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Italian band Codice EGO has dropped their EP, Rainbow’s End on April 21st. This three track EP, is the journey of one band member, who found himself confronted with an illness that no one could diagnose and faced with his own mortality.

The title track, “Rainbow’s End” is the first single and is full of a slinky cool vibe, and smooth vocals lending themselves to the Portishead sound, while the throbbing guitar settles below, occasionally breaking out in flourishes. “Errors And Repairs” has post-punk jangliness wending its way through the ebb and flow of emotions in a period of time of being unable to fix the human machine but the most important component is convincing the brain to move on. The last track is the male voiced “Contriver“, the electronics are at the fore with the rhythms pounding from the drums and in an amazingly powerful ending. The survivor looking at what they have gone through.

Post-punk mixed with shoegaze and an understated degree of electronics is a part of the concoction that makes Rainbow’s End so easy to listen to, yet the vocals, fuelled by the ocean deep lyrics, for Codice EGO that make it all gel perfectly.

https://en-gb.facebook.com/CodiceEGO/

https://www.instagram.com/codiceego/?hl=en

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In 2020, ABU NEIN released their first album, Secular Psalms, and now the band, hailing for Malmö, Sweden, are about to drop their next called II, on Progress Productions. But before that happens, there is a new single, “Kissing The Glove“.

From the first electronic beats, “Kissing The Glove” simply oozes dance floor killer, with buckets of seduction drawing you in. The track pulsates and causes a quickening of your heart. The vocals send a shiver of pure joy down your spine while the synths darkly rumble.

This is an impossibly wonderful darkwave track that is gorgeously drenched in eroticism. So what is the mystery of the left hand? Maybe all will be revealed in II, but for now, we have “Kissing The Glove” by ABU NEIN.

▶︎ Kissing the Glove | ABU NEIN (bandcamp.com)

https://www.facebook.com/profile.php?id=100063707343343

https://www.facebook.com/ProgressPro

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It is hardly surprising that New Orleans is a simmering pot of shrouded bedlam, and there is nothing better than introducing a new band with a debut single. Deep Sleep Atlantic is a duo from the Big Easy, and their dark grungy rock single is “Bipolar Tendencies“.

The impending creeping doom in the beginning of the track is heightened by the singular guitar that is joined by the matter of fact vocals, and then it all takes off. A story of mental health that has coloured the storyteller’s life, conversing with the voices in his head. The drums power through, with the guitar seemingly dancing within the piece and vocals that utterly suit that track in both attitude and sound.

I haven’t moved for days
It’s not that I don’t wanna be
Outside with my friends
But why would I go out when they’re all inside my head

Deep Sleep Atlantic have a big rock sound and they remind me a lot of another US act, Queens Of The Stone Age, not only in sound but also the quirky sense of humour, even in the face of a serious subject. “Bipolar Tendencies” is a very classy first track, so now we await for what Deep Sleep Atlantic proffer next.

Bipolar Tendencies | Deep Sleep Atlantic (bandcamp.com)

https://www.facebook.com/deepsleepatlantic?mibextid=ZbWKwL

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IMJUDAS is the solo project for Maxx Maryan, who is also half of the Italian duo HELYAN FLOWERS. Maryan has released two EP’s, People Of The Blame and So Untrue, on the Spleen+ label which is a mixture of electronic and post-punk sensibilities.

Both EPs are a mixture of songs off the previous album Yrjudas, however you will find remixes and also unreleased demo versions. People Of The Blame indeed takes the track of that name and giving you the glorious canned anger mix and the Octolab remix which brings a very techno vibe dance track. Madil Hardis gives the track her elegant touch as well as delightful vocals, making it poignant and thoughtful, or you can enjoy the alfa remix and the 2016 demo version. The Neikka RPM mix of the single “Ritual” whirls out into the universe and you are also are treated to the demo of “Tulpa“.

So Untrue follows the same formula with the standout remix of the title track by Elektrostaub, where the guitar has been removed and filled by beautiful synths. There is the slower version by Phil from The Breathe Of Life that pulls at your heart strings and yet another demo of this track. You can hear yet another electronic interpretation of “Ritual” and the demo of “Outcast“.

Maryan really does have a brilliant voice that is the lynch pin between all the tracks and it is really interesting to see the progression between demo, single versions and remixes. It has been stated that this is the last look back at the Yrjudus album….. and what a look back it has been. It might seem too good to be true but you should definitely get into IMJUDAS.

People Of The Blame EP | ImJudas | IMJUDAS (bandcamp.com)

So Untrue EP | ImJudas | IMJUDAS (bandcamp.com)

https://m.facebook.com/IMJUDASofficial/

https://www.instagram.com/maxx_maryan

https://www.facebook.com/spleen.plus?mibextid=ZbWKwL

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A new band from France, CODE 150, released their self titled first EP on April the 1st. I don’t know much about these guys other than they are a four piece band. So, in other words, we will let the music speak for them.

The start is a solemn one with “IRON EAGLE“, as the electronic writhe with an almost siren like wail. The guitars are in attendance for the next track, “BROKEN“, the bass twangs delightfully, with the lead guitar flourishes. It reminds me a little of a slow dance from the heart. The synths definitely give “DANCER IN THE DARK“, a coldwave sound, and combined with the female vocals, it has a beautiful symmetry, that whirls through the chorus. The final track is the sexy “MORE“, and I will leave that to your imagination… or even better, you can go listen to it.

This is a great first release and I implore you to listen to “DANCER IN THE DARK” as it deserves to be a dance floor favourite with its charged rhythms and vocal charm. It conjures up visions of a time when Visage and Ultravox were kings of the new wave scene. Keep an eye out for CODE 150 because I have a feeling bigger things are coming.

CODE 150 | CODE 150 (bandcamp.com)

https://www.facebook.com/CODE150band

https://www.code150.fr/

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Akustikkoppler (Acoustic coupler) is Hamburg duo, Matthias Schuster (Geisterfahrer, Das Institut) and Malte Steiner (Notstandskomitee, Das Kombinat). They create experimental electronic music and last year they dropped their fourth album. Alles Muß Raus (Everything Must Go), which was mastered in 2021 but the actual recordings were made between 2008 – 2012.

The whole ten tracks are instrumental and they most certainly run along the lines making noises that please them and incorporating those noises into music that they inspire. There is the space like “Heimweg“, with a 70s kitsch feel, and yet it could be a science fiction horror in the cold void. Or the throbbing and wandering nature of “Horses And Carriages Burn“, as spikes of electronics speak up or the oddity that is “Dinge, Die Unter Dem Tisch Lagen” or the things that were under the table, which could be a whole new world with out of place bleeps and reverberations.

It might be experimental but Alles Muß Raus is very enjoyable. There are bright noodling bits and even tracks that have a dance beat, yet overall the album is nearly hypnotic as you become engrossed in listening to everything going on. Akustikkoppler seems to be hitting all the good notes.

Alles Muß Raus | Akustikkoppler (bandcamp.com)

https://www.facebook.com/profile.php?id=100064120891094&mibextid=ZbWKwL

https://www.block4.com/musicprojects/Akustikkoppler/index.php

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Over a year ago, some guy called Garrett Cooper, in South Australia, decided to create a new project called Brave Mistakes. He then thought that he might put out one original song a month, for a whole year. When you listen to each of the tracks, you can hear the progression as Cooper developed his singing talent and grew more comfortable in his role of songwriter. Somewhere on this journey, he has found like minded musicians and Brave Mistakes is now a fully fledged band. A new single has just dropped called “Unchained Melody“.

The style is simple and straightforward, with guitars interlacing delicately, between plucked and strummed. Cooper’s singing is definitely the focal point, smooth and rich like honey, as the lyrics roll of his tongue. The track is saturated in longing, for time and distance can be unkind to lovers.

Sounds familiar I hear you say. Yes, it is a cover of the 1965 song, first performed by The Righteous Brothers and made famous yet again in the movie Dirty Dancing in the late 80s. This solemn rendition is near spine tingling, the musicianship stunning and I swear Cooper’s vocals get better every time I hear him. A perfect version of “Unchained Melody” to slow dance with your dearest, by Brave Mistakes.

Unchained Melody | Brave Mistakes (bandcamp.com)

https://www.facebook.com/bravemistakes?mibextid=ZbWKwL

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Not often that you have a group that is known as a collective, but this is just what Flowers Of Hell is, which a group of sixteen musicians revolving through, based between London and Toronto. The project encompasses both classical and modern alternative rock and in 2012, they released the album Odes, a collection of covers, from bands that have influenced them.

Photo by Greg Jarvis

Now, in April 2023, Odes will be getting its first showing on vinyl with Space Age Recordings. At the time, back in 2012, the legend Lou Reed acclaimed it ‘an amazing, amazing album‘. You can’t get much better praise than from the guy who was the voice for The Velvet Underground, about an album that bears one of their tracks. In fact, they have used the original lyrics that were penned by Reed on the Velvet’s original demo for “Walk On The Wild Side“

There are covers of Bob Dylan’s “Mr Tambourine Man“, Siouxsie And The Banshees‘ “Last Beat Of My Heart“, and Stereolab’s “Super-Electric” just to give you an idea of the variation in styles. You can even go check out the new video created for the post-punk track “Atmosphere“, which is of course, originally, by the beautifully sad Joy Division. Flowers Of Hell treat both this, and all the other songs with great reverence whilst giving each a classical twist. Odes is a musical salute to the tracks that have influenced generations, and Flowers Of Hell have acknowledged they are building their own wonderful legacy on the shoulders of giants. The release date is April 22nd.

https://flowersofhell.bandcamp.com/music

http://www.flowersofhell.com/

https://www.facebook.com/TheFlowersOfHell?mibextid=ZbWKwL

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We are off to Austin, Texas, to have a look at the first EP, “We Dissolve“, from Gleaming. Maybe we can let the man behind the project, tell you about himself….

“After drumming for a handful of different screamo and indie/dream-pop bands, I found my way to electronic music. I wanted to take the inspiration and influence from artists I love and blend it with my experience in the indie and dream/synth-pop bands. Creating a dark, danceable tone with really catchy melodies and lyrics, hoping to capture the perfect segue from dark to light.” – Darryl Schomberg II

The first track is also the single “Run Faster” and the tone of this song alone sets up the whole EP, which is about putting distance between yourself and the things in life that have dragged one down the darker paths, such as depression, and finding a better future. The synths are bright and sweet, and the rhythm bounces. “The Ashes” is the second single that builds in tension, echoing vocals that explode into a cascade of crystalline synth shards. Of note is the track “Rat Me Out“, feature Vestite, also from Austin, which has a great keyboard line through it as the dual vocals snake through this piece in the chorus.

I kind of wished that Schomberg relied on his own clean vocals more, which I will admit, are soooo much better than using autotune, (yeah I am the first to say I hate autotune with a fiery passion and I will blame Cher forever). The electronics have an 80s synthwave ring to them, that can soar, and having Vestite is a stroke of genius, as it made “Rat Me Out” a real joy. This is just Gleaming starting out with We Dissolve, so it should be interesting to see what he does next.

We Dissolve | Gleaming (bandcamp.com)

https://www.facebook.com/gleaming.atx

https://www.instagram.com/gleaming.atx/

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VAZUM have defined their gothic rock mixed with shoegaze style as Deathgaze, and the Detroit duo of Zach Pliska and Emily Sturm have kept themselves very busy. Between 2020 – 2022 they have released approximately four full albums, a multitude of singles and even a ghoulish Christmas EP just for good measure.

Now we have V- (V negative), the greatest hits of this period. All tracks have been re-recorded to reflect their live performances, so don’t expect the usual crystal clear sound but rather, you are listening to a band recreating the live experience.

Sure enough, it feels like we are privy to a VAZUM show as we revisit some of their tracks such as the Siouxsie and the Banshees like “Razor Smile V–” with its swirling guitars or the wonderfully bass heavy “Thief V-” and enjoy the interchange of male and female vocals. If you like yourself some VAZUM, dig really interesting gothic rock or really love the warm style of live music, then V– might be your glass of absinthe.

V- | VAZUM (bandcamp.com)

https://www.facebook.com/VAZUMROCKS/

https://www.instagram.com/vazum_