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Be afraid, be very afraid for they are out there in you garden, under the stairs and in your saunas. We are talking GNOMES and they apparently are trying to ruin your day. For years, there have been voices in the wilderness, warning us of the peril. One such soothsayer is TFG, formally of the Finnish band TONTTU, whom is spreading the word via the medium of music but also in this interview. Before reading, find yourself a safe place, a soothing drink, a second set of underwear and snacks because you are in for an education about our ancient enemy —-> the pointy hat vermin. Flamethrowers and gnomes and kangaroos…..oh my!

Welcome to Onyx, Tonttufindergeneral Hanz-Baal (later on referred as TFG). You will be happy to know that the windows and doors will be bolted for the entirety of this discussion, so there are no pesky intruders. We even checked the biscuit jars for infiltrators.

Well thank you, nice of you to acknowledge that there is huge demand for my wisdom.
Bolted doors and windows let alone removed eye lids and tongue are a great start, my absolute approval for taking those necessary measures. I would burn that biscuit jar but that’s just me… Being known for nuking couple of backyards does miracles for one’s reputation!

So, how may I help you? Let me guess, you might have some enlightened questions about the gravest of issues: Gnomes and all around gnomishness destroying our way of life and the planet itself. I bet this is about those particular issues and I am more than happy to oblige, we might even talk about Anti-Gnome / Pro-Gnome Muzikk/zakk while we are at it and if I feel praised enough. To protect and to burn:

Let us start.

Soooo, TFG, when did you become aware that Finland has a severe gnome issue?

Gnomes are everywhere and Finland is part of that everywhere so there you go… Also that horrid enabler Santa lives in here so that also is a huge warning sign…

But gotta say the core crew of TONTTU lives in the most happy township of Finland and our country being often selected as the happiest country in the world… I must say that Anti-Gnomen can make the difference! But it was all different before we came to play: Everyone was drinking and sulking and committing murders and suicides and thingies like that, abominous. They praise us as national heroes nowadays and gotta say they just might be right at that.

But yeah, vigilance is always the key when noticing things other (lesser) people often miss.

How did you find out about the gnomes and what their mission is?

When stumbling on the first hardship in life: My milk was a bit too warm to my liking and the biscuit was a bit on the softer side… I realized instantly that there is no other reasonable explanation to that than gnomes! No way around it. And oh boy was I right, as usual I might add.

After careful studies I proved my theory right and now the majority of scientists approve my thesis as the ultimate truth… At least those scientists I approve of, but they are far better than those other ones I cannot stand so there is no comparison at this point.

The final truth is that gnomes cause our every hardship without a reason of a doubt, there is no denying the science behind that phenomenon.

Their mission? To liberate us from our existence, to gnomify us, to drive us into extinction or help us to do it ourselves… They are the pure evil unlike us people with our caring and helpful attitude. we could do nothing wrong even if we tried to, gnomes on the other hand praise greed and money and care nothing about other species let alone this planet, pthui…Oh how much I despise them and their vile ways!

Gotta say after telling my sophisticated ideas some might consider me as totalitarian Phantom, you know that lovely story about that heroic chap wearing blueish spandex outfit beating up bad guys? Ah, if that was the case I only got that Ring of Evil as I do not seek for good people to bash (only those doing the gnomes’ deeds or being one of em), even though I am intrigued to hit them with that Good Mark Ring so that I would remember them later on – I am sure my comrades would approve that idea. But flamethrower and gnomes are good enough for me. Yeah, some may see me a bit “totalitarian” but I myself see me as an extremely liberal nice fella, a hero if you will, who is up to nothing but good ideas, for example the final solution for those gnarly little pointy hatted critters – who on earth would oppose that?

You created the band TONTTU, which literally means gnome, in 1994. Did you think the war against gnomes would be going on for this long?

Not quite sure of the year but thinketh it was a bit later, but who cares anyways! Our first “Kabouter Dämmerung” was released early 1997 or late 96 or something in between but the first version of “Saunatonttu” came into existence somewhere between 94-95 so you are not that wrong.

The official TONTTU as a project came to fruition circa 95-96 with me and Petja and in the studio Toby was added into mixture. But who cares about exact years, gnomes invented time anyways and we must resist their schemes with all of our strength plus additional 27 percent – at the very least.
Next in line was our second ep “Gnomedrome” including remixes from the first one and our first martial ditty “Taisteluni.” That one is a beast made with excellent taste, for the most part politically correct…ish.

Then Petja got kidnapped by gnomes and we do not negotiate with them so…
Out with the old and in with the new: “Some” time passed and we continued with new crew including brilliant Großinquisitor Rudolf Von Deer and with some compositionary help from High Commander Hephzipah later on. Fun fact: Rudie was in da house when we came up with Saunatonttu way back when so this move made perfect sense. This crew came out to be the core for later TONTTU-endeavours. We released “Nekrognomekon” (with those 2 older eps and brand new ep “Der Zwergenhammer” in 2013) and then made our first full length / long ep “Anti-Gnomen Divisionen 4 (Mastering the fine art of gnome eradication)” 2014 – that was the first one through that lovely label Panicmachine. Brilliant album by the way, very hateful and lifts one’s spirit to the max and beyond!

Enough of this subject, I think.

TONTTU was meant to be just a nice little military special operation but it turned out to be total war. Gnomes did not surrender, submit or just die so they gave us no choice. We are just making this world a better place for everyone and in the process some MAGGA may occur. Not clear enough for you? Make Anti-Gnomen Great Again that means but I would even go as far as to say MAGGS meaning Make Anti-Gnomen Greater Still! Glorious, even if I say so myself.

If at some point all the nations decide to declare me as the most benevolent supreme leader, which I obviously already am at some level, I will humbly and most gracefully accept. If that is to happen I will make sure to make this world such a safe place that no one will even dare to think otherwise, you know I am begin to feel quite sentimental here, just thinking of all the torches and pitchforks we can carry in all of those joyful little hunting parades we will arrange and what not!

Everyone will have to make some minor sacrifices and naturally some will have to compensate for others but in the end everyone wins as some fortunate ones even will have the splendid opportunity to become martyrs for this sacred cause – no greater glory! Where is those darn fanfares when we need them? Execute those slackers responsible for this humiliation! Ummh… Sorry, just got a bit carried away but hey, everyone would agree with me in the future if not for now… As you were, ahem.

Be as it may: “Gnomes may come and gnomes may go but Anti-Gnomen lives forever.”
You all reading this might like to have a motivational painting in your wall saying that, if I may say so… And soon it will happen anyways…


What is your official designation in the band and other band members, who are obviously not gnomes?

If talking about late TONTTU core crew:
*Tonttufindergeneral Hanz-Baal: Vox, Lyrixx, all around bossing around – initiative so to speak. The propagandist.
*Großinquisitor Rudolf Von Deer: Muzikk, Mixx, Mastering.
*High Commander Hephzipah: Composing, (later on) Voxx.

You might like to check those involved in Gnostrogoth separately and naturally Freiherr was in our two latest albums, bless him and his suspicious beard!

In these newer projects with TFG (TONTTU) I do what I always do: Lure people in starting the project usually, make lyrixx and voxx and spam it around afterwards.
usually my name is to be found in the title featuring, but there is also projects with “proper” name like Wake Island Rail, Hollow Columns…

How did you and your comrades in arms come together against the marauding hoards?

With the core crew: Nothing like old comrades fighting side by side in this horrid but necessary war! So first we knew each other and then bought a shared second-hand flamethrower. Nothing like old friends singing kumbayah while covered in gnomes’ blood!
Comrades that joined later on are mostly the spoils of social media that I got lured into my boat (called “MeHtzGnomz 1.”) The blessed filter of Anti-Gnomen, yes.

Your sound has been most eloquently described as anti-gnomemartialindustrialneofolkmetal. Would you say this was fairly accurate?

Well as I invented it I do most certainly agree!My ideas more than often “rule” and are “hip.” Been talking to some wretched souls and quite many do in fact think that it really is the word to describe our muzikk. I do not encourage people to disagree, but still.
We do mix those musical elements with solid message, thus it depicts the sound and idea most definitively.



How does your music translate into fighting the gnome scourge?

Not quite sure what you mean but as usual that does not prevent me from giving my opinion! But if I got you right our music is highly militant and martial to raise the spirits of future martyrs! Also our lyrics give some nifty tricks how to get rid of those pesky little wankeroonies and/or tells tales about their schemes. If you ever have stumbled on our neverred “Tonttujen Kestit: Jälkiruoka” (from AGD4) that might just explain everything… It is quite graphic little ditty to say the least. I think it is one of our most praised endeavours to this day.

All our digital albums include line by line translations as do our videos, so I advice everyone to see what the lyrics are all about. Not for the faint of heart I might have to add.


TONTTU are on the UK label Panicmachine. They seem like a nice bunch. Do they believe in tricky gnomes, how do they help in the war and does the UK also have a gnome problem?

Panicmachine – I love em, they have been nothing less than supportive to the max and I think our synergy is more than great. It is symbiotic relationship, I would say. Of course they do believe in those bearded mothergnomers and they have seen the benefits of Anti-Gnome Muzikk in practice protecting their HQ by listening our musikk 25/8
.
UK has a huge gnome problem! Pip-pip cheerio for the past glory of that land, sad to say…
Maybe they will wake up at some point and notice, that being a wanker or a tosser is not the way to keep the country great, but we will see. Gnomishness is what gnomishness does and it can be conquered if there is will to do so… But there are ways to convince common people to bite their own legs so gnomes do not have to bother… Media and social media can do wonders when people are eager to believe the gnarly whispering voices of em turtoidian gnomes.

Must say they have got great bands though, I find Midnight Configuration and Chaos Bleak as very Anti-Gnomen, for example… Not to mention Fear Incorporated (will mention them every gnomin’ time I will get the chance and most probably even if not).


Your first ‘proper’ album came out in 2013 called Nekrognomekon, so how do you feel your sound has changed since this album and did you get any feedback from the gnomes?

Well hard to say as it contains 3 of our first eps but when we reached the martial sound of “Taisteluni” and continued that idea with the 2013 ep “Der Zwergenhammer” with the new crew I think we found our way. Basically the same recklessness is there all the way but maybe we focused on certain style of perfecting it.
Adding High Commander into the mix in the next release brought some more classical take into it and there we were… Thinking afterwards “Riimuja ja Tonttuja”-album kinda was the ultimate showdown for that style and shows what polished Ant…metal might be like.Rudie really took that to extreme s and we got some great feedback. Freiherr von Gargamel joined us on that album and looky looky his specialities: Violin, Viola, Recorders, Tin whistle, Mouth harp, Baglama saz, Mandolin. Highly folkish and finely tuned!

Our last album Gnostrogoth was done quite differently and it sure involved same elements but the approach was quite different, we were more like doing a jukebox than solid, integral release.

Feedback? Hahhahahah, you gnomin bet! Finnish gnomesian media hated it and that is one of the main reasons I decided to go on! First positive reviews came from that questionable character Mr. Gullotta / Brutal Resonance and from respectable P. Emerson Williams / Intravenous Magazine – yes, the very same Williams I learned to know after this review… Anti-Gnomen goes a long way.

Also heard couple of gnomes commenting it and it went like this:
“EEEÄÄÄÄÄÄRRGGGGGHHHHYYYYYYYY…..GHRLGURG!” Not quite sure if I got it totally right, but found em dead afterwards and that made me realize the potential of our muzikk.


Most recently members of TONTTU have been involved in collaborations with other artists. Can you tell us how you came to recording with Australia’s Captain Kangaroo?

GENERAL Kangaroo SGS, ahem!
What a lovely little hippity-hoppity that unsung hero is! I think I have got Mister Rowland from Disjecta Membra to thank for it if my memory serves me right, thinketh he mentioned about a nice kangaroo he ran across while on tour. That nice kangaroo also happened to be fierce and relentless roaming around the wastelands of Aussieland… Also that blessed creature was hating gnomes like no kangaroo before, it appeared we got along just fine him praising my… Ummmhh… he must have praised something I am sure… And me admiring his slick moves and blistering hatred towards gnomes, not to mention his balalaika skills!
Blaa and blaa and we ended up doing couple of collaborational dittys first as music videos and in the end released as an… drums… EP!!!!! You would not have ever guessed that, huh? It came through No Devotion Records and includes couple of smashing remixes, you must check that out.


You also have collaborated with many of the acts signed with Panicmachine, most recently, EPs with Phobos Reactor. I must ask, what was going on to make these EP?!

Phobos Reactor is not signed to Panicmachine, I kinda dragged them there with these collaborations, you can find their magnificent original stuff from here: https://phobosreactor.bandcamp.com/
They are from Germany by the way and I love to work with them, always a pleasure. We have done 4 eps so far and so proud of them all. The most notable thing is that only one of them is “openly” Anti-Gnome Muzikk, our latest classic #FOLITWIBG. Heheheh, you were brave enough to review it, my highest regards for that! Utter coolness. That was the only one with me only and PB – others also showcased my dear collaborator HCH.

“Enneuni”-ep was Finnish spoken word with short stories, fables if you will. “The Daily Torture of the Commonplace” and our our earliest collab “A Dream Within A Dream” are in English viewing this world through slightly sardonic lense. Ah, goode olde world views in there, gnomes not mentioned but more than present in these ones.

By the way we did a little project within a project in Gnostrogoth album as Phobos Reactor was inside TONTTU and damn did they provide or not! Spoiler: They did.

As for collaborating with actual Panicmachine artists must mention Veil of Thorns and P. Emerson Williams (he also makes all the groovy cover art for us, kudos!) We have made one ep “012333” and that was surprisingly for No Devotion Records-label. Other collabs include for example project Gnomenblut single also with Dean from Bleeding Raven / Gnostic Gorilla. There will be more different collaborations in the future rest assured,

We have released numerous projects featuring myself under the name TFG (TONTTU) in Panicmachine and the story is always the same: Panicmachine seems more than happy to release my collaborational endeavours and I drag more and more willing victims in there. Bless their dark hearts.
Gotta salute especially my Norwegian comrade Ron of Simplefixty, skål!


The gnomen seem to bring people together, even if they are a blight on the world, don’t you think?

How can anyone sleep while gnomes are not burning? Need is must and people with any brains see the necessity of joining the cause or perish in flames of the all devouring gnomishness.
Anti-Gnomen is really the greatest filter for human character, hands down.
I very rarely get disappointed with people engaging with The Cause, naturally some gnome sympathizers try to sneak in from time to time but that just improves our defence systems.
Praised be!

Did you quote Midnight Oil when you referred to burning gnomes while people sleep and are they part of the underground fight?


They stole that from me and without a trace of shame adapted that for their own evil deeds! Should have gotten paid because of that but being the generous person I am I let them get away with it… For now… That is just because they are talking about burning and I just cannot be that angry with them because of that. Soft spot and all that.

One of my favourite movies in the Swedish vampire movie, Frostbitten, where one of the teenagers stabs a vampire with a garden gnome (death by gnome). Are vampires and gnomes natural enemies?

Vampires are in fact nothing more than mosquitoes that has been possessed by gnomes so that incident must be just some perversed vision of some horrible Swede! It is a gnome eat gnome world after all so everything is possible in the end and I know cases where gnomes and their collaborators are just having obscurious fun by playing dead / killing each other. We must remember that dying enhances their red magikk so they can have fun and reap the benefits at the same time. Damn them and their weird ways! Vampire movies and literature are very popular, yet another example of how gnomes redwash media and try to gain the status where people see them as a desirable form of being, like accepting someone pulling your teeth one by one… Damn humans being so gullible, we will remember THAT kinda sympathisers when the tide turns…


What bands or artists got you into music BFG (Before The Gnomes)?

Oh Lordy, that is a tough one… Those leading straight to Anti-Gnomemartialindustrialneofolkmetal as follows: Laibach and Skinny Puppy (always!), NON, Keuhkot (Finnish avant-garde), Two Witches, Blood Axis, King Diamond / Mercyful Fate…Add folklorian truths, some political insights and some tasteful humour + what ever sounds good at the moment = You are set!

Been listening to music all my life and got sweet spot for hippie/heavy time: Led Zeppelin, Black Sabbath etc… Then again early metal like Judas Priest. Black Metal like Emperor and Thorns, Isengard and Storm… Not to forget Urfaust. Hahahahha and must not also forget Venom, Celtic Frost and the almighty Triptykon! At some point really liked neo-folk, even though it is a chess game for some highly gnomesian things. Same goes with martial industrial that I music wise enjoy immensely, acts like Puissance with extremely sardonic lyrics, ooooh…

Naturally darker electro/industrial like Ministry, Leaether Strip (ooooh, Science for the satanic citizen sure is close to my heart), Front 242, all those greats. From the goth side of things Sisters Of Mercy and Christian Death with Rozz…

Cannot remember all of them neither have I enough space to name them all but my opinions sure trump all the questionable scientific facts or what not alternative truths! If someone disagrees may that scoundrel negotiate with the business end of my flamethrower, enough said.


What musical acts do you enjoy now?

Laibach! Hahahahhahah… I think in the later spectrum I would have to mention Fear Incorporated and everything else Sir William makes like Dark Sinfonia, Gnostic Gorilla (especially their fantastic album “St. basil’s Asylum), Korpituli & Iku-Turso (Finnish black metal)…

I am not too keen to find new music, but sometimes comrades really bring some seriously neat stuff to my attention. I also often find myself listening to comrades’ bands like Choronzon, Sounds Like Winter, Harmony Garden etc… Couple of newer acts I really do enjoy: Wargasm (UK) and Bloodywood – heheheh, new school Nu Metal! Got soft spot also for Linkin Park, Mushroomhead etc. so nothing new there.

But all the old ones usually stay there and add couple of bands to the list there and then. No matter of the genre as long as it is good. Talking about hard to define everyone should listen to Rummelsnuff, that man is a hero in my eyes (and ears)!



How may others join you in the war against the pointy hatted little beasties?

Hmm, respectable question indeed but all this makes me wonder whether your intentions are pure? Maybe you are collecting classified information for your little friends? Let us believe you for now, but consider yourself warned…

Kill a gnome, heck, kill two while at it! Resist all gnomishness, burn your sauna down and/or make/listen glorious Anti-Gnome Muzikk and force other people to do the same. There are many ways and you will find yours if you want – the main thing is to stay alert and be suspicious about everything and/or everyone. Loose lips cost human spleens so be sneaky whatever you choose to do.


Do you think they will ever join forces with the Norwegian trolls, and could there be a black metal/industrial album on horizon to combat them?

Some forms of gnomes have (d)evolved from gnomes like we inform for example in our song “Peikosta tontuksi.” So answer is probably so. We have in fact made couple of red metal dittys found from our album “Gnostrogoth.” W.V. Obscenvs Tomtenkopfff kindly provided us with couple of splendid tunes while joining us with the last TONTTU-album. Maybe we will visit those glorious moments with my feat-stuff later on, let us see. Something may be in the works.


What are you going to get up to in the future and will gnomes be involved?

To extinction and hell if people are not repenting and making the change needed! SHTF and TEOTWAWKI is upon us and we can hear gnomes laughing escorting us there! Behold: We are all doomed!
Oh… You meant future projects… Ummmh… But I won’t take my words back as they are the truth and the wisdom.

As TONTTU is done and dusted in the most glorious way I will continue my path with smaller projects with other musishuns, a ditty here & ditty there featuring TFG (TONTTU)– basically having a good time and getting more time for eradicating actual gnomes, you dig? Some projects are hibernating as gnomes seem to bother those trying to collaborate with me – wise of them but very annoying for me not knowing if we ever get there with all the projects… Well, I can only do my part if others provide what they have promised too.
Dunno whether this or my next Finnish EBM-collab (about chilies and stuff) is out first, but it will be a blast – like the joyous last project with Exemia, what a brain melter that was!

Yes, fighting gnomes is essential and I will never abandon that – needless to say of course.
Do remember: Everything is always about gnomes, one must only stay vigilant enough to spot that. The golden rule states: “If you have got the slightest of suspicion: Eradicate!”

Must not forget that The Book is coming! It may take some time, but “Gnomeus Gnomeficarum” will explain everything and then some, with my trusted comrade TJB Morrison as the main author and P. Emerson Williams illustrating it nothing can go wrong when telling about my glorious tale! Huzzah!

Thank you TFG for your time and good luck in fighting the good fight!

Thank you to you too, may gnomes never slurp your spleen or worse (if that is even possible). T’was a pleasure indeed and keep up the good work.

PS: If you ever want to feel the joys of martyrdom just give me a nudge!

TFG out. Fanfares?! DAMMIT!!!!


https://twitter.com/tonttuofficial

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Music | PANICMACHINE

General Kangaroo SGS feat. TFG (TONTTU) | General Kangaroo SGS feat. TFG (TONTTU) | No Devotion Records (bandcamp.com)

TFG (TONTTU) Presents: Der Kompilazion​-​e Magnifique, Perkele! | TFG (TONTTU) | No Devotion Records (bandcamp.com)

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In the wilds of New Zealand where the spirits of the trees still whisper secrets and the rocks hold their tales, you will find Amy Tucker West, also known as Parabola West. For those unfamiliar, Parabola West is a project stirred in a Celtic cauldron, mixing synths, folk music and a liberal sprinkling of magic, kind of a mix between Dead Can Dance, Lycia and Clannad so to speak. On the 29th of April, the album Stars Will Light The Way, was dropped, with dreamy ballads about the world and love, to heartfelt pleas for sanctuary and understanding, but always with an undercurrent of modern instruments blended with the traditional. So join us on our Celtic dreaming, speaking to the delightful Amy about the new album and.. well …everything to do around it. Beware of the imps!

Welcome into the fens of the Onyx Garden, Amy Tucker West of Parabola West. We occasionally drop in ritualistic items in the dark waters, just to keep the impish spirits happy.

Thank you! I have a dash of moon water prepared just for this sort of occasion!

In your bio, you say you discovered piano as a young adult. Was music a big thing in your life before this?

Music was a massive part of our household growing up. It would be very common for my mother, sister, and me to sing together as one of them played guitar. Lessons were something that we couldn’t really afford, but that limitation didn’t deter my mother. She was a painter, and so she decorated the walls of the music school with her artwork in exchange for us to have lessons. From that, I internalized from a young age that music was a valuable and important part of life.

Photography – Trinity Navar

You live in New Zealand, land of the long white cloud but you are not originally a Kiwi. How did you end up there?

I’m originally from the east coast of America, and I ended up joining a UK-based band in my early 20s and moving to England to perform with them. When I was over there, I met someone from New Zealand and ended up coming here with him in 2003. That relationship didn’t work out, but I loved it here and decided to stay. Fast forward many years, and I’m now an official citizen of NZ! Woohoo!

Was it a bit of a culture shock going from America to New Zealand?

It’s a unique experience to feel equally at home and equally an outsider in two countries.

I think the biggest culture shock is actually going back to America for a visit after so much time living here in New Zealand. The scale of things in America is overwhelming for the first few days. On my last trip, I remember visiting the grocery store and getting decision fatigue whilst standing in a massive aisle devoted entirely to hummus options. So. Much. Hummus. By the time I got to the toothbrush section, I was deranged with wonder.

Did you feel a difference in the music scene in NZ as opposed to the US and do you think this has influenced your style?

I wasn’t really active in the US music scene before I went to England, but I can now tell you that performing for a NZ audience versus an American audience is a totally different experience! In New Zealand, the audience will clap politely at the end of a song and probably say something nice to you privately after your show. In America, the audience is significantly more expressive throughout a show and will let you know what they think. The Kiwis are much more reserved, and the Americans are more likely to wear their hearts on their sleeves or ‘woohoo’ mid-song.

You launched your new album “Stars Will Light The Way” in April. Your last album was released in 2017 called “Purity of Weakness”. Can I ask why there was a 5 year break?

I released “Purity of Weakness” as an EP back in 2017 because I wasn’t quite ready to release a full-length album yet. My thinking was that you only get one shot at a debut album, so I wanted to make sure I had nurtured my audience enough and built my brand to the point where I could roll out a debut the way I wanted to. But, I certainly didn’t intend for “Stars Will Light the Way” to take five years to come alive! The schedule got a bit blown out by some family hardships and then a dash of pandemic. Life got a bit lifey in-between.

The sound of the album is this beautiful mixture of Celtic dreaming folk, with pop savvy. What drew you to create this style?

Thank you! I’ve always been drawn to a bit of darkness mixed in with the dreamy, and I found that the old folk instruments used in Celtic, Slavic, and Scandinavian folk really have an emotional / melancholy depth that appealed to my ear. But, I also love synth and electronic influences as well as ethereal / otherworldly sounds, so my music ends up being a blend of a few genres. I try not to think about the style or genre when I’m writing, and instead I just focus on getting the produced version to sound the way it does in my head.

What is the premise behind “Stars Will Light the Way”?

It didn’t start out with a premise or a theme in mind, but everything changed as the production got underway. I started getting these character ideas for each song, and they were very specific and in full color in my head. I decided to follow that thread, and alongside the album recording I began working on a book of visuals to go with the music. It culminated in a 48 page fantasy photography lyric book (which includes a CD). I decided on the title “Stars Will Light the Way” because each song explores a different way of finding a path through the darkness.

Photography – Trinity Navar

With Covid causing mayhem around the world for 2 years, how did this affect your creating and recording the album?

It was definitely a contributing factor for why it took 5 years to release this album! I worked with two producers (Scott Newth and Andrew Newth), and I can’t think of a single time that we were all in the same room together since the start of Covid. We worked remotely, sending files and ideas back and forth. In some ways, it was really cool to have that extra space for ideas to grow in isolation. There were some silver linings within the sh*t sandwich.

New Zealand is a rather magical place with its green rolling hills, snowy peaks and native inhabitants, the Maori, with their rich history and tales. How do you feel this has an effect on your music?

New Zealand is, indeed, a deeply magical place! For me, the landscape feels like it holds a spiritual energy. The past 7 years of living off-grid up a misty mountain has really heightened my appreciation for existing in harmony with the seasons and the elements. Lyrically, the themes of nature pop up a lot in “Stars Will Light the Way”.

Who or what were your early musical influences?

Depeche Mode, Tori Amos, Enya, Loreena McKennitt, Dead Can Dance, Information Society, Kate Bush, and fantasy film soundtracks. I also thrashed a mixtape full of artists from Projekt Records (standouts on that cassette were Love Spirals Downwards, Black Tape for a Blue Girl, and Lycia).

Is there anyone that you listen to now that brings you great joy?

I curated a playlist on Spotify called Beautiful Darkness which has a lot of examples of music I’m enjoying at the moment. There are a few Scandinavian artists (Aurora, Agnes Obel, Eivør, and Kite) that get a heavy rotation, but there are also artists like PJ Harvey and Coco Rosie on there as well.

If ever I am in a desperate funk, however, I turn to the Sesame Street Disco album. Specifically, ‘Me Lost Me Cookie at the Disco’ performed by Cookie Monster.

We have heard that you love French bull dogs. What is it about them that makes you giddy with joy?

Oh Frenchies! Yes, they are the perfect blend of cuddly and adventurous. They snore and fart hilariously through the night, and every Frenchie I’ve met has a friendly nature and a heart of gold. My husband and I had the privilege of raising two, and they brought us immense joy.

What do see in the future for Parabola West?

The immediate future is planning and executing an epic summer tour in the southern and northern hemispheres. After that, I’m interested in exploring the realm of writing for film and television.

Thank you for communing with us!

I appreciate the opportunity, thank you!

Stars Will Light the Way | Parabola West (bandcamp.com)

Parabola West official website

Parabola West (facebook.com)

Parabola West’s (@parabolawest) profile on Instagram • 892 posts

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So, Brutal Resonance have threatened us with a good time by releasing, on the 27th of May, the new EP, Out Of Time by Her Noise Is Violence. With cool artwork by Psyklon Industries, this is the first EP to be dropped on the Brutal Resonance label for Her Noise Is Violence.

“For this EP, I really wanted to get out of my comfort zone and work with sounds I seldom do as Her Noise Is Violence. I borrowed a lot of ideas that I normally use with my other project, Funeral Pyre – but I also allowed myself to just be immersed into the theme as a whole. Nuclear war, the end of civilization, living in the Kali Yuga, etc. I wanted to go more for feeling vs dance-ability and DJ friendliness. I guess this is a hybrid album of both my style as Her Noise Is Violence as well as being a part of Funeral Pyre.” – Her Noise Is Violence

Think big, bringing in the “Nuclear Age“. A wall of deep electronic sound and twinkling synths that resonates in your chest, while we wait for midnight. So 60s sci-fi at the end. “Pale Horse” could be the foretold one of the apocalypse and this grinds into your brain with wavering electronics and rhythms trying to punch through. It is glorious in it technical coldness. There is a certain amount of frustration with the title track, “Out Of Time“, because….well…it’s a beat out of timing. Good grief, just being slightly out of step does weird things to my brain. Add in all these rather pleasing popping and scratched tones which makes it both fun and torturous all in the same piece of music.

Amazing heavy beats assault your ears, in an Asian style emoting Bladerunner track called “Stolen Dreams“. It circles and becomes almost an sickly sweet instrumentation, while the context of war wends words around it all. The last track is also the single, “Apathy“, which was released prior to the EP. It is apt to end with this track, as it spirals downwards, rivulets of time lost to the aether..

There are beautiful synth lines woven throughout each track and as such, are like glass catching the light, while the darker industrial thunder sweeps you up in it’s grip, squeezing the rhythms into your core. Her Noise Is Violence has a techno savvy, that she mixes with synthpop nuances and harsh industrial noise…. it is a wonderful thing and if you don’t listen, then you are going to be Out Of Time.

Out Of Time (EP) | Her Noise Is Violence (bandcamp.com)

Her Noise Is Violence (facebook.com)

Raye Albate (@hernoiseisviolence) • Instagram photos and videos

Music | Brutal Resonance Records (bandcamp.com)

Electro Industrial Music Magazine | Brutal Resonance

Psyklon Industries | Facebook

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Portland, Oregon seems to be a hive of darkwave activity and one of the latest acts is Luscious Apparatus and as of the 27th of May, they dropped their second single, “Bricks & Bones“. This four piece is made up of members, Sandi Leeper (vocals, bass, synths), Cate Hukle (guitars), Jack Norton (synth, programming, guitar), and Daniel Henderson (drums). The inception of the band was 2019 with Norton and then gathering other members to the project.

There is definitely a shoegaze air to this track with those swirling guitars and lilting vocals in a Cocteau Twins fashion. The guitars strengthen as the drums propel them forward. Leeper’s vocals entwine with the synths, gracing the air with a lightness that belies the monster that has been disturbed from it’s slumber, so no amount of sticks will stop it and then it will grind your bones.

There is a pervading lightness in the whirling spirals of sound that harken back to bands like Cocteau Twins or Lush with those lovely female vocals but especially the sonic electronic noise of Curve. Beautiful, strong and downright bestial is “Bricks & Bones” by that Luscious Apparatus.

Luscious Apparatus (bandcamp.com)

Luscious Apparatus | Facebook

https://www.instagram.com/lusciousapparatuspdx/

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In 1996, History Of Guns started their musical adventure and now in 2022, they continue that quest to create music after a hiatus, with the release of a new single, “You Wanted To Live” on the 25th of May. The currently incarnation has original members Del Alien (vocals) and Max Rael (keyboards, programming), plus adding newest member Jamu Knight (guitars).

Fuzzed out beats meet chiming keyboards, in a building vortex of emotions, all the while Alien’s vocals taunt you with the question of if you want to live, then why don’t you live. The angst is high and the guitar goes from strained to decimated complacency, though the electronics never stray from adding an extra layer of weighted darkness.

The band were helped out in the studio by Daniel Vincent (programming), Jason Knight (drums), and Gary Hughes (additional instrumentation). It is a great starter single, for the new album, that History Of Guns is threatening us with. Gothic, deep vocals and guitars that singe the air, all the while the electronics/synths give the track that harder industrial quality. In the end, you have this one life, so you can choose how you live it because “You Wanted To Live“.

Music | History Of Guns (bandcamp.com)

History of Guns | Facebook

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Washington, DC’s own gothic dwellers, The Neuro Farm, have dropped the song “Vampyre” off the album of the same name and to compliment the track, they have also created a beautiful and dark music video.

Rebekah Feng has a glorious voice and she uses it to great effect, whilst her band mates play around her. Sombre melancholy, with rich accents of gothic foreboding, that grace the air. The music is delicate like a spiderweb, intricate and wonderfully woven.

An ode to the loss of a way of life, the transitioning from human to vampire but also the death of a relationship. A woman becomes a child of the night and her husband cannot follow her there. Such a weighted sadness, pooling in liquid drowned dreams. The Neuro Farm are painting you a tale of darkness which is rich and silky in both sound and looks, and who knows, unless you bite, you won’t know what they taste like.

Vampyre | The Neuro Farm (bandcamp.com)

Indie Rock | United States | The Neuro Farm

The Neuro Farm | Facebook

https://www.instagram.com/the.neuro.farm/

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Miss FD released the single “Summoning” on the 22nd of May, from the EP, As Above, So Below on Quantum Release Records. With a music video shot by Storyteller, at Joshua Tree, Miss FD is both the witch/sorceress and the vixen demon, that the crone has conjured up in this video and are the perfect subjects to entrance you .

A fusion of Middle Eastern and India instrumentation that curls around your ears, causing your hips to swerve inexplicably, all the while Miss FD woos you with her singing that would enchant the most critical of djinn (never rub a genie up the wrong way).

The princess of gothic pop and chanteuse of making that butt wiggle, Miss FD certainly makes music as gorgeous as her demonic self. I can still hear her chanting long after the music has finished, imbuing your senses with ancient culture and mystical intensity. Lovely….. so invoke the “Summoning“.

As Above, So Below – EP | Miss FD (bandcamp.com)

Miss FD | Facebook

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The project, Beauty In Chaos came to fruition in 2018 with the first album, Finding Beauty In Chaos, which was an amalgamation of friends around the core instigator, Michael Ciravolo. Having been in the music business for a while, lends itself to having friends such as Wayne Hussey, Al Jourgensen and Michael Aston, to name a few, help you out in recording. Now in 2022, the latest adventure, Behind The Veil, is a full female fronted affair, with voices that that are beautiful, bold and bring a new dynamic to the project. In essence, Beauty In Chaos (BIC), has become a family of musicians which includes Ciravolo’s friend Michael Rozon, as well as his wife, Tish Ciravolo, both whom have been involved with the project since the first album. The latest single off the new album, “Afterlife“, is sung by Tish, who also wrote the lyrics, so we decided to have an interview in two parts. The first part is with the lovely Tish, while the second half is with the man behind the guitar, Michael. Excitingly, we get to find out about the up coming documentary and personally, I love that history of the scene they candidly talk about in the 80s and 90s. So, what are you waiting for?!

PART 1 – THE BEAUTY – Tish Ciravolo, welcome to the beating heart of Onyx.

Tish, you also started your musical career in the 80s as a bass player at the tender age of 16 playing in bands, though you also did a degree in journalism. Hearing stories, such as the way Joan Jett was treated, as female musician, how was were you received due to your gender in the scene back then?

Of course, horrible!  The first music store I went into in LA, I was asked if I was picking something up for my boyfriend and that was the nicest comment I got.  Girls didn’t work at music stores and most female musicians were treated like they sucked, whether they did or not.  And this was almost 10 years after The Runaways started kicking open doors.  The guys at sound check basically just had the girl bands plug in, play a note and unplug.  That was the normal reaction from men in the business but I have to say, there were guys out there who helped and understood the struggle.

Lypstik was a big hair metal band you were in Tish…. how much fun was that and is this about the time you contributed vocals to a Human Drama track?.

LYPSTIK was a blast until it wasn’t.  We were playing Battle of the Bitches type events all the time, pitting the girls against each other for a show.  The Sunset Strip was a sight to behold.  You never know what the memory is when you are living in it and you don’t think it won’t be the same in the future.  But the entire scene did change.  At the time, we had a billboard on the side of The Roxy facing The Rainbow so we really felt like we brought the “girl” side to a very dominated metal scene, along with some very cool other girl bands at that time.

Having a band like Human Drama ask for a simple vocal was a dream come true!  But my name gets misspelled during interpretations… its not Trish, but Tish 🙂

Many people might not be aware that you, Tish created the company Daisy Rock, which makes bass/acoustic/electric guitars for girls and it has been really successful. What prompted you to create guitars for girls and what makes a guitar more for girls?

Daisy Rock Guitars came about organically.  After my experience as a female musician with all the discrimination I experienced, I happened on a way to change that for my daughters and all female musicians. Our daughter, Nicole did a drawing when she was 1 1/2 years old and I turned that daisy drawing into a guitar drawing and showed it to my husband explaining that if we made guitars that girls would want to play, that maybe, just maybe, we could get more girls to play guitar.  With Michael’s expertise, we created a “girl guitar” –  lighter in weight, slimmer neck profile, in super fun designs and colors.  Daisy Rock Guitars were born.  Fast forward ten years and I’m training 600 men on how to treat women in music stores….

Tish, you play the guitar with a plectrum (pick). Why does this weird people out and who are your guitar heroes? (mine admittedly are John Taylor of Duran Duran and the late Mick Karn of Japan, both fretless players)

I love Simon Gallup of The Cure and Tim Butler of The Psychedelic Furs.  I absolutely love Mick Karn and adore what Japan did way before Duran Duran, but fretless is not my forte 🙂

What is in the works for Beauty In Chaos as well as Tish and Michael Ciravolo, for the future?

I believe my husband already touched on the 5 year retrospective album he’s started putting together.  Also, I filmed my segment for the “Unveiled” documentary that should come out later this summer.  We have some live shows coming up with Gene Loves Jezebel where I will dust off the old bass guitar and get back on stage.  And there are some rumblings of trying to put BIC on stage playing live.  The future is so bright, I gotta wear shades!

Beauty can be found in the darkest of places, so what is your beauty in chaos?

One person’s chaos is another person’s beauty.  My beauty comes from a place of being a mother, being a wife and being a creative artist.  All those things comes with its own chaos no matter what stage you are in.  Toddlers to teenagers has its own chaos and beauty.  Loving my best friend, my husband for over 30 years now carries its own beauty and chaos.  Continuing in life to create, to bring my dreams to life, to continue to dream, to not give up.  That is my Beauty.  That is my Chaos.

PART 2 – OUT OF CHAOS– Welcome Michael Ciravolo to the darkness within the heart of Onyx.

Michael, your career spans back to 1980, in New Orleans, with The Models. When the band moved to Los Angeles, in 1985, there was a name change to Human Drama. What was it like playing goth rock, in those cities, in the 80s for you and especially at the (in)famous Scream Club in LA?

Looking back, the mid to late ‘80s scene in Los Angles was truly magical. There was certainly the Hollywood’s ‘hair-meta’ scene happening in a big way. GnR, Van Halen, Motley Crue and the dozens of 2nd and third tier replicas ran rampant on the Sunset Strip. Many getting massive record deals. But there was also a cool darkwave scene, with its focal point being Scream. So many great nights playing and hanging there; especial when it was at the Park Plaza location. Not to be outdone by the strip scene, A&R types flocked there, as well as a few other clubs… not only signing Human Drama, but also Kommunity FK, Caterwaul, Jane’s Addiction to name a few. Another cool thing was there was sort of a comradery between bands… even with the goths and big hair metal kids. It was not uncommon for us to be hanging flyers on the strip besides guys from Poison and Faster Pussy Cat.

At that time, America was in the grips of hair metal. What made you take to the gothic rock style?

As a kid in New Orleans, I gravitated to glam and punk when I picked up the electric guitar. Marc Bolan, Mick Ronson and Johnny Thunders were my heroes. When we formed The Models, we were a bit more power-pop, but got heavier and darker as Johnny’s writing matured. Before we made the move to LA, we were listening to The Mission, The Cure, Joy Division and The Sister. I guess we sort of ‘absorbed’ that into our look and sound.

You are also a member of Michael Aston’s Gene Loves Jezebel. What is it like for you to be a part of this iconic band?

When I rejoined Human Drama to record the live album at The Troubadour, Michael Aston had just released his solo album on Triple-X. With that being our label too, he was opening the show. After our set, a mutual friend, who ironically booked Human Drama’s first LA show, introduced us. He told me that he and Jay (Aston) were going to reform to do a reunion tour and would I be interested in being the guitarist. I had a few of the early post House Of Dolls Gene Loves Jezebel albums, which I though were quite good. I learned a few of the songs and I hit if off well with the twins. This lead to a 20+ date USA tour. I got to witness firsthand the old wounds Michael and Jay had, had burst open… which lead to us doing the last few dates with them not speaking to each other! The attempted to record an album with some of the ‘original’ line-up… but Michael left or got booted, depending on who’s version you believe. It is truly a cluster fuck, sort of like Oasis without the fame and money!! Michael again approached me about writing an album … which lead to two. “Love Lies Bleeding” and “Exploding Girls”. I have probably played over 100 shows with Michael’s ‘version’ of GLJ and there is talk of both Tish and I joining for some shows in support of The Mission. I guess we will see. I am proud of those two albums … but it is a shame as it could and should have been so much more.

Your latest project is Beauty In Chaos, where the debut album, “Finding Beauty In Chaos” was released in 2018. When did you originally decide this was a project you wanted to take on?

After Human Drama’s ‘final show’ in October 2015, Johnny had released a few solo albums … sadly with little notice, except to hard core Human Drama fans. I guess I am credited to talking him into doing another Human Drama album, which began to take shape in early 2017. In my head, I had hoped we would return more to the darker, edgier sound of the band; but it was really not what Johnny was into. In the recording process of what became “Broken Songs For Broken People”, I grew frustrated and probably tried to force a more aggressive guitar approach than really fit these songs. Looking back, I am happy with the album and what I added on guitar. I was never a big David Gilmore / Pink Floyd fan … and that is what Johnny continually referenced for the guitar parts he envisioned. In the end, it made me delve a bit into it … and now I truly appreciate how great Gilmore is. Michael Rozon, was recording my guitar parts for the album, and certainly could sense my growing frustration … which lead to him turning to me and saying “why don’t you just do your own album?”. I quickly blurted our ‘YES’! Then the stark realization crept in that now I had to do it. Not being a real singer, I decided that I could ask some friends to sing. Luckily two few friends … Robin Zander (Cheap Trick) and Al Jourgensen (Ministry) jumped in quickly .. and thus Beauty In Chaos was born. Thankfully, what for a few moments was my ‘solo’ record (which I find most solo records by guitarists to be quite boring) quickly morphed into this revolving / evolving entity we call Beauty In Chaos.

Did you ever envision that you would create your first album with such people as Wayne Hussey (The Mission, ex-Sisters Of Mercy), Simon Gallup (The Cure) and Aston Nyte (The Awakening)….in essence an amalgamated super group?

While I never set out for this to be a ‘supergroup’, as I hate that term, as to me, it sounds a bit pompous. I am certainly blessed to have a lot of friends that also happen to makeup a big part of my record collection. I never take any of the artists that contribute to BIC for granted. Whether well-known or lesser known, each of these artists put their heart and soul into the song(s) we created together.

But the ‘kid’ in me sometimes must pinch himself when I look at who has been part of our BIC family. Even the artists that are ‘platinum’, iconic or even in the Rock and Roll Hall of Fame treat the entire concept of what BIC is with complete respect, and myself as a contemporary. Yes, still all more than a bit surreal.

Michael Rozon has been there, recording, mixing, and producing, not to mention playing instruments as well. Could you please tell us about this relationship/friendship?

Michael is one of my best friends in this world. I could not and would not do BIC without him. Far more than just suggesting I make my own album … he allows me to play my guitar while he focuses on the tech side of recording. He is also amazingly talented. Like our records or not … they do sound great and that is due to him. He has a talent to push and encourage me at the same time. He sure as hell has made me a better musician. And we have a fucking blast being in the studio together!

We met back in the mid ‘90s. I was in a post Human Drama (pre GLJ) band that was getting label attention, but our singer had a drinking issue. I could see that we had hit a dead-end. My then girlfriend and now wife, Tish, saw a ad on a telephone pole of a band, Drain The Doves, looking for a guitarist. She actually called Michael and invited him to a show, which ironically ended with me smashing my guitar against the wall on the stage out of frustration. I walked off stage, out to Sunder Blvd. and Michael walked up to me as I was probably screaming ‘fuck this I quit’ and said you are our guy. We have been great friends ever since.

Since that release, there has been the release of the album “The Storm Before The Calm” and two remix albums, which brings us to the 2022 unleashing of “Behind The Veil”. This release is a little more special as it features only female vocalists. What was the inspiration behind going in this direction for the album?

When we were finishing up ‘The Storm Before The Calm’, I was having an internal debate with myself if we should include “Stranger” (featuring Holy War’s Kat Leon) on this album or if we should write an additional gloom-rock track. While I absolutely love “Stranger”, I knew it was a bit of a departure from the rest of the album. In the end, I went with my original thought and ended the vinyl with it.

After hearing the album in its entirety, I thought it “Stranger” would be a cool lead-in to what came next for us. I do love all three female featured songs on ‘FBIC’, and what Kat and Cinthya had done with us … there is the genesis of ‘Behind The Veil’.

The latest single is the slow burning and dreamy “Afterlife” sung by your incredibly talented wife, Tish. What has it been like for both of you working together on this track for Beauty In Darkness as best friends and lovers?

“Afterlife” is a great song and a perfect opening song for this record. I could not be prouder of what my wife did. I love what she did on “Lookup” on our first record, but this tops it and is easily one of my top 5 BIC songs. When Michael and I wrote the music, I knew her voice would work well on it, but it is a bit of a different, linear song … there’s not the big obvious chorus section. She took the music and made it into a great song. Honestly, I am probably a bit more demanding on her because she is my wife and best friend … and I am sure she feels the pressure to prove she is on this because of her talent, not because she is my wife. I defy anyone to doubt her talent after what she delivered on this song … lyrically and melody , and the video. I think her ending line ‘love is all there is’ will live alongside Ashton Nyte’s ‘there is always a light (from ‘Storm’) as seminal BIC lyrics.

Having Elena Alice Fossi of the legendary Kirlian Camera sing “Kiss Of The World” must have been a bit of a coup. How did you end up getting the beautiful Italian singer to become involved?

I tried to remember how I became aware of Elena while doing press for “The Kiss Of The World” video. I think my press agent, Shauna (from Shameless Promo) was promoting something Elena was part of. No denying her beauty, but it was an interview I saw with her. Far more than a pretty face, she is extremely intelligent and I loved her courage to stand up for some social issues that plague the world. Plus she has an amazing voice. I got her email, and just introduced myself. I tuned out we had a mutual acquaintance in John Fryer, who had has done several BIC remixes and I am of Italian decent! I just straight out asked if she would be interested in working together at some point. Thankfully, she said yes and then fast-forward at least a year and we sent her a music track that she turned into “The Kiss Of The World”. I also love the video we did for this song, which she shot all her parts on a green screen in Italy. Industrialism Films, who have done most of our videos, did an amazing job of melding her into the dystopian sets we created. I must add that her Kirlian Camera fans have been so gracious towards Beauty In Chaos.

There are three more extremely talented women on the album, so were they acquaintances or professionals you felt you needed to have sing on the album?

Yes, Cinthya Hussey, Betsy Matin, along with my wife, Tish, are BIC alumi … appearing on songs on previous albums. Besides Elena, Whitney Tai and Pinky are new to our BIC Family. I knew Pinky Turzo from the early days of Human Drama; and loved what she had done vocally in Silver Ghost Shimmer. “Not Your Fault” is a different song for us … but I love everything about it. She channeled the ‘chaos in her beaut’ in the song’s lyrics, but in a way that most of us can interject something from our life into. To me, that makes a great song.

Whitney Tai was introduced to me by our mutual friend and BIC alum, Kat Leon of Holy Wars. Whitney and I immediately hit it off musically and she has become a really good friend of Tish and I. I heard some of what she had done on her albums and could hear the Bjork influence. I told her I wanted to do a song with her that fell between Bjork and Bauhaus. Wide net I know … but it rolled off the tongue nicely! What became “Orion” evolved so easily … almost effortlessly. To me, it encompasses all of the elements of BIC. Lots of ethereal guitars, but with blasts of chaos and sonic interference. Love the video too!

Remixes were a huge thing in the 80’s (hence all those wonderful 12-inch singles), though they seem to fall out of favour with the era of CDs and now there seems to be a renaissance. Half the album is remixes, so what was the reason behind this decision plus tell us about the newest remix album as well?

I was certainly a fan of the great extended 12” singles, however I never cared much for a remixer just replacing the drums with a ‘dance beat’. In BIC world, the remix concept happened really by accident … but I am a believer that things happened for a reason. When we were making our debut album, ‘finding beauty in chaos’, I had imposed a ‘no synth’ rule. Meaning every sound on that album came from manipulating my electric guitar. Wayne (Hussey, The Mission) introduced me to Tim Palmer.. who has always been one of my absolute favorite producers.

I was in Austin with he and Wayne, as Tim was mixing The Mission’s ‘Another Fall From Grace’ album. We were out having a few libations so I said what the fuck and asked Tim if he would mix a BIC song that Wayne was featured on. Amazingly Tim said yes. I sent him both “Man Of Faith” and “The Long Goodbye” to mix. In my excitement that he was doing this, I failed to tell him about the ‘no synth’ rule. See where this is going? So I get back “Man Of Faith” and is brilliant … but Tim added so cool keyboards and some nice guitar bits. So how do you tell your favorite producer “Great mix mate, but can you take those keyboards and guitars out!!!” . The answer is you don’t! Thus the idea of ‘Beauty Re-Envisioned’ was born. Thankfully, I am blessed with a lot of very talented friends that were eager to jump in and do some amazing reinterpretations of songs from ‘FBIC’. Since this worked well, at least in my opinion, we again followed up ‘The Storm Before The Calm’ was ‘Out Of Chaos Comes…’.

I really enjoyed turning the keys over and hearing how other treated these songs. When it came to ‘Behind The Veil’, I was adamant about releasing it before the end of 2021. My BIC cohort, Michael Rozon, was working on a Ministry album at the same time, so our studio time was a bit limited. We created these six songs, which worked in the confines of vinyl, both left a lot of ‘time’ remaining with the 75-minutes+ available on a compact disc. I thought it would be cool to change what we had done previously, and include remixes on the CD version of ‘Behind The Veil’. In typical BIC fashion … the idea expanded, and we had so many creative and diverse remixes that it lead to 25 tracks, and ‘Further Behind The Veil’ !!!

Who or what music inspired you to become a musician?

Watching those great late-night music shows… The Midnight Special and Don Kirscher’s Rock Concert. Seeing T. Rex and David Bowie was a life changer for me. Until then, I wanted to play pro football. I quickly realized that girls, especially cute ones liked guys in bands more that jocks! Watching Marc Bolan pout and prance and seeing Johnny Thunders with has big mane of hair and low-slung buzz saw sounding guitar sealed the deal for me. One of those surreal moments in BIC, and there have been a few, was getting to record and do a video of T, Rex’s classic, “20th Century Boy” with Marc Bolan’s son, Rolan. Yeah, doesn’t get much cooler than that.

Do you find yourself listening to new acts now and what gets your creative juices flowing?

Sadly, I don’t find a lot new or very ‘inspiring’ in new music. Maybe it’s showing my age …. but I am looking far more forward to the next Cure record than anything I have heart of late. I am sure I am missing something, but I got more inspiration from sounds, and new musical ‘toys’ as opposed new acts. I just don’t see much longevity in what I hear.

Beauty can be found in the darkest of places, so what is your beauty in chaos?

Life is indeed filled with both beauty AND chaos. Sadly our world has fallen more into the latter as of late. For me personally, my beauty is my family. My wife and two beautiful, healthy, strong-willed daughters. I am beyond blessed for them.

Now, if you were given the chance to record a track with any goth rocker from the past or present, dead or alive, who would you pick and more importantly, why?

To me, and something I carry into Beauty In Chaos is lyrics. I want our singers to write from the heart, songs that have a deeper meaning, even and especially not overly obvious. To be clear, all of the singers in our BIC write their own lyrics and melody. Michael and I don’t give any verbal-guidance, but I think the music we send them sends them down a path to turn it into a song. As for your question, I think in the goth/darkwave world … most of the great singers do write wonderful lyrics. I would love to work with Robert Smith and Peter Murphy. I do know both and have approached them both. Each was kind and did consider, but at the time, each was very deep into writing for The Cure and Bauhaus. Maybe one day! Siouxsie would certainly be someone I would love to work with. I know you question was ‘goth’ specific, but there are other amazing, influential singers I would to have had, or have the opportunity to have as part of our BIC Family.

Having the chance to work with David Bowie, Marc Bolan and Michael Hutchence would have been amazing. Shirley Manson, Bjork, along with several of fantastic ladies of shoegaze … Elizabeth Fraser, Rachell Goswell, Lisa Gerrard and Portishead’s Beth Gibbons would be on my ‘want list’. Can’t end this hypothetical list without adding The Furs Richard Butler, who has always been one of my favorite vocalists.

What is in the works for Beauty In Chaos and Michael Ciravolo, for the future?

We are working on a behind-the-scenes look at ‘Behind The Veil’, cleverly untitled ‘Unveiled’. This is being done by the great people at JammerDirect. This documentary will include some great insight from the six amazingly talented ladies that make up this album, along with some thoughts from a few of the remixers involved. This should be premiered before the end of summer.

We are also planning a video from “Open Would Heart”, which features the lovely Cinthya Hussey. I really love this song, and her lyrics are beautiful. With her in Brazil, it has some challenges, but we managed with Elena, so I am confident that we will create something special that fits this song.

With Michael Rozon currently on tour with Jerry Cantrell, our studio time is a bit hard to come by, but I think it gives me a writing break that I probably would not have! That said, we are looking at releasing sort of an anthology CD…. BIC 2017-2022 type of thing. I am going thru all of our tracks, including the remixes and trying to pick the 13 or 14 songs that give the best sonic overview of what we have done to date. I have both a title and a photo in mind … so that’s half the battle. I am thinking of adding one new song to this…. Which may indeed by a cover song that stuck in my head during my recent visit to my hometown of New Orleans. We will see.

Thank for indulging us Michael and Tish, and we can’t wait to hear what you do next.

Behind The Veil | BEAUTY IN CHAOS (bandcamp.com)

Beauty In Chaos | Facebook

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Going to put it on the table now…. you have to have balls to cover the track “Fame” and the group, She 1-Him 2 released it as a single, no less, on April 19th. On guitar they have Steven Seibold of Test Dept and Pigface helping them out. If you are old enough, you know that this song has pedigree lineage. Written by John Lennon, Carlos Alomar and David Bowie for Bowie’s album, Young Americans in 1975 and was the first single to be released off it. Since, has been covered multiple times, however, Duran Duran recorded “Fame” and it appeared as a b-side on their 1981 single “Careless Memory“, and for me is one of my favourite versions (John Taylor on fretless bass *le sigh*)..

You are never going to get a version of this that doesn’t incorporate that funky bass and guitar, as that is very much the foundation of the track. The intro is heavier, with a more industrial feel while the vocals are cool with the inferred disinterest of someone who is popular and has no time for insects. There are those sweet guitar breaks between verses and electronic swells.

It is a bit hard not to dance to this, as the beat and the strut are infectious, just as the original. The dual, female/male vocals bring a new dimension, as does the more prominent guitar from Seibold. The Ohio duo of Cassie Bishop and Evan Nave also known as She 1-Him 2 seems to flow along very nicely and I think the Starman would appreciate this version of his “Fame“.

She 1 · Him 2 – Fame (Feat. Steven Siebold) | She 1 · Him 2 (bandcamp.com)

She 1 · Him 2 | Facebook

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July 15th with see the release of the new Kill Shelter album, Asylum, which is a celebration of over 40 years of the dark scene, but for a taste now is in the form of the new single, “Necklace:, featuring Sweden’s Agent Side Grinder. Edinburgh’s Pete Burns (Kill Shelter) composed the music while Johan Lange (Agent Side Grinder) wrote the lyrics.

From just the beginning, you know this is going to be good, the way the guitars collide and resolve, only to be subsumed by the drum machine and electronics, that play host to the vocals. It makes you want to move and dance to the thrum of the beat and guitar, whilst caught within the vocals of Emanuel Åström. It’s simply brilliant.

Such a breathtaking use of instruments, highlighting the darkness between the light. The vocals wash over your senses, not only sonorous but also pulling at your subconscious with the lyrical content because “Necklace” is about finding solace within one’s self when faced with daily abuse, be that physical and/or mental. This all ties back to the album, Asylum, which is all about the different types of havens people seek to survive.

https://killshelter.bandcamp.com/album/asylum-us-version

https://killshelter.bandcamp.com/album/asylum-european-version

https://www.facebook.com/killshelterofficial

https://agentsidegrinder.bandcamp.com/

https://www.facebook.com/agentsidegrinder