Kimberly Kommeier is the founding member of the band Bow Ever Down, which was formed in 1998 and in 2020, a full length album, Lost In The Woods was released. Now we have the June release for the huge electronic/darkwave album, Let It Burn.
From the get go, the title track, “Let It Burn“, will set the tone for this album. There is an electronic simpleness that adds to the sorrowful and yet defiant storytelling. It is of no longer taking the blows life has handed out, yet proudly showing those scars. For me the standout number is “Cold Machine” which it’s wonderful swirling and tinkling chorus that rises up to proclaim I would give anything to be human because they are the machine. Truly a lovely and yet so mournful sentiment. “Born Into Darkness” continues the dance of damnation.
Silence In Machine aka Wess Fowler lends his harsh vocals to the songs, “Shed My Skin” and “Not Your Victim“. While the former is a pulsating piece from start to finish, the latter is like waves on the shore as it draw back, then comes crashing in. The common theme though is owning your fate which again can be seen in the track, “Burn You Alive“, and it has some really nice synth transitions. “Burn Them To Ashes“, has a certain, reflective quality and a anger that is almost palpable in the chorus, while “My Last Day” is such a despondent expression of the inability to go on, this is still quite full of great, infectious beats.
The remix for “Cold Machine” is a jewel and Assemblage 23 has really outdone themselves. Miss Suicide from Germany remixed both “Shed My Skin“, giving it a far more aggressive sound and “Glass Doll” which has those synth lines dancing all over it. “Burn You Alive” remix by Replicant RME, takes this song into new territory while the John Ruszin III, whom plays on the album, gives us a version of “Not Your Victim“, and it feels more pensive than the original. The Stahlschlag remix of the title track definitely has teeth, as Sebastian Sünkler is the master of that wonderful crunchy power noise, while the Silence In Machine retake of “Burn Them To Ashes” feels very off kilter, as if the insanity is too much. Continuing in this vein is the forever haunted remix of “Not Your Victim” by Adian Caine with it’s introspective and quiet defiance. The album is completed by the new version of “Glass Doll“.
The prominent concept is the use of the word burn. Fire is not only thought of as dangerous but also as cleansing, to wipe away completely what was. A renewal like a phoenix dying and coming back to life through fire. These are songs about survival and coming from a dark place. Kommeier has a big voice that is quite delightful and garnered a host of talented musicians to remix her tracks, so you should check out Let It Burn by Bow Ever Down.