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For many of us, we cannot think of early 80s British post-punk/gothic, without including Leeds band, Red Lorry Yellow Lorry (RLYL). They were an amazing juggernaut, with other key bands such as Sisters of Mercy and The March Violets, giving us dark, guitar driven songs of nihilism from an era that was seeing a great deal of social upheaval, and also a music scene spewing forth a slew of new styles. Something Lorries fans having been holding out for was another studio album. We knew there was one in the wings, but no one, including the band, knew if it was going to see the light of day, having been recorded ten years ago. Not only is that album, Some Kind of Paradise, due for release, there is also the bonus of an EP Driving Black, that is out in December. However, for now, the first single has been dropped, which is also called “Driving Black (Ding’s Remix)“. It has been thirty-three years since the last Red Lorry Yellow Lorry single and all this goodness is being brought to you via COP International.

Chris Reed’s vocals are unmistakable with that biting edge of venom matched with near derision, that brokers no arguments, for it is what it is. The percussion is savage between the drums (Martin Henderson) and bass (Simon Archer), that sets the stage for the driving guitars of Reed and David Wolfenden.

The Ding is Simon ‘Ding’ Archer, music bassist for RLYL as well as being a music producer in his own right. There is a coarseness that grates over your skin with “Driving Black,” as it is with most music in the past from The Lorries. I think this is due to the fact that the song is so real.. as in you feel it in your bones and it resonates in your head, becoming another integral piece of fabric in memories, because it is a great and gritty rock song. It isn’t long now for those of us who have loved Red Lorry Yellow Lorry and I am beyond excited knowing that the journey isn’t quite over yet.

Driving Black | Red Lorry Yellow Lorry (bandcamp.com)

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Kentucky based, Who Saw Her DIe?, have started the spooky season with their latest track “Shadow Man.” Stephen Beasey and Brian Cain make up the Louisville post-punk/darkwave duo.

From the oddly, almost out of place tinny rhythms, to the discordant beginning, there is already an air of foreboding, further played upon with the not quite monotone vocals. They snap out of this with the far more menacing chorus of this very anguished and troubled individual. All is dark and brooding.

I am not going to say this could be about the demented killers in the slasher thrillers, but they don’t sound far off it. Indeed, “The Shadow Man” might be lurking just around that corner waiting and with a soundtrack like this, with its unhinged lyrics and crazed vocals. well it is shaping up to be a pretty good Halloween. What do you expect from a band named after an Italian 70s horror movie? More of this hopefully.

Shadow Man | Who Saw Her Die? (bandcamp.com)

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Mea Fisher may no longer be a vocalist for Lords Of Acid, but she is back with her new project Me And My Nightmare, and what better way to celebrate than by dropping the single, “Devil Inside” featuring the vocals of En Esch (Slick Idiot, <PIG>, Pigface, ex-KMFDM) Just when you thought your industrial dreams were fulfilled, Danny Lohner, guitarist for Nine Inch Nails just happens to be on the track as well.

Techno inspired synths and rhythms complement the purring vocals of Fisher, when she isn’t letting that devil out in the chorus. Esch brings the demonic to Fisher’s fallen angelic, with his gravelled vocals, and Lohner’s guitar work drives home the grittiness below the sheen of the electronics.

There are also two remixes that go with the single, including one by Sebastian Komor (Icon Of Coil, Strategic Command, Zombie Girl). I can see Fisher going from strength to strength, if this is the calibre she is serving up. Have to admit I did first first think of the INXS song of the same name at first, though no fear as this is a completely different beast or should that be devil? Come join Me And My Nightmare and find the sensual “Devil Inside.”

Devil Inside (Ft. En Esch) | Me And My Nightmare (bandcamp.com)

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Cicadas could be the rock stars of the insect world. They are the loudest, live two to seventeen years, shed their carapace and come out in Summer to mate and spent most of their lives hibernating. “Cicada” is also the latest single from Lunar Paths‘ Diane Dubois and Kevin Hunter.

Kevin has recorded live drums and it just adds to the dramatic tribal timelessness. There are samples of traditional Greek (Cretan) instruments that Diane has fiddled with and the electronics dominate the track, often matching the sounds of cicadas. They have incorporated live recordings of our little insect friends.

Diane graces us with her vocals as well as her lyrics that pay homage to the sound that marks the feel of Summer in the outdoors. The whirring and heat can be felt, often heralding in a storm after a day of building humidity and “Cicada” takes on a mystical ambience for a creature that spends most of it’s life growing up underground, to come forth for a finite period of time. Lunar Paths are going to entrance you.

Cicada | Lunar Paths (bandcamp.com)

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In 1986, Siouxsie and the Banshees released the album Tinderbox, which yielded the all too catchy single “Cities In Dust.” Now in 2024, Naarm (Melbourne) based Velatine, have covered “Cities In Dust,” featuring for the first time the vocals of Sasha Tyler, along side the ever present lord of darkness himself, Loki Lockwood.

Electronics herald in the recognisable chords to the track, but this is not the same creature as the original. The synths strike a harpsichord tone and the singular guitar has a lot of impact. Tyler’s voice is true and strong. She is not Siouxsie Sioux, for there can only be one of those, however I think she is perfect for this reinterpretation, and her vocals are like honey.

Indeed, the eldritch is strong in this track, and I swear at any moment I am going to hear Vincent Price laughing into the pall of gothic mist covered horror. Why horror? “Cities In Dust” is about the Roman cities of Pompeii and Herculaneum, seemingly wiped from existence by the powerful explosion of the volcano, Mount Vesuvius. The Velatine version is a little sparser… more electronics and maybe this has upped the ante when it comes to the eeriness factor. Out on the Spooky Records label, visit Bandcamp for name your price before you go dancing at the Lares Shrine.

Cities in Dust | Velatine (bandcamp.com)

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“Never Sever” is the new single from Norway’s Mayflower Madame, from the album Insight, which will be released on November the 1st on the label Night Cult Records.

There is a haunted tone to the beginning of “Never Sever,” however this track kicks off with the guitars powering up their shoegaze jangle. The vocals call out a regret of walking from a relationship, acknowledging that you can never go back after years. The electronics are the unsung hero here filling those swelling chorus.

There is a cool groove about this track, and the way it flows and builds between the guitars and vocals, very much reminds me of The Mission (UK). You can feel the ache of loss, however, the crashing drums combined with the bigger sound, leads you to believe that there is also acceptance of what is. Wallow in the beautiful gothic melancholy that is Mayflower Madame’s “Never Sever.”

Never Sever (single) | Mayflower Madame (bandcamp.com)

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Aston Nyte, lead singer of goth rock band The Awakening, has once again taken on the duty of lead vocalist with US super group, Beauty In Chaos, for the single “Made Of Rain,” which is off their fourth album Dancing With Angels.

Photo by Annabel DFlux

Michael Ciravolo is a master guitarist and the notes drift in a sensuous malady. Meanwhile, Nyte sings from the pit of his being, with the tone grabbing your heart and pulling it out of the cavity it beats in. The lyrical imagery is poignant, stealing your breath with the powerful lament.

Nyte, simply put, has a superb voice with an extraordinary range, and I have to admit I hold him in great esteem along side HIM’s Ville Valo. Not only is his singing beautiful, but you feel everything. So easily he causes a visceral reaction and that is what makes Nyte perfect for this track, “Made Of Rain.” The music video is also a feast for the eyes which I highly encourage you to check out.

DANCING WITH ANGELS | BEAUTY IN CHAOS (bandcamp.com)

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Friday the thirteenth was the release date for the single “Stay Strange” by Swedes THEN COMES SILENCE, which features the smoky eyeliner (and vocal chords) of Dusty Gannon, lead singer of US group Video Vision, out on Metropolis Records.

From sliding down the guitar strings, to the jaunty nature that said guitars are being played, you already know you are in for a cracking tune, and the lads do not disappoint. The drums slam away as Alex Svenson and Gannon share the vocal duties, and it is a display of explosive punk styling pure joy. What a fantastic message in the chorus which simply says ‘stay strange and pure of heart‘.

Be still my beating heart, when you hear what could be a throwback to The Specials’ “Ghost Town,” with bonus points for seeing Goth Dad Gannon, getting on down to it in the video. “Stay Strange” has a psychobilly heart, preaching a feel good anthem that it is okay to go against the grain and not be like everyone else, even when the pressure is to be a carbon copy of the general public person. THEN COMES SILENCE’s third album Trickery is all about finding your people or tribe and Dusty Gannon, as Goth Dad, brings positive inclusiveness, so all I have to add is be weird and keep on dancing.

Stay Strange | THEN COMES SILENCE (bandcamp.com)

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Is it a bird or a plane? Why no, it is London’s test plan, a post-punk trio and they have released their third single, “It’s Not Enough” at the end of August. Max Mason (drums, backing vocals), Michalis Fragkiadakis (guitar, backing vocals) and Rory Dickinson (bass, vocals) make up test plan.

The first fifty odd seconds is a slow reverberating crush of guitar and echoing vocals….which then explodes into a tsunami of noise. test plan goes from lulls into stressed and strained screaming, not only from their lead singer, but also the guitars, and all the while the drums set the course, faithfully driving the rhythm section forward.

“It’s Not Enough” is amazingly dark and forceful, blaring out in defiance in this play of words. There is a punk heart here, matched up with noise propelled melody, vying to be not just heard, but felt through your skin and sinking into your bones as only a good gothic rock song can, so check out test plan.

It’s Not Enough | test plan (bandcamp.com)

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The saying is the apple doesn’t fall far from the tree and this could be said for young Norwegian guitarist Ja’kob, son of yet another amazing guitarist Karl Morten Dahl, better known as Antipole. They have joined forces with Pedro Code, from IAMTHESHADOW, to release the single “Walk With Me.”

Ja’kob

Pedro Code has a voice that could make you melt with it’s luscious tones and his contribution of vocals and lyrics sits so very well in the guitar laden music being laid down. Those guitars roll and play around each other in a mesmerising dance, which is beautiful to behold.

The music video is set between a Norwegian forest and a shuttered room, a play of light versus dark, of open spaces in contrast to the claustrophobic setting Code finds himself in. “Walk With Me” is delicate and at the same time sombre with the smooth deep intonations of Code. Antipole is a man that can make a guitar speak volumes and I can also see a long career in the music industry for Ja’kob,

Walk With Me (ft. Pedro Code) | Antipole & Ja’kob | Antipole (bandcamp.com)

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