Those busy lads from the north of England are back. I previously, for another publication, reviewed Auger‘s first album. Since last year, they have been making a name for themselves by touring the UK and Europe, whilst writing a new album named, From Now On I.
The newest single is a song called “Find My Own Way Out”, released on the label, darkTunes Music Group, ahead of the awaited album release.
This song is a great progressive piece of electronica/industrial with good vocals from Kyle Wilson and guitar work by Kieran Thornton. It is all nicely blended and a good strong number with a memorable chorus.
Lyrically you find a song about being pushed and let down even after putting your faith in others. In the end it’s about getting yourself out of dark places you end up dwelling in. Finding that light inside you to push forward and be the cataylst of change you need.
In a year, I can hear the difference in these guys. Their sound had matured and become much tighter which is a credit to them.
Auger have really started in earnest to cultivate a sound that is uniquely their own and it pleases me no end to say, check out these young fellas and cannot wait to hear the new album.
It is really amazing how much the gothic/darkwave scene is thriving in the Latin American countries but not so surprising as they have always been fond of their rock music.
On this note, the band Nohycit has been around since 2010. The label Advoxya Records, in 2018, released their album, Anomico. In the last month, several music clips were put onto YouTube from Anomico and this is one of the EDM/industrial pieces.
If you are a sucker for a good dance beat, then you are going to love this, especially if you like Combichrist yet it isn’t vocals heavy. The growling versus whispering vocals, constant beat and the smooth synths would not be amiss in a European club or gothic festival.
Now if this has whetted your appetite, then your next move it to seek out some more by this band. I couldn’t find out much about Nohycit but then I found out about them through Twitter (https://twitter.com/NOHYCIT1) and some things, if you are willing, are worth searching for.
Mach Fox (Zwaremachine) is from the USA and Ania Tarnowska (I Ya Toyah) is also from the United States of American and they have come together to give you the single “Smile That Killed A Country”, ahead of their Code Blue Tour.
Ania has a smooth and unhurried voice, while she croons and caresses your ears, inviting you into this electronic wonderland. In opposition you have Mach Fox, with his much more earthy, gravelly tones, giving this song it’s far more gritty feel.
This is sexy and kind slow but with a constant beat. There is no distant screams but I Ya Toyah whispers and cajoles like a lover with angelic tones. With a voice like that, I can believe she might smile and kill a few people by turning their legs to jelly.
Mach Fox compliments her completely vocally as they weave between each other, almost taunting each other, seeing who can pull off the most naughty sounding lyrics. Honestly, they both do really well in that department and couples grinding and gyrating on the dancefloor, getting hot and heavy would really find this heating up their ardour.
“Smile That Killed A Country” honestly makes me think back to the laconic and iconic sounds of Portishead. There is something almost otherworldly about nice laid back electronics.
You can listen to this song on Bandcamp if I have hopefully whetted your appetite and as always please support artists if you like their music.
One of the wonderful things about music and especially gothic music has always been that it was inclusive of any nationality and language has never been a barrier.
La Procesión de lo Infinito (The Procession of the Infinite) are an Egyptian influenced Goth Rock band hailing from Columbia and singing in their native tongue of Spanish.
Let us check out the single off the their debut album release called “La Tumba de los Dioses” which translates into English as “The Tomb of the Gods”.
From the beginning you have that lovely guitar sound that is a throwback to an older era of gothic rock and it is sepentine in a writhing way. It is clear and rings out reminicent of bands such as The Wake or Nosferatu.
The female lead has quite a low timbre of voice which is quite seducitive, especially in Spanish. This duo do share the singing duties but she is the definitely the centre of attraction. She reminds me of Eva O in her prime vocally.
This is new music but you can hear all the old school gothic influences, particularly from the late 80’s and early 90’s when there was a renaissance of sorts, which warms my heart somewhat. This isn’t boring either because there is nothing like listening to a gothic band and thinking, gosh what did I just listen to as I fell asleep…..
After listening to the single, I will be checking out the album to see what other delights await my ears. Do check out La Procesión de lo Infinito in “La Tumba de los Dioses”.