October 30th was the release date for the debut album, Abyss by In Tenebris. Power noise extrodinaire, Sebastian Sünkler of Stahlschlag, is the driving force behind this project, out on the label, Crunch Pod.

And so into the inky Abyss we travel, with the lonely, echoing call of a raven to “Inferis“, otherwise known as the Underworld. This slow build of wind tunnel sound, rings with eerie chimes.

One of the scariest creatures is “Mandkind“. They consume everything, create war and destruction and continue on. A mixture of subtle power noise creeps into this unrelenting march, with possible gun shots and Sünkler’s distorted vocals.

An electrical impulse, that could be a message. It then stops, with the atmosphere becomes murky and oppressive. This is “Interception“, with graduating industrial bangs in the background.

Hollow Hills” might emit whistles and groans, with an errant wind blowing through them. This feels bleak and forlorn, haunted by ghosts of the unfortunate, as the electronic chimes, twitters and knocks never seem to cease.

Mandragora” is the drug form of mandrake and this starts off like a bad, tormented trip. The lone piano, followed by struck chords and hazy noise, make this feel other worldly and darkly unrealistic. Mental screeching and lost filaments of lucid thought, drifting away.

IN TENEBRIS

The wavering apparition of the “Phantasm” is a very constant electronic echo of things past, making their presence felt. This shadow is what has been and never will be again, reaching out to the living. The finish with heavy breathing makes you apprehensive.

The final track is, “Antinatal“. Maybe this is opposite of birth and a return to the aether, the limbo between life and non existence. This music is like a fog, seemingly feathery and yet heavy and unable to be penetrated by light.

This is very much an album of dark ambient style sound scapes with leanings towards the nightmare realms.

I started this side project because of a coincidence. Someone on instagram asked me if I could do a spooky soundtrack for one of his lost places videos. Well, in the end he didn’t like what I did for his video but because of that I discovered how much I enjoy to create dark soundscapes.’, Sünkler explained to me.

With a taste for these dramatic, brooding vistas, one can presume that this is not the last we have heard from In Tenebris and nor should it be. Have a listen to the creeping doom coming from the darkly, delightful Abyss.

https://crunchpod.bandcamp.com/album/abyss-crunch-189

https://m.facebook.com/intenebrismusic

Brisbane is not synonymous with the industrial/gothic music world and yet acts have spawned from this Australian city, of which one of the latest is Failed Assimilation.

This five piece post industrial band had been working up to their debut album and have brought us the single “Wolves“.

Failed Assimilation live

Vocalist, John Green aka Johnny Daeus, wants to beseech you and drag you into the lyrics of love, hate and the void between. A winding whirlpool of a destructive relationship that is bringing out the worst personality traits from the darkest recesses of a human’s brain.

The rhythm section is held in good stead by LukeSiebzSiebenhausen on bass, powering through with Cameron Dodds bringing the heavy guitar work that pushes this number along, building and making it feel like an out of control rollercoaster.

This is all held together by the electronic wizardry of JethroJayHilliard on synths and programming.

There are four remixed versions of “Wolves“, done by various artists. The first by the American-Australian hybrid group, 11 Grams, followed by Domination Korporation (which is actually Siebz but we won’t tell if you don’t) followed by Brisbane’s Dirt Factory and Sydney’s Z-Cluster. All are so very different in their interpretation and yet they all work.

Throw in a cover of Nada Surf’sPopular” and two other original songs to round off this release.

I first remember seeing Failed Assimilation live as support for Amelia Arsenic and Snvff in 2016 and since then, have seen them perform in other venues as well as heard them first grace the airways on Dark Essence Radio.

This is a tight single to release and I encourage those who like the industrial genre to have a listen especially with all those tasty, talented remixes. Let’s see what the future holds for this wolf pack.

https://failedassimilation.bandcamp.com/

https://www.facebook.com/FailedAssimilation/

https://mobile.twitter.com/FAssimilation