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Fans of The Birthday Massacre have been waiting with bated breath, for the release of a new album, and it seems they don’t have much longer to hold on. Pathways will be out on the label Metropolis Records, however for now, you can immerse yourself in the new single “Sleep Tonight.”

There is a nice, harsh edge to the electronics to compliment the guitar. Chibi’s vocals are so much of what defines The Birthday Massacre’s sound, both sweet and strong… and occasionally creepy. For “Sleep Tonight” she is like an angelic dream, haunting, next to the weighty drum beats and raucous guitar, that hints at the promise of violence.

I remember first seeing The Birthday Massacre on a German music compilation video and proceeded to find the first album, and I thought it was amazing that these kids where putting out some great songs. Yeah, we won’t go into how old I feel now, but this band have never lost sight of their purpose in life and it has kept them accountable when creating music that is artistic and pleasing for themselves. “Sleep Tonight” proves that the wait was worth it, so bring on Pathways.

Sleep Tonight | The Birthday Massacre

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Holy Toledo Batman. Pawn Pawn are a band from Ohio, birthed in 2018 and on the No Focus Records label. It is no long Halloween, but this is the title of their three track EP, released at the end of January.

The title is Halloween and you cannot have it without a bit of “Trick or Treat.” The beat is like the hurried footsteps of someone being followed by the neighbourhood friendly stalker. The vocals are slightly echoing and the lines ‘All the souls you steal will never be enough, The only thing that turns you on is unrequited love’, sung so sweetly, so you know this person is a keeper.

“I Can Only Tell You With My Eyes” could be at any disco night, hanging out, surrounded by dance music, with your obsession that you can’t pick up the nerve to tell them how you feel. It is wishing they could see those hints in your eyes. and while this plan won’t probably work, the track is still a sexy ode to the unwary.

What would you do anything to hold onto someone? “Jealousy Looks Good On Me” has mean streak with spikey guitars and even more abrasive electronics. The green eyed monster minces its way, sinuous and unable to accept rejection.

Let’s face it, it is always going to be spooky season for most of us, year round Halloween is an extension of this joyous, never ending fest, with three tracks exploring the darker side of the human condition. Let’s face it, humans are pretty much the scariest monsters on this planet. Pawn Pawn have mixed their take on obsession, jealousy and unhealthy one sided relationship, with music that is equally as dark and very enjoyable. This is Halloween.

Halloween | Pawn Pawn

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Dan Söderqvist, Karl Gasleben and Jocke Söderqvist have been together under different guises, making music since 1981, though they are best known as Twice a Man.. They are on Dependent Records and Twice a Man have dropped the single “Birds eye view,” off the soon to be released album The Coloured Breeze is a New Dimension.

There is almost a gentle calm in the beginning, though the echoing is unsettling. The vocals take strength and synths are soaring above the rhythms, pure and clean. An explosion of warmth as if the sun’s rays are gracing us through music.

“Overview can light sparks in the place where your roots are waiting. If you follow the time you can destroy the eradicating wheels of commerce. Don’t drown yourself in pretended sleep! There is a common knot that must be untied. Our thoughts are the light and nature sings our lullabies.” – Twice a Man

Between the video and the lyrics, Twice a Man seem to be tied to the natural world, using electronics to delve into their connection and love of the environment versus the industrial world. The crows in the video, make their way through different art styles and they look beautiful. “Birds eye View” is an ambient lullaby and Twice a Man have proven they are as relevant as ever.

The Coloured Breeze is a New Dimension | Twice a Man

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When the weather warms up, the clothes get skimpier, and the eyes wander, which all leads to gothic SEX… or something like that. Those Italians are hot blooded and Motel Transylvania have dropped the equally hot single “Burning Lust,” which is apparently the official track for the Burning Pants Festival 2025.

Slamming drums rock your world and from the start, Motel Transylvania are in your face with the theme. If you like Lord of the Lost, then this is going to hit you right in the sweet spot. Big guitar riffs and an even bigger rousing chorus’, pounce and pin you down.

It is all about sticky, sweaty naughty bits, and the music see-saws between seduction and high power thrusting. Oh those young sexy driven darklings. I can appreciate the sentiment and Motel Transylvania definitely rock this hard. Beware of “Burning Lust,” as it might just consume you.

Burning Lust | Motel Transylvania

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Label Negative Gain Productions, is dropping the new Hasswut album, Sauerstoff, on April 25th, but March sees the release of the title track as the first single and, indeed, first taste. “Sauerstoff” is German for oxygen, while Hasswut, who have been around since 2013, are from Alicante, Spain, with members Daniel NQ (vocals), JaviX (guitar) and Zufo (keyboard-synth/backing vocals).

Aggrotech vocals always sound extra gruff when sung in German and Hasswut pours it on heavy and thick, just like the unrelenting beats. The guitar is a chainsaw, throwing down the metal, which leaves the synths at odds, brightly highlighted and as light as oxygen.

In the vein of Rammstein or Hocico, Hasswut mix metal with industrial and a pinch of techno synth, getting both something you can dance to as well as bang your head. Do I know what the lyrics are about? Nope. Does It matter? Absolutely not. Inhale the “Sauerstoff.”

Sauerstoff (Single) | HASSWUT

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The Funeral March was breathed into life in 1987, also known as The Funeral March of the Marionettes, a US band heavily influenced by the early 80s post-punk scene. Original member, Joe Whiteaker, decided that the thirtieth anniversary might be time to revisit this project, and consequently added new band members Wayne Thiele (guitar) and longtime friend Darius McCaskey (bass). 2023 had the band recording the album It All Falls Apart, with musician/producer William Faith, at his 13 Studio. It wasn’t until the end of recording Whiteaker was diagnosed with pancreatic cancer, which took him from his wife and children, as well as his music family in 2024. A video for the title track, “It All Falls Apart” has been released just before the album drops.

JOE WHITEAKER (1968-2024)

“I’d like people to know how proud Joe was of this record. We had a great time recording what would become It All Falls Apart with William Faith in 2023, before Joe was diagnosed with cancer, and he was able to hear the final mixes before he passed away. Joe didn’t have a specific theme in mind – each song was written independently, some even several years ago – but as tracks were selected and refined, this idea of things and people breaking down and falling apart emerged.” – Darius McCaskey

The crying and echoing guitar curls your toes and it does not get much better than this. Whiteaker’s vocals are forlorn and calls out with the guitar, reaching for lost dreams and ideals, knowing everything is falling apart. His sighed ahs are the angelic acceptance.

This is a poignant tribute to a man and it fucking hits so hard. It already was a beautifully tragic song and with the passing of Whiteaker, just ramps up the overwhelming feeling of loss. It can be said that this is not like The Funeral March’s other work and you see them in a whole different light. There is a bigger point to all this that all monies raised from sales of It All Falls Apart can go towards his family. It is a good cause, and from someone who has heard the album, it is phenomenal and just highlights the dark wonder of a truly gothic heart.

It All Falls Apart | The Funeral March of the Marionettes

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Laurent Audouin (bass, keyboards, programming), Julien Brevet (guitar, keyboards, vocals, programming) and Vincent Lechevallier (drums, percussion) make-up Nantes based post-punk band LOWPKIN. Their new single, released at the end of February, is called “Vacancy.”

There are electronics keeping time with the drums, but the guitar stands out as it wails in the chorus. “Vacancy” has this really silken feel to it, as if it might have been a track from the past, especially with the guitar and vocals, yet it is the programming that makes it modern. Very danceable and, more so, I just found ‘Vacancy” truly enjoyable. The French are so good at cold new wave styled music and LOWPKIN follow in this tradition.

Music | Lowpkin

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London’s test plan are back! The latest single is called “My Teeth,” and I have to say, this is not the video to watch if you are having a current altered state of mind. I will just point the finger and say, it all the fault of Max Mason (drums, vocals), Michalis Fragkiadakis (guitar, backing vocals) and Rory Dickinson (bass, backing vocals).

Frenetic is the word that hits my tongue, as the bass is tortured into booming deeply, and the drums slash and cut through all. The vocals are diabolical, screaming at point blank range that you have no choice but to listen about teeth falling out.

As someone that knows teeth, I have to say that I saw a lot of nice dentition in the video, but also the horror come real in the form of large teeth. As a dental student, it is one of those fever dreams, being chased by rogue molars down the street. What is “My Teeth” all about? I don’t plan on looking too hard into what test plan are ranting on about, but it’s bloody great!

My Teeth | test plan

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Lo-fi grit-ware is a new genre for me, so here is Dead Atlantis, from the USA, which is the project of Jeffery Carrico. The newest single is called “Whitewash.”

I am pretty impressed that this style of music is not done of a computer and does not contain any loops, but rather what you hear is basically all done live when recorded, apart from the drum machine. The noises Carrico wrings from his synths is incredible. The oscillating, whirring and creating a vastness that only experimentation can do.

The vocals waver between yelled punctuation, impassioned singing and guttural growling. All this and the lyrics are about mental health, where doubt colours every move, thought and breath. given power by those vocals. Pretty good this lo-fi grit-wave stuff and so is Dead Atlantis with “Whitewash.”

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Things I know. The band The Dark Wave formed in 2019, and is a new wave/post-punk from the Netherlands. Jelmer Luimstra of April Afternoon, joined them in 2023, and now they have released their second single “One of These Days.”

There are chiming guitars and the synths have a breezy, light feel. The hint that this track is not all sunshine and lollipops, is the heavy bass below everything, and of course, those lyrics about being trapped. Smooth as silk vocals are the cheery on top.

If you enjoy eating sea food, you might feel rather remorseful after watching the music video, though the lyrics are using the lobster as a metaphor for once being free and if you aren’t aware of what is happening around you, that freedom can disappear. Kind of pertinent for the current political climate. “One of These Days” is the more modern equivalent of The Manic Street Preacher’s “If You Tolerate This Your Children Will Be Next,” and The Dark Wave are poking you to open your eyes with good indie pop.

One of These Days | The Dark Wave