American industrial/EBM is alive and well, with the prime example, Slighter, also known as Colin Cameron Allrich. This accomplished musician and producer is based in Los Angeles and can be found on the Confusion Inc. label.

In May, Slighter brought forth his latest album call Automata which can be found on Bandcamp and most recently released a deluxe version with ten extra tracks.

SLIGHTER

There is nothing more memorable than a heartbeat and “The Shadows” has this familiar rhythm. This is a quiet and retrospective feeling number about things now passed and how the past can repeat itself to start off the album

In isolation, there is a loss of identity and the ability to be forgotten. Oscillating electronic tones with the vocals droning over the top of “Isolate”. This is serpentine in the way the music flows. If you can’t guess by now, this isn’t going to be the happy joy album…

“Give Me” is a solid EBM track. This features Craig Joseph Huxtable on vocal duties, who is best know for the Vancouver bands, Öhm and Landscape Body Machine. It has those wonder low vocals and heavenly ‘oooohs’. This isn’t the first time Huxtable has a dalliance with Slighter, as seen on the Erode album with the song, “Lights Out”.

The dark, atmospheric piece, “Survive”, is made even more delicious by the whispered lyrics. Colin’s enunciation is brilliant and so very crystal clear, so you can see the darkness reflected over and over again, accented with that solo guitar.

“Imbalance” is a spoken word observation about the destruction humans have caused our planet and that the Earth will go back into equilibrium without us in the end. Kadin Contois is the featured voice, speaking at us in a monotone, matter-of-fact way. Contois is an industrial musician from Virginia, formerly known as Pseudocide..

Not much is known about Floridian vocalist, Christy Hannon but her sweet tones ring true from the start of “Walls”. A hint of a swelling musical build-up and growing beat, yet this is deceiving, as the song does not get any faster.

Moris Blak is a Bostonian industrial powerhouse on the Australian label, Blind Mice Productions and can also be found on the track, “The Hunt”. Allrich gives us a much bigger vocal presence which might be influenced by Moris Blak’s heavy, moody bass beats. This is great. It’s seedy, bold, dangerous and could be picking its nose but you wouldn’t dare tell them to stop. Well worth looking for the Moris Blak Industrial Bass Edit on SoundCloud.

“Undertow” is a great gradual building, almost symphonic sounding piece. Not symphonic because of an orchestra, rather the vastness of the sound. It is so simple and yet so huge in its concept. Maybe this is also the link to tidal waters… A drop is nothing but a sea is deep, mysterious and powerful. All this is managed with simple electronics and vocals

If “Undertow” wasn’t good enough to set the hairs on your neck on end, then “A Moment of Inexplicable Clarity” just might. This is so ambient and thick with delicate vocals and synths that wouldn’t be amiss on Jeff Wayne’s War of the Worlds. American author, Rachel A. Desilets lends her hushed tones to her husband’s masterpiece. It has to be said, these two numbers compliment each other so very, very well.

The final track for all intent and purpose, is “Static on the Line”. This is slow and grimy, like you are stuck in a greasy, dirty hotel room, with a phone against your ear, dealing with the grainy reception.

On the deluxe version, there is a reworked version of each song, from darkwave to techno/trip hop. Soundscapes through to dark electro but it never feels disjointed or at odds with itself which is an artform.

There is a reason Colin C. aka Slighter, is featured on television programmes such as Bones and True Blood. Simply put, he is quite the evocative musician. If you like to not only hear your music but also see and feel it, then you should definitely give Slighter an opportunity to get into your ear and maybe even introduce you to some talent you may not have had the delight to be entertained by yet.

https://www.facebook.com/slighterofficial/

https://confusioninc.bandcamp.com/

It is really amazing how much the gothic/darkwave scene is thriving in the Latin American countries but not so surprising as they have always been fond of their rock music.

On this note, the band Nohycit has been around since 2010. The label Advoxya Records, in 2018, released their album, Anomico. In the last month, several music clips were put onto YouTube from Anomico and this is one of the EDM/industrial pieces.

If you are a sucker for a good dance beat, then you are going to love this, especially if you like Combichrist yet it isn’t vocals heavy. The growling versus whispering vocals, constant beat and the smooth synths would not be amiss in a European club or gothic festival.

Now if this has whetted your appetite, then your next move it to seek out some more by this band. I couldn’t find out much about Nohycit but then I found out about them through Twitter (https://twitter.com/NOHYCIT1) and some things, if you are willing, are worth searching for.

 

 

Xentrifuge are an aggro-tech/industrial band from the US, a duo in the form of Chris X and Lisa Hellen, who might we say are on the up and up.

Their debut album is out on Cleopatra Records called Desensitized Parallels which many of their fans have been waiting for with eager anticipation after the release last year of the single, “Circles of Dust”.

xentrifuge 2

Chris X and Lisa Hellen – XENTRIFUGE

“Irra” kicks this off with an almost slow ambient beat, for an industrial group, as it serpentines it way along with the electronic whispers. This is just to whet the appetite so to speak.

Now the pulsating “A Summoning” takes the stage and it has that dark guilty pleasure of beats and synthesisers duelling with each other. This definitely will be summoning the industrial/goths.

Industrial music is known for being cold and dominating and there is “Winter Machine”. Hellen’s keyboard winds through this piece as the sequencers keep up their eternal beat.

The hopelessness of the cyber age, of lies and deception seem to be a theme and this is most definitely felt in “Encrypted in Visions”. Chris X snarls, ‘We sift through debris born of lies, in this place of deceit’.

“Fated” just rolls like the surf, crashing in then pulling back before crashing in again with sound. That use of sound control is very appealing and builds you up before dropping you in those waves.

Have a funny feeling “Unknown Divine” is about religion. Is this belief real or something contrived and self-delusion? Not unusual to question this especially in the electronic age, an age where even people put themselves up to be worshipped on social media. It’s a good steady number.

The 8th track seems to be a play on words. “N.M.E” or enemy, they will take on those whose existence offends the dark and be the avenging cyber angel of dark doom as they vanquish their doubting foe.

The single, “Circles of Dust” is apocalyptic and nihilistic and most certainly a number fans would be moshing to with great abandon. This is raw industrial cool and yet the band has not relied on a booming back beat, as it is almost inferred which is really amazing.

Last song is the title track, with its intricate beats and strained synth sounds creating a vision of discord and ultimate futility as it wraps up the album.

Xentrifuge really seem to like playing not only with the variation the rhythms but also whilst doing so, creating spaces within. Lulls that then suddenly project you forward. You can hear the echo’s of influences such as Front 242 and Nitzer Ebb but in a modern vision of the post apocalyptic cyber age.

These guys are on Bandcamp so check them out and if this is your thing, then please support them.

https://xentrifuge.bandcamp.com/album/desensitized-parallels?fbclid=IwAR1NxShTwFUIMXuqZL4W8B0FxftO1nEN09bfDzorZ48tl3T-91NsvVZkGss