Brixton Alley are three lads, Alex, Ben and Jonny, from the UK, who somehow ended up in Brisbane, Australia. This punk/pop/rap fusion band also released this year a new EP called, “Nevermore“.

Alex Wells is the drummer for the band with his brother, Ben Wells, playing bass and contributing backing vocals, as well as Jonny Magro as lead singer and on guitar.

BRIXTON ALLEY

There are vibrant highs, through to staccato vocal punctuations in the first track, “Headache“. The frustration of finding work and trying to escape the hometown/village and its sad populace, in order to find something better.

The guitars sing out to you in “Voices” and it is a bit of an indie pop anthem to the youth of the day… the daily struggle with moments of beauty. The girl in the song might be hearing voices but maybe we need to hear those inner voices.

The brit pop influenced guitar lines bring us “Owl“. This is a cheeky observation on men out on the town, ogling girls to the point, their heads swivel around like the feathered night predators, as they greedily look for pretty prey. This has a really nice, catchy hook which you will hear in your head after the song has finished.

Animals” has a reggae sensibility with rap incursions. It is feels joyous and yet laments that we have forgotten our primal instincts. A good laid back rock number.

BRIXTON ALLEY

The acoustic beginning of “Outsider” shows a slower and more romantic piece. This is a modern ode to love, including cigarettes and a can of cider. This is laconic and slightly darker that it admits to, with the pleads to over look mental struggles.

The tunes are fun to listen to and yet are observations on modern existence in this age of excess. In some ways they remind me of one of my favourite post punk bands, New Model Army, with their swagger and revelations. It’s all about the journey, so it might be time time join Brixton Alley and have a listen to Nevermore.

https://m.facebook.com/brixtonalleyband/

July has seen the release of the EP, Unicorn Bones, by Chicago duo, Karen Righeimer and Ivan Russia, also known as Bellhead. I can definitely say the rhythm section for this band is tight. Both Righeimer and Russia both play bass, low and high respectively, both share vocal duties, though Ivan is very much the lead singer and are backed up by their dependable drum machine.

The band in their bio, make reference to their influences from goth rock legends, Bauhaus to the alternative rock royalty that is the White Stripes to the gothic/post punk stylings of She Wants Revenge, yet truthfully, they definitely have a sound that is very much their own.

BELLHEAD -KAREN RIGHEIMER & IVAN RUSSIA

Snuff Film 1974” is straight off the bat with it’s thumping heavy rhythm that grabs your attention before dragging said attention to the graveled out vocals of Russia and the disturbing lyric content about a small female child murdered in film for others entertainment. This is the only track not written by Bellhead but rather penned by Sheriff Michael Scabs of the Sheriff Scabs band of which Russia has also been a member of. A thing of nightmares.

Really dig “Unicorn Bones” as it is a very nonchalant, grooving number that just has that keep on trucking feel. The vocals play tag as they paint a vision of glittering violence and sad demise of those that live in the shadowed, dangerous places. Sinister and sleazy.

A song about a conman or less than reputable fellow, trying to stay one step in front of oblivion but wanting to take to take one last stab of having the person they have always loved. A final last chance is of happiness is “Always (Running After The Sun)“. This is a far more poignant track, slower and thoughtful with intensity.

Annnd serial killer/psycho time. “Knife” is sexy whispers with the intent of maiming and destroying. Low and distorted noise backs the bass just for that extra creepy ambiance.

Sidewinder” has a more rock flare about it, but it’s all the dirty bits of rock. The low and high bass building the sound up in such a manner that it feels angry and greasy, finishing off the EP.

The choice and use of high and low bass without any regular guitar is an interesting marriage of instruments but works well for Bellhead. Bass brings on the rhythm and produces a rich, big sound.

So if you fancy the darker, more nightmarish side of the industrial, gothic rock genre, then do catch up with Bellhead and their not so sparkly but equally intriguing, Unicorn Bones, with none of the guitar bull.

https://bellhead.bandcamp.com/album/unicorn-bones

https://www.facebook.com/bellheadband

Pablo Zumarraga is the man behind the act known as Trust In None. He hails from the capital of Argentina, Buenos Aires and this year released his EP, Inhale, with five tracks in all on it.

“The Law of the Weak” is the intro track with a near imperceptible beat before a sudden explosion of guitar. I feel like I’m listening to some lost Trent Reznor track from the Pretty Hate Machine era.

A nice piece of guitar work and the second track that seems to be nameless brings in the drum machine. The whispers become musical screams that say “I never, never trust you!”. This has an extremely bluesy feel even though it is also very industrial at the same time.

pablo Z
Trust In None (photo – Zoe gouzene / @zoilandia)

“Inhale” has echos of White Zombie/Rob Zombie with the drum machine having little metal blast beats and is quite a heavy number. Lots of distortion and feedback with a revisitation at the end just to remind you of where you have just been.

The rather interesting named “Squirt”. Pablo mixes his violent whispers whilst dueling with his guitar work. This is full on rock and roll and you could roll on down the highway with this blaring out. The guitar riffs just keep on coming and persistent, spiraling out of control.

Last is the single, “The Circle of Shame”. Again you here Zumarraga’s love of the blues coming through. Heavy and dirty. The vocals are distorted and pain filled. The guitar work here reminds me of the old Soundgarden sound from BadMotorFinger

Not kidding when I say it reminds me very much of the early industrial days of Nine Inch Nails, especially vocally. This is brooding and dark and with the distorted guitar work, is indeed heavily blues influenced and yet this adds to the sinister heaviness of it all.

So if you are looking for something that ignites your blood with punk attitude and industrial smarts, then check out Trust In None.

http://www.trustinnone.com

https://www.facebook.com/tinpunks/