking up the meanings, as the music will speak for itself and it most definitely does. “Trusselbilde” is the single and it is brutal. Super heavy rhythmic noise and yet there are these points of synth lightness where you can ‘breath’. It doesn’t seem possible and yet the noise grows and consumes, until it’s abrupt end. The sludgy “Døpt I Bensin, Renset Med Ild“, feels ancient and full of portent, while “Imperium” is on the move, ready to mow you down. There is the perceived horns of war, hammers of destruction and waves of domination.
This is just the first three tracks off the album and that quality is throughout the whole release. Dødsmaskin are known for their crunchy rhythmic noise, but this release seems heavier and even darker, intent on searing your nerves and probing your brain with a javelin. If harsh rhythmic noise is your thing, then you must listen to Dødsmaskin and experience their album,”herremoral | slavemoral“.
herremoral | slavemoral | Dødsmaskin | ant-zen (bandcamp.com)