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When one has been the keyboard player and backing vocalist for the iconic Chris Corner and his band, IAMX, it seems a logical progression to look at a solo career. We are talking about Sammi Doll and her debut solo single, “AN OM IE“.

The single was released this month on multiple platforms, including Spotify, Apple Music and Deezer as well as a very slick video on YouTube.

‘You are the enemy‘ is the line that sums up the intent of this track. Love gone wrong and the pain that follows, which will either break you, make you stronger or twist you into a unrecognisable creature.

I hear hints of Birthday Massacre in the beginning, especially vocally. There is a great balance of thoughtful moments and a powerful chorus. The guitars blend in seamlessly with the synths and overall this has a great pop sensibility to it with back bone.

SAMMI DOLL

Originally from the UK, Sammi has been working hard on her musical career in the US, honing her skills with the projects of other musicians. “AN OM IE“, originally titled “ENEMY“, was co-written with Sean and Juliette Beavan and this is industrial rock with the feminine touch of Sammi Doll.

https://www.facebook.com/OfficialSammiDoll/

https://www.deezer.com/en/album/174170552?app_id=140685&utm_campaign=b31a6fb61d03192340891c0fb88cdcf1&utm_content=album-174170552&utm_medium=Original&utm_source=partner_linkfire&utm_term=objective-stream&deferredFl=1

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The Greek gothic/post punk scene is very much alive and kicking. Lefki Symphonia are a part of the strong Mediterranean movement and last month released the single, “Black Twilight“.

These guys have been around since 1984 and you can hear that influence in the music. The guitar work is very reminiscent of Wayne Hussey, circa Sisters of Mercy period.

I could be wrong, but the lyrics might be waxing about those of a vampiric nature or at least emotional trauma that deadens all feeling, because in the end it is human to feel.

The vocals and over all feel of this number remind me of Finnish act, To/Die/For. So if you like your brooding, goth rock, then you might want to check out Lefki Symphonia and their “Black Twilight“.

https://lefkisymphonia.bandcamp.com/track/black-twilight-single

https://www.facebook.com/lefkisymphonia/

https://lefkisymphonia.gr/en/

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Do you remember a classic song by the title “Agent Orange“? It might strike a cord as it was originally released by Scots, Ski Patrol in 1980. In August, Vision Video, a four piece from Georgia in the USA brought forth their version.

This retelling still has that spine tingling feel to the anti war classic. It is post punk heaven but with extra goth punk thrown in.

The original starts off far more quietly and gains speed and volume while the Vision Video begins simply and takes off yet they are more up front vocally.

Love the floating guitar chiming in that adds to the ethereal feel of the music paired with the verbose singing.

An extra added bonus is the band having Tom Ashton involved with the production of this single. For those not familiar with the name, Ashton plays guitars in American goth daddies, The Wake as well as at one point, playing with Dutch icons, Clan Of Xymox.

Agent Orange was the defoliating chemical used during the Vietnam war and the song was a comment on the lasting effects of this chemical warfare, with severe birth defects and soldiers dying from cancer.

Vision Video now uses it as a political call to rise up from apathy, to take control of our future. Good protest songs are timeless and Vision Video has done a brilliant rousing goth version of “Agent Orange“.

https://www.facebook.com/visionvideoband/

https://m.facebook.com/visionvideoband/

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Mute is the stage name for the artist behind the act, King Venus, based in Manchester and they have released the single, “Inhumite“.

The start is a laconic guitar, joined by others which suddenly take flight in a sudden rush skywards with great power. The guitar flow is so reminiscent of early Tool and sounds wonderful with the Pete Steele like vocals.

MUTE – KING VENUS

There is a continuous build up of textures and layers, that create a cacophony of musical sound, all by one man, considering life, death and the insanity in-between.

Mute has added extra notes as well as a booklet, about his working on this and other pieces and admitted that he had written “Inhumite” quite a while back, describing it as his Frankenstein’s monster. You can hear the different persona singing to you with their vocal forms which are all the creator’s, King Venus.

A guitar and art driven roller-coaster of a monster song indeed with a big nod to Tool but also quiet acknowledgement to far more goth groups such as The Cure and Bauhaus.

There is no YouTube video but there is one on Instagram with the link below. So where has King Venus been all our lives, because if this one song is anything to go by, I’m looking forward to what comes next. Shine thine light through the hallowed halls and bring us “Inhumite”!

https://kingvenus.bandcamp.com/releases

https://m.facebook.com/kingvenus

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This has been a strange year so far with uprisings and COVID-19 bringing the world, it feels, to a grinding halt. Australian act, Dirt Factory have been working hard and not only have they a new single out on August 22nd, “Salvation“, but a whole album is about to hit us.

This is not a happy, reassuring song and I would never expect anything less from these guys. It’s redemption through vice and sins of the flesh. There is a constant rhythm that is neither slow nor fast but bores into you while Daniel Allen’s guttural vocals give you the litany of what he wants, needs and desires. Michael Gillman creates a lot of the synth lines and these are heavy and brooding with twinkling highlights.

All in all there are five tracks on the release, with two remixes of “Salvation“, the Cosmos Synthetic mix which has a Skinny Puppy feel and the NyteShade – Dirty Dog mix which smacks of earlier Nine Inch Nails.

The last two numbers are the Appealing to the Dead and He’s Dead, Jim remixes of the track, “United Appeal For The Dead“. The first of these remixes reminds me of the Birthday Massacre to begin with due to the delightfully tinkling keyboards. While the second is a mix of trap beats and creepy sanatorium giddiness. I was not giggling at the lines that you should know what to do when you are dead…. don’t drive a car. Obviously I was and I love it.

DIRT FACTORY- DANIEL ALLEN & MICHAEL GILLMAN

The “Salvation” is the premier release for the new label, Viral Records, based in Brisbane and Dirt Factory are the first band to have been signed up.

As always, the ingenuity of these two brothers, in two different cities, continues to amaze and surprise me. If you like good to honest industrial music, then you need to check out Dirt Factory and their single “Salvation“. Accepting shekels, pigeons but preferably dirty cash to keep making those wonderful sounds.

https://dirtfactory.bandcamp.com/releases

https://www.facebook.com/FactoryOfDirt/

https://viralrecordsau.bandcamp.com/

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Even in these times of isolation and social distancing, we really don’t need much of an excuse to party in our own homes. Biomechanimal have released, as a single, one of their most popular live numbers, “Enter The Animal“.

Don’t let the slow beginning mislead you, as Matthew Simpson’s vocals slam your senses. This is a song about partying and enjoying life, all to an intense techno beat with screaming synths, that lulls and then comes back at you full force.

There are also two remixes included. One is by Melbourne act, Sirus, done in a more aggrotech kick arse style with what sounds like rapid fire at times and a jack boot stomping rhythm.

Second remix is by Mexico’s C-Lekktor and is a joyous, hyper version. This is a dancefloor killer which you can bounce joyously around to the beat.

Released by Hybrid Blak and mixed/mastered by X-Fusion Music Production, this obviously is a song the band really are invested in and they asked close international friends to participate in the remixes.

These are the people you want to party with and Biomechanimal don’t fail to deliver with their Bruce Lee musical style, smack to the head, “Enter The Animal“.

https://biomechanimal.bandcamp.com/album/enter-the-animal

https://m.facebook.com/BiomechanimalMain/

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The 3rd of August is the release date for British duo, Unquiet Dead’s new single, “Burn My Head Down“.

Jason and Lora have created a video piece, featuring the world’s only chain rope aerialist, Californian, Drago Nesa, who also does firebreathing as well, hopefully not at the same time. Spectacular talents indeed.

As always, you can hear that 70’s glam sound bubbling up through this number. Previously I mentioned Marc Bolan’s TRex maybe being a big influence on Unquiet Dead, just as they were on the post punk scene.

This single is the protest song of getting your freedom back when you are being oppressed and kept down. There are the outburst of adrenaline/anger and more emotional acceptance within, all washed down with that driving enthusiasm.

The video, though made in this time of isolation, is just as energetic and absorbing as the song itself. I’m still wincing at the whole swinging around on a metal chain thing which is done so elegantly by Drago Nesa. Immerse yourself in the experience of Unquiet Dead’s “Burn My Head Down“.

https://unquietdead.bandcamp.com/track/burn-my-head-down

https://m.facebook.com/unquietdead/?_rdr

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Whilst in isolation, Tesla Cøils from the Gold Coast, Australia had been working on a single with video and now in July, “The Party” is out for our entertainment.

The band is made up of Jed A Walters, the writing mastermind/renaissance man on lead vocals, keyboards, guitar and programming with drummer extrodinaire, Chris Dennis.

Jed A Walters and Chris Dennis of Tesla Cøils

“The Party” is aptly, as the name implies, the experience of attending a party…. and hating every second of it because you are a gothy antisocial, not a smoker, rarely drink or just dislike humans.

Love the line about latching onto the dog so they don’t have to interact with other people. This is very much tongue in cheek dark humour and yet so very relatable.

It has your attention from the beginning with the rumble of drums that suddenly come to the fore with Jed’s very distinct voice. The chorus it just a wonderful swell of sounds, jangly guitar and it just barrels you over. Just so good. Even after listening to it several times, I’m still finding new layers to marvel at. Even to the low baritone vocal sound in the instrumental interlude which makes it so rich.

I first saw Tesla Cøils live when they were the support for the 40th anniversary Peter Murphy and David J (Bauhaus) tour of the album, In The Flat Field, which left enough of an impression on me to video a portion of their performance.

Not only is this a cracker of a song that will worm its way firmly into your head but the music video is genius. Highly recommend having a look as it is really well done.

Whether you like or hate parties, this “The Party” is so danceable and really deserving of airplay and you can find the lads on Bandcamp or support them on Patreon. Tesla Cøils are delivering the quirky yet intelligent, dark electro industrial we need in these times.

https://teslacoilsmusic.bandcamp.com/

https://m.facebook.com/teslacoilsmusic

https://www.patreon.com/teslacoilsmusic

http://www.teslacoilsmusic.com/

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If you are looking for quality industrial music then we might have a lead for you. From Brisbane, Australia, Hostile Architect has released their debut single on Bandcamp called “Hostile Theme“.

This is an independant release which you can find on Bandcamp and the mastermind behind this project is Abelisk, also known as the music producer and musican Mitch Kenny.

“Hostile Theme” is intelligent industrial with wonderful strong synth lines, supported by a pounding rhythm and gritty vocals. This track is a harking back to classic Skinny Puppy with its experimental rawness in a cold cyber world.

The accompanying number is “Wage Slave” which slow burns with its dirty reverb, clear singular note synth and relentless beat.

All in all, a really catchy single and Hostile Architect is hitting all the sweet spots when it comes to electro industrial music so far. We await more but for now enjoy “Hostile Theme“.

https://abelisk.bandcamp.com/album/log-0-hostile-theme?fbclid=IwAR1P6_aF3jEI8q8oK015GgLNRu0-ngNrX9EN1-7Hcfm1Pcpql1PtXGmg-MI

https://www.facebook.com/Abeliskaudio

http://www.abeliskaudio.com/

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From the darkest rescesses of San Antonio, Texas, there was a predatory beat out on the street, as goth rockers, Saturday Nite Shockers in March, let loose the single, “Blessed Be” (which is not to be confused with The 69 Eyes, “Blessed Be“).

The very first cords take me back instantly to a guilty pleasure and remind me of that slightly goth and all glam Finnish band, Negative. This is an ode to darklings of the night and the brotherhood of being a part of a culture that isn’t always understood and often looked down on.

The vocals are clear and clean, the guitars sing and wail and the rhythm section throttles it forward.

This is the first song I have ever heard from Saturday Nite Shockers and it was far more melodic and not completely full on as I thought it was going to be which isn’t a bad thing as it shows depth. With a band name like that, I’m fairly sure they also like to melt your ear holes when in full swing.

SATURDAY NITE SHOCKERS

These guys aren’t on bandcamp, however you can find them on Spotify, iTunes etcetera or if you check out the YouTube link that will help you find out more information.

Not sure if they realize it but I think they might be channeling the Finnish goth rock scene because they have the more suave punchiness punk of The 69 Eyes, who were influenced greatly by The Misfits, with those wonderful guitar riffs so reminiscent of Negative plus the dark romanticism of HIM.

Check out Saturday Nite Shockers and their single, “Blessed Be” all you ghouls, lost boys, witches and rock’n’roll bitches.

https://www.facebook.com/saturdayniteshockers/