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Onyx is proud to bring you the world premiere of Australian/US collaboration, Sequential Zero’s latest single, “Fourth Sequence“. Freshly minted from the Mantravision secret lair….somewhere in the remote barren lands of Sydney. This is the, strangely, fourth single from the group made up of Aussies Ant Banister (Sounds Like Winter, Sea Lungs, Luna Module, Heatwave and DeF FX) and Colin Gallagher (Burnt Souls) with Bruce Nullify (Orcus Nullify) who is based in South Carolina. Due to distance, when the guys play live, Adrian Leppard (Xerox, 1978) steps in for Nullify.

There are two tracks on “Fourth Sequence” with the first being, “The Last One To Fall“. Such a nice build up up to the vocals by Banister with that wandering synth and noticeably there is a heavier guitar sound through this track. Definitely has an early Bauhaus sound with more electronics. Second track “Endless Night And Day” is the far more electronic piece bordering Gary Numan mixed with new wave Duran Duran and good helping of gothic noir, while Nullify’s guitar breaks into the music like a chainsaw, giving you a see-saw effect. This is also the first time you hear Gallagher singing in the chorus.

SATO AREPO TENET OPERA ROTAS is an ancient prayer to the universe to save the world, invoked in “Endless Night And Day“, while “The Last One To Fall” refers to the sweeping emotion of loneliness in the modern era, even though we are more connected through electronic devices than ever before, but find it hard to connect to actual humans. Both tracks are brilliantly executed, however for me, they work on a deeper level of memories and music that I have always loved. Beautiful post-punk tracks, drenched in synths and guitars, that I dearly want people to hear.

Fourth Sequence | Sequential Zero (bandcamp.com)

Sequential Zero | Facebook

Mantravision Productions | Facebook

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It is good to see more women creating music for themselves in the electro-industrial scene and Nuda is no exception. Seattle based, she has previously been a guitarist for Possessed Tranquility and started Nuda in the beginning of 2019, so far with 2 albums under this moniker. June 23rd, saw the latest single, “Trigger“, drop from the soon to be released third album, Stranger.

“Trigger” starts with all those nice reverbing, cycling electronics, before kicking off. There is electric guitar in there but it blends so well with synthesizers. There are wallowing lulls, followed by frenetic movement.

You can hear the old school industrial creeping through but still this is kept in check, throughout this instrumental track. Nuda bends the music to her will giving it a cleaner sound. “Trigger” and the album Stranger, are based in the topic of mental health/illness, stress and rauma.

Trigger | Nuda (bandcamp.com)

Nuda | Solo Darkwave/Industrial Artist | Seattle (nuda-official.com)

Nuda | Facebook

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Lunar Paths is a collaboration between two musicians who were originally involved in the UK gothic scene in the 80s. Both Diane duBois and Kevin Hunter were in the band Cold Dance, and Hunter in Skeletal Family until they broke up in 1986. After losing contact and ending up in different time zones, they rediscovered their friendship and so started a new musical project.

There are loops and subverted sounds in the electronic aether, which take on an almost Middle Eastern atmosphere, The vocals sigh and take you on the journey to another exotic realm, while duBois’s sensuous singing beguiles your senses. The duo’s experimentation with recordings and synths has become this wonderful amalgamation of styles and Lunar Paths’ music definitely tickles those dark sweet spots in your mind.

https://www.facebook.com/LunarPathsMusic

Alternative Experimental Music | Lunar Paths

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From the British hotbed, of goth music, Leeds, Skeletal Family broke out in 1981 with the single “Trees“. There has been a lot of water under the bridge and the band has become one of the lynch pins of the gothic sound. With a wealth of musical experience behind them, Skeletal Family are gearing up to release a new album and they have dropped the new single “My Own Redemption” with video.

The new vocalist is Anneka Faye and she compliments the Skeletal Family sound so very well, sultry and commanding. The guitar work is haunting in shadowy echos, while the keyboard picks out the tune, adding an extra layer of lilting grimness. The video, directed by Danny Hardaker, is shot in a black & white noir style, with thuggish heavy men and a sleazy underground promise.

So, this is the first call to arms for the faithful and the soon to be inducted, with Skeletal Family’s sixth studio album and “My Own Redemption” is a wonderful introduction to an eagerly awaited release. There is the pervasive Family sound but I like the fact they don’t try to stick to a formula either, just making a beautiful post-punk music with a soul.

My Own Redemption | Skeletal Family (bandcamp.com)

Skeletal Family | Facebook

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We like a bit of the voodoo music, so when I crossed paths with Voodoo Drummer, I thought….ooohhhh. There is the new single “Set The Controls (Pink Floyd in 7/8 Greek Rhythm)” and yes this is a kind of cover version of the Pink Floyd classic, “Set The Controls For The Heart Of The Sun“, off their 1968 album, A Saucerful Of Secrets. Now I do say kind off because they have recorded it in a tradition Greek rhythm of 7/8, instead of 4/4 and at the end you get to hear the “Milo mou kokkino” from which the tempo comes. Within all this, they have mixed in John Coltrane’s track, “A Love Supreme”, which is from the album of the same name and possibly one of the most influential and important jazz releases ever.

BUT WAIT! There is the added bonus of not only a Voodoo Drummer playing drums, tubular bells & percussion but also Stavros Parginos on cello, Tasos Papapanos on bass and it features Adrian Stout, of The Tiger Lillies, on musical saw. Yes you read it. MUSICAL SAW. Life is good! The saw makes those wonderful eerily haunting sounds, cello and bass give a hefty weight, pinning the saw down so it doesn’t fly away. The drums and percussion guide you through and it amazing to listen to such a fascinating version. There seems to be only the YouTube version to listen to this project but if you like quirky covers with strong musicianship, then I highly recommend you check out Voodoo Drummer.

Voodoo Drummer | Facebook

http://www.instagram.com/voodoo_drummer/

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End of last year saw the debut album, Blacken The Skies released on Metropolis Records, by the South African band Terminal. The end of June, they released the official video for the track “Godfire” which comes off the aforementioned debut album. It is an epic track with driving guitar, huge drum beats and a bludgeoning chorus that should have you up on your feet and dancing. “Godfire” or holy war, but who is right and who is wrong and when does God’s name mean peace instead of war in the name of religion? The video is full of confronting images of modern warfare but as always it is the music that has last word. So if this tickles your fancy, then you need to check out Terminal’s whole album.

Blacken The Skies | TERMINAL (bandcamp.com)

https://www.facebook.com/terminal.industrial

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Detroit deathgaze duo, VAZUM have their latest single, “Angel“, awaiting your pleasure. Dropped on June the 24th, it can be found on Bandcamp for name your price.

There is a harkening back to a 90s sound, but my goodness, those guitars sounds so incredibly good. I do like it when they have the dueling vocals through the chorus and the lyrics speak of a person who acts self righteous, however, lacks moral fibre and blames everyone but themselves when caught in a lie.

This might be my favourite song yet by VAZUM. Zach Pliska is the lead vocalist this time and Emily Sturm does a stirling job at backing vocals. There is a heavier accent on the deathrock influence here. It’s hard to describe but the feeling is that VAZUM are becoming ever more comfortable and confident. A cohesive ease so to speak. Beware of any “Angel” as they might beguile you with their light and betray you with a kiss.

VAZUM (bandcamp.com)

VAZUM | Facebook

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Legends of the electronic scene. Germany’s X MARKS THE PEDWALK, released the official video of their latest single, “Yesterdays“, which is off their album, New / End, on the Meshwork Music label. The video is beautifully made, cine graphic and rich, complimenting the gorgeous vocals of ESTEFANÍA, a track about family and love that transverse time. It is a perfect synthpop tune and in some ways, reminds me of ABBA, especially with the very human sentiment.

New / End | X Marks The Pedwalk (bandcamp.com)

meshwork music | label for electronic music (meshwork-music.com)

X-Marks The Pedwalk | Facebook

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Australia’s deathrockers, Sea Lungs, have launched the new single, “Truffle Pig“, as of the 27th of June. Out on the Sydney label, Mantravision Productions, this sees vocalist and lyricist, Andi Lennon with composer Jarrad Robertson, mixing & mastering by Mantravision’s Ant Banister (Sounds Like Winter). These gentlemen are scholars of past empires and though this seems like a commentary on the child labourers, as young as five years old, in coal mines during the Victorian Era, aka, the Industrial Revolution, it is also looking towards our modern times and the erosion of worker’s rights and dismantling/banning of unions.

The thing that hits me the most to begin with is the rhythmic pattern that is like being in a boat, continuously bobbing up and down, pounded wave after wave but never swamped, as Lennon’s vocals call out over the top as the tether. The guitars crash down, condemning, onto those who don’t learn from the past, in wonderfully poetic prose.

“Truffle Pig” just proves that Sea Lungs are going from strength to strength, creating a diverse catalogue of tracks, with which they are honing their sound. It is deliciously dark, melodic and has a political beating heart, so you need your serving of “Truffle Pig“.

Truffle Pig | Sea Lungs (bandcamp.com)

Sea Lungs | Facebook

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The duo, Johnathan/Christian have released the single, “Talkin’ About The Wolf“. It is a track inspired by the Ukrainian resistance against a much larger foe, trying to take by force, their county. Johnathan/Christian is joined by The Legion Of Whom, a mixture of talented humans, whom appear in the order of Matt Vowles: Black Angel (guitar), Lee Meadows: The Glass House Museum (bass), Athan Maroulis: NOIR, Steven Archer: Ego Likeness/Stoneburner, Claus Larsen: Leæther Strip, Martin Bowes: Attrition, Alla Miroshichenko: Attrition/Alia Synesthesia (cello), Jeff Diehm: The Last Dance and Ania Tarnowska: I Ya Toyah

Verbose gothic melancholy, wrapped in this wonderfully rich guitar and complimented by the electroincs in a most symphonic manner. Sliding between vocalists is a truly interesting experience, it drags you in to listen to the the words and marvel at the mixture of styles, accents and timbre. They ask what we want to know, ‘how many Putin?’.

“Since the Donbas Invasion in 2014, Ukraine has been telling the world the wolf is coming, and what have we done to help?  As the battle continues, now is not the time to move on. Ukraine needs everyone’s help now more than ever” – Johnathan

The title of the track refers to a Ukrainian saying, ‘talking about the wolf‘, which basically means ‘speak of the devil‘. All proceeds, from the single will be donated to the Come Back Alive Foundation in Ukraine, which was created during the War in Donbas. In return, you get a darkwave track of immense proportions, catchy and chock full of some legends in the business.. Mmmmm, very tasty and remember, you think you are safe until they are at your door.

Talkin’ Bout the Wolf (ft. The Legion of Whom) | Johnathan Christian | JOHNATHAN|CHRISTIAN (bandcamp.com)

Johnathan|Christian | Facebook