Ner/Ogris is a fairly new project from Germany, but you have more than likely heard of the two guys involved. There is vocalist tinoC from Amnistia and kaiN of Les Berrtas, who is the keyboard player and composer. Their first album, I Am The Shadow, I Am The Light, is full of electronic beats, deep and powerful synths, and raw vocals, released at the end of February on the label Dependant. The guys were gracious enough to talk to us about the album, how it came together, their influences and their shared admiration of Anthony Rother (you lucky lucky man).

Welcome kaiN and tinoC of Ner\Ogris, to Onyx where everything is in balance, which is why we co-ordinate in black.

Neither of you are new to the electronic scene, so what inspired you to create this new project Ner\Ogris?

Ner\Ogris: kaiN had the plan to release a instrumental album under the name NER\OGRIS and sent almost all the to the guys behind AMNISTIA to get some feedback. tinoC had the idea to add vocals to one of the tracks. When kaiN heard the demo he was like “maybe you can give this treatment to some more tracks?”. After about two or three weeks we had 6 tracks ready and it was obvious that we can not name this child a “featuring”… the rest is history.

How do you feel the German dark alternative scene has impacted on how you create music now and what style of music feeds your creative juices?

tinoC: I am in the scene for a long time and I am happy that I can call a some great musicians my friends. I really like the dark music scene and I listen to a lot of old and new music. I don’t like every release of course – that would be crazy, but I know what is going on in the scene and I have my influences there. I try to use my voice in different styles and very likely you can hear this in some of the songs.

kaiN: I was lucky enough to have grown up in this scene. With my other band (Les Berrtas) we had a great time in the early 90s with bands like CalvaYNada or Liederkranz with whom we played some concerts. I can still remember the first EBM nights in Frankfurt. Of course, that left its mark and has continued to this day. Today I think it’s great that younger bands like 2nd Face are taking up this niche again. Even if there are still only a few and the rest are getting older…

Your debut album is titled “I Am The Shadow – I Am The Light” which speaks of duality, for there is no light without darkness. Can you tell us a bit more about the album?

Ner\Ogris: It’s all about contrasts – noise and silence, harsh and soft, instrumental- and vocal tracks. We think the most interesting fact about the album is, that it was not planed. It “appeared” out of the nothing in a very spontaneous way. The music is still like it was before there were words or vocals. We did not change anything on it. It felt right to add the vocals to the tracks. kaiN said on day that the tracks finally made sense with vocals on it.

There are some big beats on the album and contrasts between the synths and vocals in line with the title. Was this conscientious at the time or it was just the way it all came together?

Ner\Ogris: As we mentioned… the music was there and is still like it was. The words and vocals followed the music and they came together very fast.

Do you have any tracks off the album that are particularly your favourites and why?

tinoC: My favourite instrumental tracks are “Pájaro” and “Fiebre Oscura”. “Deepest Fear” and “Reality & Fiction” are my favorites among the vocal tracks.

kaiN: Hard to say … All the songs have somehow been around for so long … Maybe “deepest Fear”, because Vincent from 2nd Face gave the song a phenomenal climax with his co-production. Or Reality & Fiction because of its danceability. But definitely “Faith” from the bonus CD – because TinoC performs awesome vocals to the song.

Do you find working together has brought out relationship that pushes you both to go further?

tinoC: That’s a good question. We will see what happens in the future. At the moment we only know what can happen when I add vocals to finished tracks that were not planned to release with vocals on it. I’m really looking forward to new tracks because I’m sure KaiN’s compositional habits will change a bit when he knows he’s working on a track that will have vocals finally. I really hope he will not lose his craziness for the music because there are parts in the tracks that are crazy and I think that’s great.

kaiN: Yes, we will see what the future brings. TinoC can also write good songs, as he has already proven with TC75 and Amnistia. It’s exciting for me in any case and I’m looking forward to no longer being solely responsible for the music.

How does it feel to be compared musically to fellow Germans, X MARKS THE PEDWALK, circa early 90s?

tinoC: To be honest… I am a big fan of XMTP. I personally think that tracks like “Cenothaph” or “Never Dare To Ask” are some of the greatest tunes of the scene. But I do not see any similarities between NER\ORGIS and XMTP beside the fact that we both are electronic bands. But it’s nice and an honor to know that other people feel that way.

kaiN: I agree with tinoC. I’ve known XMTP since the 90s and they have had a strong influence on the German dark electro scene. It is not the worst thing to be compared with XMTP!

If you could pick any electronic artists (alive or dead) to do guest remixes of the album, who would you pick?

tinoC: Good question! Thinking big is good 😉 I would like to hear Anthony Rother and Trent Reznor remixes from our tracks 😉

kaiN: Anthony Rother is a good choice 🙂 But I would actually be interested to hear what the album would sound like if it had been produced by Rick Rubin.9.

What is in the future for Ner\Ogris?

Ner\Ogris: The album has only been out since February 24th, so there is no new release in the near future but we have some confirmed live dates. We will share them when they are ready for the public. We want to see you all at one of the events and maybe have a chat there.

Thank you gentlemen for your time!

▶︎ I Am The Shadow – I Am The Light | ner.ogris (bandcamp.com)

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Last year was a big one for Pete Burns and his project Kill Shelter, with the release of Asylum, one of the best post-punk albums of the year. March marks the drop of a new EP with fellow musician Veronica Stich, also known as Death Loves Veronica, saucily titled The Sex Tape Sessions, out on the Cold Transmission label.

Kicking off with the utterly hot “Sex Tape“, which is a very electronic affair, sensual and pulsating, the rhythm rolling off in waves, while Veronica breathily taunts you. Lyrics of titillation on a screen for the erotic delight of others. There is also an extended remix of “Sex Tape” filled with those rich tones of the forbidden and Burn’s guitar a siren in the background.

The extended remix by Kill Shelter of “The Sinner” strides out in a brazen fashion, the beats dropping heavily in the undulating synths. The confession of a sinner, who is without remorse, even after trying to turn away the person of intense desire because ‘I just want to fuck you anyway‘. The guitar burns like liquid fire and the vocals lick your ears with honey.

There are some songs you feel, settling into your chest, and “Resist” is definitely one of those. It builds like an intense storm, the pressure bearing down, making you realise you just need to give yourself over to the ravenous craving of the music.

The French say each orgasm is the little death, so can there be a “Death Kiss“? Heavy and dark with portent that one might die giving over to the hunger of wanting and need. The extended mix is a thumping trance inducing dancefloor hummer, leading you down the road… perhaps to bliss or ruin.

Death Kiss” and “The Sinner” were written and released previously by Death Loves Veronica and have been given the Kill Shelter treatment, while “Sex Tape” and “Resist” are joint efforts. Veronica Stich is known as a provocateur, and she has every right to flaunt her stuff, amping up the carnal fervour. Pete Burns is a master not only of music creation, as he did all remixes and the mixing & mastering. There is another reason for calling the EP The Sex Tape Sessions. The musicians themselves have asked fans to use what is considered out dated models of recording, to bootleg the release. Maybe a statement on how throw away society can be. Full of sexual innuendo, explicit language, liquid synths, passionate guitar work, beats to grind to and a goddess playing with your predilection for kinky seduction, this is Kill Shelter & Death Loves Veronica with The Sex Tape Sessions….. mmmmm, what is there not to like?!

The Sex Tape Sessions EP | Kill Shelter & Death Loves Veronica | Kill Shelter (bandcamp.com)

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Infacted Recordings released on the 24th of March, the new single “Already Dead“, a combined effort from TEKNOVORE (Greece) & J:dead (UK).

The beats when they kick in are like a heart in the midst of going into tachycardia, racing it feels at a hundred miles an hour. Psytrance bombastic swirling synths combine with J:dead’s vocals going from sweet to ramping up the fucking gravity with his trademark growling.

Just when you thought it couldn’t get any bigger, they smack you up the side of the head with the FabrikC remix that literally stomps. Jay Taylor is definitely not dead, with the screams being ripped from his body as the music slams into the realm of harder industrial.

And for good measure, they have The Saint Paul remix, heavy techno with scintillating synths, that lifts the track into a futuristic realm, spinning you until you are dizzy.

Wow. Just wow. If you tell me you are bored listening to “Already Dead” three times in a row, I think we might have to pronounce you, dear listener, as D.O.A…. an ex parrot pining for the fjords. It’s bloody amazing. The guys, TEKNOVORE and J: Dead, have smashed this and kudos to the remixers for their superb skills. It kicks arse and like a drug, you’ll be coming back for more.

Already Dead | Teknovore | Infacted Recordings (bandcamp.com)

https://jdeadband.bandcamp.com/

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New Zealand is the Land of the Long White Cloud or in the tongue of the original occupants, the Māori people, Aotearoa. For a small country, a lot of talent resides there. Frau Knotz is the solo project for New Plymouth electronic artist Lauren Nottingham, and 24th of March is the release date for her second single “Runway Of Reality“.

Some things in life are like that little red dress that is worn a few times and then forgotten as it is no longer needed in life, like a persona. Frau Knotz is your narrator in this song, a noir styled track, with an 80s electronic pop sound that tinkles like stardust and dowsed in shimmering darkwave vocals and rhythms.

The video features Frau Knotz as the Pierrot made-up usher of the theatre, while the stage is graced by the beautiful Erika Flash. The music video compliments the track beautifully with the near sepia tones. Join Frau Knotz on the “Runway Of Reality“, so you might also enjoy her dulcet tones while getting your groove on.

Runway of Reality | Frau Knotz (bandcamp.com)

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https://bfan.link/runway-of-reality

At one point or another, everyone has felt like they are invisible or unable to see their way and this is the subject of the latest Meersein single “Lost“. And who doesn’t like a bit of German darkwave synthie-pop?!

I have to say that this is some ways actually reminds me a little musically of the 80s and the likes of Howard Jones. The drum machine picks up a timely rhythm, as the synths tinkle and also create a bass undercurrent. Meersein’s vocal’s range from silk, to whispers and a rather deep sexy growl, as he tells you he is ‘lost like a ghost in a maze‘.

It is worth your while to check out this single, because a little bird revealed that the next is coming out soon, which will be Meersein and Corlyx. Something tells me that is going to be pretty amazing. “Lost” is a nice tasty treat with a video of Meersein singing in a picturesque German forest.

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Those two electronic guys from London and Denmark, who go under the guise of Perpacity, have released the epically named single, “Ragnarök” , as of the 3rd of March. Ian Harling and Martin Nyrup have announced that this will be the last single off the soon to be re4leased album Discordia.

Remember I said epic, as “Ragnarök” means ‘doom of the Gods‘ and is a predicted event in Norse mythology, of the destruction of worlds of men and the Gods. A mixture of future pop and something a bit darker, an echoing back to a time in history when the Gods walked the lands. Visions of the end of time that swirl in electronic motes, like flurries of snow, while the vocals dance between the icy fingers of death. The b-side is “Halls Of The Fallen” is a slower affair that speaks of the warrior’s last day before they fall in battle and then taken to Valhalla. The promise of eternal life, though they must leave all else behind, and this is reflected in the sinuous nature of the music. Building to the moment of lament and glory, and perhaps it is a Valkyrie we can hear in the march towards the appointed fate..

You might think that mixing a tale that is around a thousand years old, with electronic music, might be a bit cheesy, but this is not the case. Perpacity has pulled this off beautifully, weaving the electro with the mystical, exhibiting skill of the Sibyl that prophesised the coming of “Ragnarök“.

Ragnarök – Single | Perpacity (bandcamp.com)

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Perpacity music

There is exciting news on the horizon as Norway’s Antipole, aka Karl Morton Dahl and UK’s Paris Alexander have released the new single “Perceptions” which is off their new collaborative album Crystalline, slated to drop on May 12th on Young And Cold Records. It will be out on digital, CD and lovely vinyl.

The clack of the drum machine and sensual synths wake you out of your stupor, beckoning your eyes to open. The guitar rings in beautifully and heralds Alexander’s smooth vocals as the music waxes and wanes with his whispers, infectious and leaving you wanting more.

It is so nice to hear these two working together again, and we have a whole album to eagerly await. There is just something sublime about not only this style of darkwave but how gorgeously Antipole and Paris Alexander have crafted “Perceptions” into a coldwave track that sucks you in until the end.

Crystalline | Antipole & Paris Alexander | Antipole (bandcamp.com)

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Here is an interesting curve ball. UK industrial musician MATT HART has released the single “TO THE CORE” in a remixed version by Daniel Graves of Aesthetic Perfection fame. The original single hails from the BELOW THE TERRA PT. 1 album, which is part of an epic opus about humans forced to flee underground by alien machine foes, intent on their demise.

Graves has a very distinctive voice and you cannot miss his dulcet industrial pop tones. You might think this is an easy breezy, pop til you drop dance number…..but you are only right to a point and have been lulled into a false sense of security, when it all drops the down for a bass beat heavy chorus. So you are on a roller-coaster between succulent sweet crooning and grating chanting as the big push goes on, to dig down to the hot core of the planet, with with a charged up dance track.

Will the humans survive the onslaught? That is for another release but I would be a fairly happy little human bean (being) hearing more collaborations between HART and Graves. The Aesthetic Perfection remix featuring Daniel Graves, has polished MATT HART’s gem, “TO THE CORE“, into a diamond.

TO THE CORE (AESTHETIC PERFECTION REMIX) | MATT HART (bandcamp.com)

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Music | Aesthetic Perfection (bandcamp.com)

Aesthetic Perfection (aesthetic-perfection.net)

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If you don’t know who VNV Nation is, then you probably have been living under a rock for many, many years. It seems an age since they last released anything new, touring at the big festivals but Metropolis Records (US) have released their first single, “Before The Rain“. It has also been announced that a new album is on the horizon, already named Electric Sun, slated for release on the 14th of April, which is good news for the faithful. What does it sound like? It sounds like VNV Nation with the ever enthusiastic Ronan Harris at the helm. So strike up the lighters……..

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Music | VNV Nation (bandcamp.com)

Diane Dubois and Kevin Hunter are Lunar Paths, an experimental darkwave transatlantic project and the 10th of February, saw the release of their newest single “Yeraz“. Yeraz is the Armenian word for ‘dream’ and the track itself features the Armenian wind instrument called a duduk.

There is a mix and flow of both traditional and modern drone in the form of drums which could mimic the dhol (Armenian Drum) and modern percussion, that creates a hypnotic undertow, giving a platform to the vocals, piano snippets and the duduk. The duduk is an exotic inclusion that paints a picture of faraway places in the Middle East.

The duduk is the a star of the track, with its low and warm tones that conjure visions of ancient peoples and meandering waterways. It is mesmerising while the even lower tones beneath, take on the sound of deep prayers in a temple. The vocals snake through the ethereal dreamtime. Join the the Lunar Paths new world order with “Yeraz“.

Yeraz | Lunar Paths (bandcamp.com)

https://www.lunarpaths.com/

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