When the title of an album is You Are Happy, they aren’t asking but rather telling you. Non-Bio have this new album out called just that and it is a harsh industrial look at the modern age. Howard Gardner is the man behind Non-Bio, resident of London and this is the first album release since 2018.

This is your “Induction“. You will obey, you will fear, you won’t question and accept what is given to you. There is no resistance because it is not in your interest… or that is what you are told and that is solidified with “Death To The Beat“, an angry litany of how people have been led astray with false promises and fears. It is heavy and brutal in it’s criticism. “Create Problems” has that great experimental feel with the off beats, adding to the idea that not all is well in the world.

Fourth track is “Crush” and it is full of rhythmic noise, lambasting your senses under it’s weight to push you down. Not as insistent but sludgy and dark is “Collapse Noise” and I am not sure if it is me or are there electronic crows/raven in the background ready to pick over the bones? The instrumental title track, “You Are Happy” is a combination of static beats, hissing electronic modulated noise and verbal snippets taken from speeches, such as Gandhi and the alike on human happiness. I never knew the calorific count of the human body but I do now due to “Zombie Influencer“, so thank you Non-Bio if I ever should feel the need for some soylent green. Creepy and unsettling, Gardner quantifies how much you will satisfy the hungry zombie hordes.

Nerve Market” has an industrialized, militarized timing and it is about the mechanization of humans and the loss of their ties to what makes them human. Pounding pounding into the ground as you become the dust, as you “Worship Dust” because you are a part of the industrial machine. The instrumental, “Are You Still Listening?” creates the impression of unease by being slightly off as it chirps at you, which leads you into “Positron Pill” and it is abrasively trying to pry your head open and wants you to burn everything. “Really Existing People” could be called the crunch dance track and herein lays the juxtaposition between the gritty sounds and the clinical words.

Such an odd title for a song, “Oppressor, She Loves You” and the lyrics could be from a science fiction and yet this is based in the current world. The drone and constant rhythm lull you into obedience, so you give your all before your disintegration. The theme continues in “Docile Thunder” that does indeed thunder on, wending its way into your ears. Last track, “Taint Of Tomorrow” is driving rhythmic noise that nails home the intent of the album… the expectation that you accept and don’t question.

if you haven’t guessed by now, this is an album with an agenda, inspired by the current policies and political landscape of the United Kingdom and watching others further afield. A commentary on society, where those who have little, also have the most to lose. It may also be a reflection that the population had been cowed into general acceptance unlike the civil unrest of the 70s and 80s which spawned industrial experimental artists like Test Dept, Cabaret Voltaire and Clock DVA. Non-Bio is following in their footsteps, under their own flag of angst ridden, fervour because in times of social injustice and inequality, industrial music seems to come to the forefront. You Are Happy is a great album with a lot of heart and soul and just maybe, Non-Bio will be part of the revolution!

https://non-bio.bandcamp.com/album/you-are-happy

https://www.facebook.com/nonbiomusic/

Unitcode:machine is the very talented Eric Kristoffer from Dallas, Texas and earlier this year he released the album, Themes For A Collapsing Empire, on which you could find the single “Falling Down“. In November, an EP of remixes has been released of this single, re imagined by other acts.

ERIC KRISTOFFER – UNITCODE:MACHINE

The first remix goes to Stabbing Westward and it so clean, polished and so utterly likeable. It almost is like listening to Depeche Mode in the way it grabs you. Next is the wonderful Batávia’s groovier version. Oddly sounds like Tom Shear from Assemblage 21, which is not a bad thing but how did they manage that and it really is a thoughtful remix that gets under your skin. Who doesn’t like a bit of electronic funk that descends into into brilliant synth lines?! Steven Olaf brings hints of the 80’s and it bops along very nicely…. I totally adore that synth line and trust me you will know what I mean when you hear it. The Gravitation remix by Antonym starts slow but this is a ruse and soon beats happen and it all becomes a whole lot of epic. There is something so spine tingling and satisfyingly about the Glass Apple Bonzai remix in all it’s synth wave, juicy goodness. It is rhythmic zen and beautiful, dutifully followed up with the solid club edit. The final re working featuring fellow Texan, Dwayne Dassing, ex-Mentallo and the Fixer, and the flavour is near futuristic in this purely instrumental version.

No matter how you look, or is that listen to “Falling Down“, it is a stonking number that can be remixed to reflect the style of each contributor and of course each remix is unique, basically there isn’t a bad track on this release. Not bad for a revisited single and I rather think this would be fabulous to hear on the dance floor..

Falling Down Remixes | unitcode:machine (bandcamp.com)

unitcode:machine | Facebook

Anyone who is familiar with Alexander Donat’s project, Vlimmer, might be be surprised to find that after eighteen EPs releases (yes you read right, 18!!!) , he has unleashed his debut album, Nebenkörper. The literal translation of Nebenkörper is secondary body or auxiliary body and maybe a part of this title refers to the fact that this is a full length album which was released on the 24th of September, 2021.

The dreamy, instrumental, “Farbenmüde” is the prequel to the album and in no way prepares you for the onslaught that is the angst filled “Fensteraus” and it is a bit like a Faustian epic in sensory overload. It has a wicked life of its own. Blasts of electronic beats mixed with tribal rhythms is “Mutem“. A sublime mix of metal shoegaze with industrial. There is a constant drone behind the “Restfall” as Donat’s vocals tether you to this reality and the guitars jangle and wail while it climaxes in a maelstrom. We have the single “Meter” which actually reminds me of Oomph! a little, if they had been more post-punk and it definitely deserved to be a single. “Minusgesicht” is full of foreboding atmosphere, a pall of darkness that is trying to drag everything into it and a sense of falling or fading away.

ALEXANDER DONAT – VLIMMER

I.P.A.” is truly a post-punk hybrid beast. Dark and brooding with just the right amount of noise to mix with the discordant voices while “Ad Astra” is like a wild ride of ecstasy and screaming insanity that bears you along, occasionally drops you, just you pick you up for the next part of the ride. The insistent “Wangendruck” is absolutely a gothic/EBM hybrid of beauty. It gloriously powers on with bursts of beats. There is a subtle change with “Kartenwarten“, slowing down things, a mellow shoegaze vibe before we vere off into noise inspired “Kron“. It is crunchy and sounds rather unhinged, though in a good way, as it ramps up. The last song on the album is “Nebenbei“. It is the wind down, giving a sense of introspectiveness and grief in a way, possibly full of longing. It is a lovely way to end.

Vlimmer is on Blackjack Illuminist Records and had the much-in-demand, Pete Burns of Kill Shelter handling the mastering. As a native English speaker, I am unable to tell you what the German lyrics are about and it is far more about the impression it gives and in the end, this is exactly what music is supposed to do. Expression in any language that still resonates with those who listen. Nebenkörper for the most part is a swirling amalgamation of gothic darkwave with shoegaze and a big helping of industrial. It is raw and at times won’t let you stop hearing new and unique things in the musical aether. At times you can almost swear you can hear a choir in the mix backing up Donat but this is an illusion and a rather masterful one. After eighteen EPs, Vlimmer have unleashed a beast of an album, so it was worth the wait.

https://blackjackilluministrecords.bandcamp.com/album/nebenk-rper

https://www.facebook.com/VlimmerMusic

https://www.facebook.com/Blackjack.Illuminist/

If you love industrial music, then you should be checking out Isabella Chains’ project, Null Cell. The Omaha act is soon to release a full length album, Nemesis in December, but before then, you can sample the delight that is Null Cell with the first single off the album, “Over The Top“, which was released October 29th, out on Machine Man Records.

ISABELLA CHAINS – NULL CELL

Metal mixed industrial might be the best description, in a similar vein to many of the beloved Wax Trax bands. Pumping beat with harsh, angry guitar work and belligerent vocals. It is kind of the industrial version of don’t try to change me or tell me I’m wrong because this is my life by people who think they are always right.

The two remixes on this album are from HOSTILE ARCHITECT (H/A) and Varicella. You can pick H/A’s mix, by Mitch Kenny, a mile away with the signature synths and breaks. He has created a more futuristic version where the guitars are no longer at the core but still kept it deliciously dark. The Varicella version keeps to the guitar based sounds, injecting their electronic fingerprints and dare I say giving the track an even dirtier feel with the extra vocal manipulation.

The last track is a cover of “Wireframed Genocide“, originally written and recorded by Mind Teardown. The original has cleaner synths and a definitely more European flavour about it even though they are from Seattle, whilst the Null Cell cover is near pure angst, seething in it’s disdain.

Over The Top” is name your price on Bandcamp. There is nothing to lose from checking out Null Cell and you just might gain a new act to really enjoy and follow.

https://nullcell.bandcamp.com/album/over-the-top-single

(7) Null Cell | Facebook

https://brutalresonance.bandcamp.com/album/lowgradelife

(6) HOSTILE ARCHITECT | Facebook

https://varicella.bandcamp.com/

(6) Varicella Band | Facebook

https://machinemanrecords.bandcamp.com/

(6) Machine Man Records | Facebook

Who doesn’t enjoy a good old ghost story that causes the hair on the back of your neck to rise, your flesh to goosebump and eyes to water without warning? It is human nature to be curious of that which we do not understand and Syd.31 explores those places in the dark where the shadow people lurk, waiting for you in the single release, “Demon Night“. Syd.31 is Dr Magic who is based in Manchester in the UK and the United Kingdom, like all cultures, is steeped in tales of the paranormal.

SYD.31 AND KRAMPUS FRIENDS

When I was a kid, we lived in a haunted house. Some ‘thing’ would walk down the hallway, into my room and just stand at the end of my bed. It looked like an old lady and it scared the hell out of me. Other people saw it too, but didn’t tell me until years after, thankfully. I still struggle to sleep alone with the light out…”Syd.31

The video was shot in the haunted Antwerp Mansion, the infamous Whitby Krampus makes his presence known and if you look carefully, maybe there hints of the ephemeral shadow people. You can hear the near panicked fear in Dr Magic’s voice because they are waiting for him to be alone in the dark of the night, so they may play. There is a psychobilly aspect to the number, not just with the chord progressions but also the use of a Gretsch guitar. All this lends itself to a nicely blended industrial rocking tale of misery. Plus, have to love the middle eastern style drumming at the beginning. “Demon Night” comes off the Syd.31 album, Machine Ready, that was launched in April this year.

I will add my own side note to this. As I wrote this late in the night, the online radio ceased to work. It seems the new router we had received had gone offline but the thing is this one guaranteed to work unless there is no power. It did come back on of its own accord, most unusual…..

https://syd31.bandcamp.com/track/demon-night-2

https://www.facebook.com/Syd31/

October the 1st, saw the release of a new Mach FoX single, “Hollow Moons“. Zwaremachine is Mach”s main project but he has always maintained his own musical outlet since 2005. “Hollow Moons” was written with Dbot and also recorded with Dein Offizier, whom both are members of Zwaremachine.

Mach FoX

There are feather light synths that delicately highlight the darker edge to this number. Mach’s singing fits perfect with the textures and beats which gives us a science fiction future where the world has been used up and only those with enough wealth will be able to afford to live in the new, lush settlements in the hollowed out moons.

Originally meant to be on the latest Zwaremachine album, I can hear why they decided to not add it. Not because this in any way a bad song, to the contrary, but rather it does not fit the more hard industrial sound cultivated by the band. “Hollow Moons” has a far more pop industrial feel, smoother and no growled out vocals. Really enjoyed the more synth/future pop vibe and hopefully we will hear more of this side of FoX’s musical endeavours.

https://machfox.bandcamp.com/album/hollow-moons

https://www.facebook.com/machfoxband

A new industrial project has hit the scene, with the debut single, “Pews In A Panic“. They are called The Royal Ritual, a solo act featuring the talented David Lawrie. Fans of London After Midnight might recognise his name from being a live tour member, however Lawrie also works as a sound designer for films as well as being a composer/producer in his own right.

DAVID LAWRIE- THE ROYAL RITUAL

From the beginning of the single, the beats are harsh and ring clean, insistent for your attention. Commercial religion is the focus, with its constant demands for money and blind obedience, using and abusing followers until there is nothing left because in the end everything belongs to you, but you belong to me. “Pews In A Panic” is just a really great industrial song that has something to say. The b-side is a cover of fellow Brit and singer/composer Phildel’sGlide Dog“, that originally was released in 2019, This so different musically to “Pews In A Panic” and yet there is this tone of something brutal under the seemingly smooth surface. Lawrie gives “Glide Dog” the electronic cool treatment and it slips along giving one the feeling you shouldn’t dwell on what lays beneath the surface.

It is really amazing when you listen to “Pews In A Pandemic” and every time you heard a new or unusual sound that isn’t necessarily a traditional electronic one. More than likely and due to his profession, Laurie has more than a passing interest in incorporating left of field recordings to accentuate his music. This creativity only points to the looming album being anticipated as a corker and we are looking forward to hearing more of The Royal Ritual.

https://theroyalritual.bandcamp.com/releases

https://www.facebook.com/theroyalritualmusic/

The latest single from the Boston lads, Cristian Carver and Johnny E. Veil, aka MAN1K1N, hit us on October the first. Cryptically named “Don’t Let Me Try” is their attempt to put into words and music how the pandemic has affected them and others, both mentally and personally.

The heavy solitude of this past year during quarantine was a poignant influence in the moment this song exists in. Too often, suicidal ideation is regarded as a trope. But the anguish felt in those private moments is threatening and devastatingly lonely.

From the start, the music has a weight to it, oppressive and even a little bitter-sweet. The desperation is in the groaned and growled out lyrics, as the synths swirl and pulsate in a menacing manner. The lyrics speak to the frustration and a hollowness of the drudgery that life has become, taking a toll of one’s mental health.

Definitely a powerful piece that builds and diminishes just as waves of hope and despair do. The anguish in Veil’s voice is palpable and Carter’s rhythms mix so well with the searing electronics. Interestingly, Tom Baker was brought in to master engineer this single and for those in the know, Baker has been involved with mastering Nine Inch Nail’s Downward Spiral and Ministry’s Psalm 69. Having this craftsman onboard has lifted the number and given it extra polish, so you should have a listen to “Don’t Let Me Try” by MAN1K1N.

https://man1k1n.bandcamp.com/

https://www.facebook.com/MAN1K1N/

SpankTheNun have definitely been blazing a trail through the industrial scene. Texan, Eric Hanes has been rather prolific not only with his own recordings but also becoming rather well known for his great remixes. His latest single, “Off Beatings“, features Claus Larsen of legendary Leæther Strip/Klutæ fame, on vocals. This is paired with remixes done by 5 very different industrial acts.

There isn’t any one original version as all five are a remix which doesn’t happen all that often. The first mix is by Mirland also known as John R. Mirland, who is involved in other projects like Mirland/Larsen, Negant and Eisenwolf but to name a few. His remix is raw and the bleak imagery just adds to the overall impact with the Danish Mirland bringing the fuzzy/crunchy beats that the Europeans do so well.

The second mix is by Florida based Batávia, It definitely has a big 90s feel, with wonderful twiddly bits all throughout, such as the computer game sounding keyboards. Ed and Terri Cripps have left their prints on this version and speaking of noticeable style, the third mix is by Brisbane act, HOSTILE ARCHITECT. You are always guaranteed huge industrial beats with Mitch Kenny, as it pounds it’s way into your head.

Calgary’s Eva X has the fourth remix which is a more somber and dark affair, claustrophobic and dense. The final remix is by Rebel Empire which has that great Mexican, high energy synth/electro sound and I’m not just talking the counting in Spanish.Throughout all these mixes, Claus Larsen snarls at us. The voice of reason against a world where patriotism overrides human feelings and body bags pile up as most turn a blind eye in the name of not rocking the boat, the false ideology. A great mix of styles to please most industrial fans and a testament to SpankTheNun’s music to be reinterpreted. This is “Off Beatings” and we annticipate the soon to be released album, Bunker Tapes Vol 2.

https://spankthenun.bandcamp.com/album/off-beatings-2

(6) spankthenun | Facebook

http://www.spankthenun.com/

What do you get when a radio anchorman, a neurosurgeon and a philosopher create a band? ¡-PAHL-! Based in Leipzig, Germany, Peter Hardlab (vocals), Leo von Leibnitz (lyrics & production) and Olaf Parusel (composition), came together in 2016 to ruminate over the questions of life, the universe and industrial pop.

The crunchy, bleak electronics and synths build a soundscape, of what feels like a vast area of encroaching darkness, with Hardlab’s vocals breaking that vastness, accompanied by the lonely playing of a piano with one finger. That is until the music builds in emotion, swelling before the inevitable end.

!-PAHL-!

Telos is a term coined by Greek philosopher, Aristotle, in regards to the full potential or purpose of a person. With this in mind, Hardlab asks Who am I? Am I who? Why am I?. This is the thinking man’s electro/industrial. Thoughtfully written and beautifully executed with those deep, smooth vocals that suit this so well. If you are searching for Mein Telos (my Telos), then look no longer and immerse yourself in ¡-PAHL-!

https://pahl.bandcamp.com/releases

https://www.facebook.com/soundofpahl/

http://pahl.de.com/