American industrial/EBM is alive and well, with the prime example, Slighter, also known as Colin Cameron Allrich. This accomplished musician and producer is based in Los Angeles and can be found on the Confusion Inc. label.

In May, Slighter brought forth his latest album call Automata which can be found on Bandcamp and most recently released a deluxe version with ten extra tracks.

SLIGHTER

There is nothing more memorable than a heartbeat and “The Shadows” has this familiar rhythm. This is a quiet and retrospective feeling number about things now passed and how the past can repeat itself to start off the album

In isolation, there is a loss of identity and the ability to be forgotten. Oscillating electronic tones with the vocals droning over the top of “Isolate”. This is serpentine in the way the music flows. If you can’t guess by now, this isn’t going to be the happy joy album…

“Give Me” is a solid EBM track. This features Craig Joseph Huxtable on vocal duties, who is best know for the Vancouver bands, Öhm and Landscape Body Machine. It has those wonder low vocals and heavenly ‘oooohs’. This isn’t the first time Huxtable has a dalliance with Slighter, as seen on the Erode album with the song, “Lights Out”.

The dark, atmospheric piece, “Survive”, is made even more delicious by the whispered lyrics. Colin’s enunciation is brilliant and so very crystal clear, so you can see the darkness reflected over and over again, accented with that solo guitar.

“Imbalance” is a spoken word observation about the destruction humans have caused our planet and that the Earth will go back into equilibrium without us in the end. Kadin Contois is the featured voice, speaking at us in a monotone, matter-of-fact way. Contois is an industrial musician from Virginia, formerly known as Pseudocide..

Not much is known about Floridian vocalist, Christy Hannon but her sweet tones ring true from the start of “Walls”. A hint of a swelling musical build-up and growing beat, yet this is deceiving, as the song does not get any faster.

Moris Blak is a Bostonian industrial powerhouse on the Australian label, Blind Mice Productions and can also be found on the track, “The Hunt”. Allrich gives us a much bigger vocal presence which might be influenced by Moris Blak’s heavy, moody bass beats. This is great. It’s seedy, bold, dangerous and could be picking its nose but you wouldn’t dare tell them to stop. Well worth looking for the Moris Blak Industrial Bass Edit on SoundCloud.

“Undertow” is a great gradual building, almost symphonic sounding piece. Not symphonic because of an orchestra, rather the vastness of the sound. It is so simple and yet so huge in its concept. Maybe this is also the link to tidal waters… A drop is nothing but a sea is deep, mysterious and powerful. All this is managed with simple electronics and vocals

If “Undertow” wasn’t good enough to set the hairs on your neck on end, then “A Moment of Inexplicable Clarity” just might. This is so ambient and thick with delicate vocals and synths that wouldn’t be amiss on Jeff Wayne’s War of the Worlds. American author, Rachel A. Desilets lends her hushed tones to her husband’s masterpiece. It has to be said, these two numbers compliment each other so very, very well.

The final track for all intent and purpose, is “Static on the Line”. This is slow and grimy, like you are stuck in a greasy, dirty hotel room, with a phone against your ear, dealing with the grainy reception.

On the deluxe version, there is a reworked version of each song, from darkwave to techno/trip hop. Soundscapes through to dark electro but it never feels disjointed or at odds with itself which is an artform.

There is a reason Colin C. aka Slighter, is featured on television programmes such as Bones and True Blood. Simply put, he is quite the evocative musician. If you like to not only hear your music but also see and feel it, then you should definitely give Slighter an opportunity to get into your ear and maybe even introduce you to some talent you may not have had the delight to be entertained by yet.

https://www.facebook.com/slighterofficial/

https://confusioninc.bandcamp.com/

From the online music publisher, Ton Doigt Dans Mon Cul Netlabel comes the artist La Flore Intestinale, whom recently released Onani: Ambient Works Volume One.

La Flore Intestinale is the nom de plume for the female mind and noise artist, Florence, behind this experimental, avant-garde music, who is based in Saguenay, Quebec.

“Apres Le Guerre Lorsqu’il Ne Reste Que Les Morts” literally means ‘After the war when only the dead are left’. A haunting, wavering electronic noise breaking with distortion greets your ears. You can almost image a far off war being waged in the distance getting louder as the mortars go off, as it closes in on you, only to fade out.

Is it industrial knocking of a machine in constant motion?  Getting gradually louder with a near imperceptible buzzing drone above it all that eventually takes centre stage. This is “Blank Keurig Space Tape”.

The science fiction effect of “Tentaculas” is a temporary interlude before “Satic Black Tits”. Like a radio in a Faraday cage, the voices cut in and out as the static takes over the airways, creating its own morse code calling out to the world.

Beautiful chords strike out for “Melissa, The Professor’s Daughter”. This is relaxing and floats with lightweight synth, lulling you into a sense that all is in equilibrium. It gently charms your ears into another realm.

Ton Doigt Dans Mon Cul Netlabel puts all of its music online for free download, so what is stopping you from checking out La Flore Intestinale? Absolutely nothing, so enjoy the electronic soundscapes today!

ton doigt

www.facebook.com/lafloreintestinale
soundcloud.com/la-flore-intestinale

www.facebook.com/tondoigtdansmoncul
tondoigtdansmoncul.bandcamp.com

Adam Majdecki-Janicki is an artist from Darlowo, Poland, who creates ambient/experimental industrial music and he has a new album out on Bandcamp called Next Bardo.

Distortion, static and grinding/high-pitched squealing industrial is the basis of “Work, Consume, Die, Become Cremated”. A commentary of what daily life as an adult in the modern world is really like. A drudgery of endless monochrome, until the human machine fails and is no longer of use.

“The Flower Thief” is an ethereal floating experience. The almost sound of bells tolling in a strange ambient world that feels not quite in focus and drifting. What could be strings can be heard in the distance, trying to call your attention.

A slight 1950’s science fiction feel mixed with Hammer Horror style pipe organ music heralds “Melancholy Baby Dies from an Overdose of Time”. Dark gothic overtones with a pounding beat that never slows or stops but just when you are used to that beat, it disappears into the dirge, though later reprised without its former strength..

“A Thunder of Eternal Music” is like a hypnotic drone trying to lull you. The drum machine keeps time while the distortion wends it way into your brain. Most definitely almost tribal and ancient, a calling to our primitive past.

It has the avant-garde feel of Cabaret Voltaire. Being experimental means that in the end, everything is up for interpretation and reinterpretation, so what you perceive this time may not be the same on a second listen. So get a bit old school dark/ambient/electro.

http://adammajdeckijanicki.bandcamp.com/album/next-bardo

 

From the online publisher, Ton Doigt Dans Mon Cul Netlabel, we have an E.P. with two artists. Building Castles Out Of Matchsticks (Anne Sulikowski) from Canada and Sean Derrick Cooper Marquardt of the USA with the rather intriguing title….Why Should I Give You The Cure, When I Can Always Give You The Treatment.

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Building Castles Out Of Matchsticks (Anne Sulikowski)

Swirling noise with reverb pulsate cosmically, like an epic space trip into the unknown. Why unknown? Because we, as the listener, are unsure of this journey and we are here for the ride and experience.

Like twinkling stars and beating quasars, this transfixed you though sound alone. It is imagination unbound and the composer might be the alien hand guiding us.

It is hard to imagine that Sulikowski can make many of these amazing sounds on a guitar but then “Differential Diagnosis” is a 13 minutes and 42 seconds piece of electronic beauty and the only number by Building Castles Out Of Matchsticks.

 

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Sean Derrick Cooper Marquardt

 

 

Someone is leading a crowd in unity in “Dreamers” and so starts Sean Derrick Cooper Marquardt‘s contribution. Laid over the top is discordant piano and feedback, then it suddenly……stops.

“We Destroyed All the Mirrors and Glass Out of Fear That You Will Forget Us and Fall In Love With Yourself” could be the longest song title I have ever had to write and this is a low cacophony of sound, which when you listen you can hear drums and chanting within, like Tibetan monks and their throat music, within a storm, within a can.

Bells chime, clear and bright over a haze of noise. This is “Instant Karma” which is the segue way, even though it suddenly stops for the last piece, “Tod von Heike Klar”. Buddhist monks chant with german spoken word, not so much vying for attention but running in harmony with the chanting. You just accept the words and sutra rather trying to understand them or garner meaning.

These pieces take you on journeys to feel and hear whatever you take from them but ultimately, let it take you away to new realms.

Yes, this was released 2 years ago but then this is the whole point about music is the search for what gives you pleasure and bringing things to the broader attention.

All music on the Ton Doigt Dans Mon Cul Netlabel is for free download, so why not indulge your senses.

soundcloud.com/buildingcastles
buildingcastlesoutofmatchsticks.bandcamp.com

https://www.facebook.com/seanderrickcooper.marquardt

www.facebook.com/tondoigtdansmoncul

http://tondoigtdansmoncul.bandcamp.com/

Sometimes gothic bands try to sound far too much like previous bands because that is considered “goth”, however originally it was born out of the counter-culture of the punks and therefore extremely experimental. In some ways we have lost this genuine expression to be different and sound different.

From Chile hails the duo Humanfobia with their highly experimental style on the album Bailo con mis Pesadillas with 15 tracks in all. Mist Spectra is the female vocal while Sábila Orbe is the programmer and male vocals.

“Fantasma en la Carretera (Dance Version)” starts this off….it’s not so much dance as a hypnotic beat with Mist Spectra cooing to you. No idea what she is saying as my Spanish is non-existent and yet language has never been a barrier with music.

As is much of this album, “Adios Mundo Cruel (Cancion para Suicidarse)” is off kilter and uneasy. Haunting could be the word as they say goodbye cruel world.

Sequenced drums and bleeps gives us the feeling we aren’t quite in a chanting raising of the dead, not yet anyways on the title track “Bailo con mis Pesadillas”.

The beginning of “Vacio Hermetico” makes you think you are about to get a dance track but no and that beat recurs and grows becoming less friendly. A nightmare revisiting and maybe a portent.

Ever have a song make you think of whales? “Arboles Deshojados” sounds like the song of humpback whales, that beautiful calling out while a tape runs backwards, or so it seems.

humanfobia2
Sábila Orbe and Mist Spectra

The unnatural creaks like Diamanda Galas are reminisent in “Calles Lobregas” while “Colapso Dimensional II” is a little more etheral but still with that air of uneasiness as the tempo is always in flux.

“Mareo Lugubre” is atmospheric with its computer enhanced vocals. Orbe lends his growling vocals to “Sombre Nigromante” until we land in the “Mausoleum of Ruins” with the eerie female vocals of Spectra and electronica that warbles in and out and a pervasive fuzzy tone.

One of the longer numbers is “Chant from the Grave (with Wertredgreen)” which makes me think of Twin Peaks, with that feel that things are going backwards rather than forwards.

“Buried By Mistake” at just over a minute long is an interlude to the next song “Catalepsy”. Does this mean catatonic death like state after an epileptic fit? In fact this really was a thing and some poor suffers were put into the ground alive. This fits in to the whole buried by mistake.

We revisit “Arboles Deshojados (Atmospheric Version)” and just when you ask how could it get much more atmospheric, it sounds like we are in a pea soup fog with extra shadows thank you.

Aaaaaand lastly for all you that absolutely love the whole death and spectral show, there is a 30 second EVP done at San Fernando cemetary. If you dare, what will you hear???

Those who remember Diamanda Galas, will see much in common with Humanfobia. Theatrical and highly avant-garde though more spooky and haunted than Galas who was far more like a full on demonic ritual gone very wrong (or very right depending on your stance). Mist Spectra is far more mellow and laid back.

This is most definitely mood music and won’t be something you hear on the dance floor. It is quirky and atmospheric and will more than likely scare your normal friends but then that’s half the fun. Ghostly haunting, buried alive, the unmentionable things that inhabit the graveyard and then there is Humanfobia with Bailo con mis Pesadillas which literally means I Dance With My Nightmares.

This album is for free download on their Bandcamp site.

bandcamp: humanfobia-official.bandcamp.com
hearthis: hearthis.at/humanfobia/
facebook: www.facebook.com/humanfobia/