Congratulations has to go out to Australian act, Hostile Architect, not only for releasing his current single/EP, ::LOG.2:: DAWN OV, but also being signed to Brutal Resonance Records.

Not going to lie, I’ve heard this a few times and it’s angry music for an angry time. “DAWN OV” is a reaction to the current climate of distrust in governments, a virus pulling apart people and communities with the vision of a bleak future, filled with cybernetics and where life is cheap. Mitch Kenny’s anguished, distorted vocals ride the wave of this synth assault. It is heavy and hard hitting industrial noise.

PROSCRIPT” I would describe if The Art Of Noise had been far more aggressive and militant, this is what they could have sounded like. Eclectic and yet it works so well in an epic conglomeration of structured electronic beats.

HOSTILE ARCHITECT- MITCH KENNY

Mach Fox of Zwaremachine and fellow stablemate on Brutal Resonance, remixes “DAWN OV“. He peels back the vocal distortion and gives this remix, almost, a simpler feel but by doing so, Fox has also made this version even more raw and bitter.

The Brisbane electronic scene is very strong and Hostile Architect is definitely a reflection of this. Not to mention that Mitch Kenny (Hostile Architect) and Mach Fox are some of the nicest guys in the industrial scene as well as being very talented.

This is another strong single from an act taking no prisoners and the more you listen, you more it gets under your skin. So check out ::LOG.2:: DAWN OV and keep your attention on the Hostile Architect.

https://brutalresonance.bandcamp.com/album/log-2-dawn-ov

https://brutalresonance.bandcamp.com/

https://www.facebook.com/HosArchitect/

https://www.facebook.com/zwaremachine/

https://www.facebook.com/brutalresonance/

To the ghouls that inhabit the dark, this Halloween is the release of Dirt Factory’s second single on Brisbane based music label, Viral Records, called “Violence”.

This release contains the title track plus three remixes by various artists, of the same title track.

DIRT FACTORY

Riots anyone? When people have no other avenue of having a voice against the forces of oppression, protest is the last choice. This punk attitude of ‘fuck the system…detonation‘ is all pervasive.

A litany of cause and effect is gravelled out by Allen with robotic style, that is still very angst ridden. As always, there is the hints of KMFDM and Skinny Puppy being a big influence on Allen and Gillman.

The 11 Grams remix is a bit more sleazy sounding as they seem to have made Daniel’s vocals almost lascivious. It has the very futuristic finger prints of 11 Grams all over this and it’s wonderful.

The next remix is by Z Cluster from Sydney. It’s like listening to crunchy trap with periods of creepy clarity due to the vocals being kept more sedate but with a disturbing, higher pitched electronic scream emitting over all.

Last remix is by Brisbane act, Dreams Of Machines (aka Zane Seymour). This is almost old school industrial sounding with the distorted vocals and oppressive drone that makes “Violence” spine tingling. Slower to take off, but when it does, it has a definite nod to LeƦther Strip.

DIRT FACTORY – DANIEL ALLEN & MICHAEL GILLMAN

It’s hard to believe these are all the same song and yet at the heart is this one Dirt Factory number. From the original to each mix, are equally enjoyable and nothing feels staid.

This, almost, completely Australian effort does show the strength and talent of the industrial scene in the country with Rob Early of 11 Grams an honorary Aussie by default.

Another great track from Dirt Factory which has us asking, where is the album? If current standard is an indication, it’s going to be a cracker. An industrial single in this dystopian world climate, “Violence” from Dirt Factory.

https://dirtfactory.bandcamp.com/

https://m.facebook.com/FactoryOfDirt/?ref=py_c

https://dirtfactory.wixsite.com/mysite

https://viralrecordsau.bandcamp.com/

https://viralrecords.com.au/

https://m.facebook.com/viralrecordsau/

If you are looking for quality industrial music then we might have a lead for you. From Brisbane, Australia, Hostile Architect has released their debut single on Bandcamp called “Hostile Theme“.

This is an independant release which you can find on Bandcamp and the mastermind behind this project is Abelisk, also known as the music producer and musican Mitch Kenny.

Hostile Theme” is intelligent industrial with wonderful strong synth lines, supported by a pounding rhythm and gritty vocals. This track is a harking back to classic Skinny Puppy with its experimental rawness in a cold cyber world.

The accompanying number is “Wage Slave” which slow burns with its dirty reverb, clear singular note synth and relentless beat.

All in all, a really catchy single and Hostile Architect is hitting all the sweet spots when it comes to electro industrial music so far. We await more but for now enjoy “Hostile Theme“.

https://abelisk.bandcamp.com/album/log-0-hostile-theme?fbclid=IwAR1P6_aF3jEI8q8oK015GgLNRu0-ngNrX9EN1-7Hcfm1Pcpql1PtXGmg-MI

https://www.facebook.com/Abeliskaudio

http://www.abeliskaudio.com/

Biomechanimal are a EDM/aggrotech/industrial group from London who released in February a new single, along side fellow London drum & bass musicians, Mechanical Vein, called “Waves“.

There are three versions of this song, so hold onto your hats because this is not a carousel ride.

The original single version is fabulously raw and angry. The bass line is turned right up and it’s an instant assault on your hearing. You can almost feel the hardstyle techno within.

Second version has been remixed by the Netherlands drum & bass duo, Sinister Souls. This is hard and fast aggrotech pure and simple with a mad EDM beat ripping it up. This is a great remix to hear on a dance floor and never lets up for a second until the fading end.

BIOMECHANIMAL

Third remix had been done by industrial master, Grendel. This is slower and starts off more like a rap number then the growled vocals, heavy guitars and almost metal blast beats kick it hard in the balls. And so, in an almost bipolar fashion, this track goes from one to the other but the industrial synths always remain true.

So three versions of “Waves” with the imput of four different artists definitely shows in how influences can vary the sound of each track. When all is said and done, it’s a banging number. “Waves” is about the ebb and flow of creativity but this song is a force of nature.

https://biomechanimal.bandcamp.com/

https://www.facebook.com/BiomechanimalMain/

From across the southern oceans, the New Zealand capital of Auckland, in November 2019, Death With Machines released their latest EP, Leech. Lawrence Legacy (aka Lawrence Baniecivich) is mastermind and/or overlord

Let me introduce you to the murky, sleazy beats that is “Born Evil“. Baniecivich forcefully whispers to you which is punctuated by the gutteral groan saying ‘born‘ with the follow up whisper ‘evil’. This is reminicent in some ways of Aesthetic Perfection. It is catchy and a good start to the EP.

“Leech“, the title track is just begging for you to groove along to as the lyrics are puncuated out. This is reminicent of industrial bands from the 80’s and 90’s like Front 242 and Suicide Commando, who often had sado-masochistic themes.

‘I hate the way you make me laugh, I hate the way you make me cry’ and we have the song aptly titled ‘Hate’. This is a smoldering beat that is even and constant…. even insistent. If you hate someone then you can’t love them and they can’t break you, except that hate turns inwards.

Last song is “The Gallows“. This is slow and if you can’t guess, a song about death and cold bodies. All returns to nothingness and all are equal in the eyes of death. A nice depressing little number.

So gravely growling is Lawrence’s trade mark vocal and it works for an EP of lust, loss, anger and something just a bit demonic. Get into some Kiwi cyber industrial, listen to Leech by Death With Machines.

https://www.facebook.com/DeathWithMachines/

https://deathwithmachines.bandcamp.com/