Brisbane, three piece band, The Blackwater Fever, just brought out on November the 20th, their new single, “My Weakness“. The trio comprises of Shane Hicks on vocals/guitar, Jed A. Walters playing bass guitar/rhodes and Trevor Gee on drums/percussion.
The first dropping cords kick in and that blues style can’t be mistaken with its laconic guitar interludes accompanied by piano. Married with an insistent grunge sound in the chorus plus lyrics that convey a one sided love affair, bring to mind acts like StoneTemplePilots. Hicks‘ vocals are like honey dripping into your ears as he tells you his tale of woe and want.
There are songs that paint pictures in your mind and are almost tangible to taste and smell. Grimy desperation, mixed with hot, sweaty lust, all in the name of a woman that would leave you to rot, if she so desired, yet they can’t let go of her. The red back spider on the cover, is an Australian member of the black widow clan, highly poisonous and will cannibalise its mate.
After five albums, these are seasoned professionals and it shows in the production as well as writing skills. This is delightfully moody and carnal, so if you have an itch that you can’t scratch, may I recommend TheBlackwater Fever and their remedy, “My Weakness“.
July has seen the release of the EP, Unicorn Bones, by Chicago duo, Karen Righeimer and Ivan Russia, also known as Bellhead. I can definitely say the rhythm section for this band is tight. Both Righeimer and Russia both play bass, low and high respectively, both share vocal duties, though Ivan is very much the lead singer and are backed up by their dependable drum machine.
The band in their bio, make reference to their influences from goth rock legends, Bauhaus to the alternative rock royalty that is the White Stripes to the gothic/post punk stylings of She Wants Revenge, yet truthfully, they definitely have a sound that is very much their own.
“Snuff Film 1974” is straight off the bat with it’s thumping heavy rhythm that grabs your attention before dragging said attention to the graveled out vocals of Russia and the disturbing lyric content about a small female child murdered in film for others entertainment. This is the only track not written by Bellhead but rather penned by Sheriff Michael Scabs of the Sheriff Scabs band of which Russia has also been a member of. A thing of nightmares.
Really dig “Unicorn Bones” as it is a very nonchalant, grooving number that just has that keep ontrucking feel. The vocals play tag as they paint a vision of glittering violence and sad demise of those that live in the shadowed, dangerous places. Sinister and sleazy.
A song about a conman or less than reputable fellow, trying to stay one step in front of oblivion but wanting to take to take one last stab of having the person they have always loved. A final last chance is of happiness is “Always (Running After The Sun)“. This is a far more poignant track, slower and thoughtful with intensity.
Annnd serial killer/psycho time. “Knife” is sexy whispers with the intent of maiming and destroying. Low and distorted noise backs the bass just for that extra creepy ambiance.
“Sidewinder” has a more rock flare about it, but it’s all the dirty bits of rock. The low and high bass building the sound up in such a manner that it feels angry and greasy, finishing off the EP.
The choice and use of high and low bass without any regular guitar is an interesting marriage of instruments but works well for Bellhead. Bass brings on the rhythm and produces a rich, big sound.
So if you fancy the darker, more nightmarish side of the industrial, gothic rock genre, then do catch up with Bellhead and their not so sparkly but equally intriguing, UnicornBones, with none of the guitar bull.
Finland seems a very small country, with an even smaller population and yet, somehow, they have far more than their fair share of talented musicians. HatefulChains is a four piece gothic/darkwave band from Turku, who started up in 2016.
From their stunning guitar to the striking female vocals, this makes your ears prick up on their latest single, “It’sAll Right“.
The guitar work is refreshing actually, light and almost joyful, not dark and dredging, reminding me of another Finnish band, Negative. Negative was for me a glam rock band quintessentially, so there goes my goth cred points but it works so well here.
Paired with the vocal talent of the female lead, FloraKok, who has a nice powerful range from alto to soprano, without going all operatic. Dare I say, a bit GraceSlick to my ears. Yep, I said it.
The Finnish always amaze me with their virtuosity with their instruments and ability to create such memorable songs.
This is a great single which deserves to be noticed in world full of the same old same old. I think this more than a bit of ” It’sAllRight“.