From the wild open spaces of Oregon comes Warm Gadget, ready to help you get your metal industrial on, with their new EP, Rituals, released in April. Tim Vester is the lead vocals and effects, Austin Williams on bass and backing vocals and then it seems Colten Williams maybe the insidious, evil mastermind who plays everything else, did backing vocals, wrote the music and produced it. This makes him a busy fellow.

WARM GADGET

First cab off the rank is the first single we previously reviewed here, “New Industrial“. There is the head to head clash of guitar versus electronic, that smacks of derision and angst at the system.

Full Of It” is just angry, so very angry. A fuck you to the world who uses, then casts you aside when there is nothing left after giving promises of false dreams. Full on raging guitar and Vester screaming his discontent.

Not many relationships end on good terms and it seems “If I Only Could” is very much in that vein. I’D REMOVE ME FROM YOUR MEMORY; (YOU’RE DEAD TO ME) IF I ONLY COULD is a very telling line, conceding most songs talk about forgetting the other person. It’s a bit like if Tool met Queens Of The Stone Age in a fist fight.

Symptoms” could be a commentary on the modern lifestyle where everything can be fixed taking medications. The music is steady and the vocals raw with emotion of wanting to live with the ‘disease’, so that they can just live.

The guitar riffs are great in “Dead To Me“. It’s a more electronically crunchy number that really rocks. The concept that love is binding and that the other person can suddenly turn on you, leaving you wanting to get the hell out of Dodge.

The last two tracks are remixes of “Symptoms“. The first by Witch Eyes which illicits a more old school industrial sound. The second is by Snowbeasts and this propels the track into a whole new stratosphere, going far more electronic and cutting out all the vocals.

This looks back to the metal bands of industrial such as KMFDM, Ministry and My Life With The Kill Thrill Kult, while giving it a more grungy effect, making it dirtier and slightly more unhinged. Keeping the blood pumping with their musical force, Warm Gadget gracing your lobes with Rituals.

https://warmgadget.bandcamp.com/album/rituals

https://www.facebook.com/warmgadget/

Late December was the release of the single, ‘In My Dreams” by SINthetik Messiah with The Other LA. “In My Dreams” was originally released by five piece rock band The Other LA, that boasts having Drowning Pool’s C.J. Pierce as part of their contingent. The group asked SINthetik Messiah to put an electronic spin to the number.

SINthetik Messiah are from Louisiana and for the uninitiated, delve into experimental industrial rock/ metal with a heavy accent on the artistic front. Bug Gigabyte is the man behind the project and has done so since 1996.

It is dark and heavy….. so heavy, it almost feels like the noise is weighing on you. The female vocals by ARIA are explosive, buoyed by the dense mix of booming beats and buzzing guitar. The male vocal brings an added level of angst as the music takes flight.

BUG GIGABYTE – SINTHETIK MESSIAH

A bombastic piece of engineering by Bug Gigabyte, the sounds are grating and huge, leaving you wanting more. He has taken The Other LA song into another realm, becoming its own entity that can devour your soul.

Added bonus points for having mixing and mastering done by, Joe Haze, ex guitarist of Lords Of Acid. Yes it’s good. On that note, you might need to go listen to The Other LA & SINthetik Messiah, “In My Dreams“.

https://sinthetikmessiah.bandcamp.com/track/the-other-la-and-sinthetik-messiah-in-my-dreams

https://www.facebook.com/SINthetikMessiahOfficial/

https://www.facebook.com/theotherla/

For those that love their cyberpunk industrial music, should be thrilled that Seattle act Rabbit Junk released a new album on 23rd of October, Xenospheres.

Wired a little differently? You’re on the vertical while everyone else around you is the horizontal? “Neurodivergent” will speak volumes to you as it calls for a standard world to be more flexible or prepare to be broken. It’s vocal, it’s loud and it’s going to catch your attention.

The Bends” is bass heavy metal with that injection of industrial sensibility. It is almost bipolar with going from nu/core, straight into synths, without missing a beat. For those unfamiliar, the bends occurs when deep sea divers surface and then suffer from decompression sickness.

The harder the bastards push you down, you get back up to push back harder. This is “Relentless (Omicron Nu Epsilom)” and it soars vocally, with the great aggresive guitar and synth highlights.

Really like the mix of male and female vocals here in “Prismatic“. It works so well in a responsive sassy way about feeling invincible and wanting to get down to partying.

For something completely different, reggae style vocals greet you in “Angry People” and we all know these sort of people who want to start fights but take the stance of the injured party.

This is just rising levels of guitar angst for “Curse” and then in the middle it hits you… is that a passing nod to the “The Passenger” by Iggy Pop?!

Talking of Mr Pop, Rabbit Junk have taken the single “Kick It“, that Iggy sang with Peaches and given it an industrial makeover. It was already a punchy, punk number which now has an even sweeter, juicier bite to it.

A really nice mix of metal vocals and that beat heavy industrial noise in “Bits And Razors“. Intense guitar heralds the growing swells of the chorus.

The last track, “From The Stars II (Kite and Vireo)“, is a wonderful science fiction story that becomes a headbanging epic. This is the invasion of the alien technology within humans… or is this the other way around? Humans invading cyber space….

All in all, this is a rip roaring album, thumbing their noses at societal conventions whilst bringing the beat heavy noise.

Xenospheres is a free download from Bandcamp because the band decided that in this current economic environment, it would be worth giving back to the fans. Just goes to show though that Rabbit Junk are really a nice bunch, so please support by getting Xenospheres.

https://rabbitjunk.com/album/xenospheres

https://www.facebook.com/RabbitJunkOfficial/

Last year, Matt Hart brought out the concept album Terra 3808, based on a post apocalyptic Earth where humanity scratches away, trying to just survive.

So in March, came the release of his new EP, Tales Of Terra: Triolith, which is a continuation of this storyline, as the last stragglers called The Outlaws in their struggle with the Machines, find a large three tower structure coined Triolith.

Chaos Rising” throught to “Mechanical Dominion” are off previous releases, most now remixed by various artists and given a new lease of life.

The first number is the title track, “Triolith” and an alien voice rumbles forth to be accompanied by a beat as it rolls across the futuristic landscape. This is the single off the EP and it instantly gets your attention.

The song, “Requiem” has a wonderfully off kilter sense to it. Though not an overly fast number, it gives the impression of being relentless and constant. Xavier Swafford from 3Teeth is no stranger to the remix and you can tell.

Chaos Rising” is the Nitronoise remix which is about the survivors of apocalypse. Gritty and angry with power guitars in the chorus that builds this up. This isn’t a new remix but what the hell… it’s still bloody good and fits in well.

The dub of a club DJ is strong in “Mechanical Dominion” (MXD_BLD remix). This power noise inspired piece just oozes with static as the machine rule and destroy all that does not fit the new world order.

There is a spooky remix of “Mercury Flow” by Witch Of The Vale and it’s low and smooth like quick silver and similar to the poison, it’s going to get under your skin.

MATT HART

Unlock the level “Chaos Achieved” (metalogue remix). Like repetitive fire comes the rhythm, thick and fast as if a massive metal colossus is whirring away with purpose and intent.

The remix by monomorte, is a lovely drone sludge in the second retelling of “Mechanical Dominion” and it sounds so completely different yet so perfect, finishes off this EP.

I am starting to wonder if Matt is, or ever has been a player of Warhammer 40K. It’s that style of enthusiastically enjoying putting together a story of light versus dark and humanity hanging on by a thread, becoming less human due to circumstance.

So far, it seems to be that the machines are going to extinguish the light of man and if a collapsing futuristic world of trauma with fabulous remixes is your bag, then you need to listen to Tales of Terra: Triolith and support Matt Hart so we can see how this all ends.

https://matthart.bandcamp.com/album/tales-of-terra-triolith

https://www.facebook.com/djmatthartuk/