Brisbane’s Disfigured Mistress, has been releasing industrial noise for just over a decade. The man behind the project is retiring in the public eye, though in real life a gregarious hugger, who likes a laugh. With that decade under his belt and a veritable catalogue of industrial noise tracks, it seems to the perfect time to compile some of these gems into a huge 17 track behemoth called Decade Of Destruction (2011-2022), which was unleashed on April, 14th.

Just by the list of track names, you have to realise that most of this was not written to be all happy joy. There is a lot of angst, self doubt and even loathing, that is not even thinly hidden. You can bask in the pounding “Sex And Violence” as the bass beats fracture in in ever heightened frustration or go from synth perfection into being stuck with pointed electronics in “Bleeding To Feed The Fake“.

The previous single “The Black Depths Of Hatred” is so fucking heavy, you could weight down a body with it, and it just gets better every time your hear it. Yet, it the midst of all this is the slower and ethereal, “Never Fade From Me” with acoustic guitar and ghostly accompaniment, that is like a breath inhaling and exhaling over and over until it is no more.. There is also the latest single, “Drown It all Out” that is overbearing and full of abrasive metalized distortion which fills your ears, unrelenting.

In The Flesh Of Fallen Angels” has the glitching beats and the mind numbing harsh noise trying to crack your head open in “Black Mother Devourer Of All” are tracks I just need to mention because of their stellar execution and how magical they are.

The whirling “The Rage Within” is just epic and just made to murder a industrial/techno dancefloor as it screams in fury, lost in its own world. And it just goes on and the thing is that I am not trying to write about every track, because there are a lot here and yet as you listen, each one is so different in the use of synths, programming and even instrumentation. Occasionally you hear a distorted guitar that just adds to the amazing cacophony that assaults your ears, so brilliantly orchestrated.

Traditionally, it the Europeans that have this affinity with harsh powernoise but I am going to say that Disfigured Mistress could easily be just as good as any of those acts. He has a talent for weaving those electronic threads into powerful rhythms, that will touch your primal animal which lays at your core. So, there is no time like the present to immerse yourself in the Decade Of Destruction of Disfigured Mistress.

Decade Of Destruction (2011-2022) | Disfigured Mistress (bandcamp.com)

Disfigured Mistress | Facebook

For those that love their cyberpunk industrial music, should be thrilled that Seattle act Rabbit Junk released a new album on 23rd of October, Xenospheres.

Wired a little differently? You’re on the vertical while everyone else around you is the horizontal? “Neurodivergent” will speak volumes to you as it calls for a standard world to be more flexible or prepare to be broken. It’s vocal, it’s loud and it’s going to catch your attention.

The Bends” is bass heavy metal with that injection of industrial sensibility. It is almost bipolar with going from nu/core, straight into synths, without missing a beat. For those unfamiliar, the bends occurs when deep sea divers surface and then suffer from decompression sickness.

The harder the bastards push you down, you get back up to push back harder. This is “Relentless (Omicron Nu Epsilom)” and it soars vocally, with the great aggresive guitar and synth highlights.

Really like the mix of male and female vocals here in “Prismatic“. It works so well in a responsive sassy way about feeling invincible and wanting to get down to partying.

For something completely different, reggae style vocals greet you in “Angry People” and we all know these sort of people who want to start fights but take the stance of the injured party.

This is just rising levels of guitar angst for “Curse” and then in the middle it hits you… is that a passing nod to the “The Passenger” by Iggy Pop?!

Talking of Mr Pop, Rabbit Junk have taken the single “Kick It“, that Iggy sang with Peaches and given it an industrial makeover. It was already a punchy, punk number which now has an even sweeter, juicier bite to it.

A really nice mix of metal vocals and that beat heavy industrial noise in “Bits And Razors“. Intense guitar heralds the growing swells of the chorus.

The last track, “From The Stars II (Kite and Vireo)“, is a wonderful science fiction story that becomes a headbanging epic. This is the invasion of the alien technology within humans… or is this the other way around? Humans invading cyber space….

All in all, this is a rip roaring album, thumbing their noses at societal conventions whilst bringing the beat heavy noise.

Xenospheres is a free download from Bandcamp because the band decided that in this current economic environment, it would be worth giving back to the fans. Just goes to show though that Rabbit Junk are really a nice bunch, so please support by getting Xenospheres.

https://rabbitjunk.com/album/xenospheres

https://www.facebook.com/RabbitJunkOfficial/