The end of July saw the release of the album, Kiss Of Death, by English band, Black Angel, a follow on from 2019’s debut The Widow.
England definitely exploded with successful gothic bands in the early eighties. Their legacy is like a ripple that still effects us 40 years later. Matt Vowles is the progenitor of Black Angel, as well as being a music producer, whom been heavily influenced by that early scene and has come full circle to the music that influenced his early years.
The start of the title track “Kiss Of Death” is like a soul crying out. Great first tune to start with as it is atmospheric and sets the tone for the rest of the album of dark desires for an eternal passion.
“Animal” is the second single off the album and is heavy with sentiment that is raw with longing and wanting. The animal logic overriding all. The beat pounds and the vocals exotically call you to give all for that animalistic love.
Dirty and bass heavy are a heady mixture for “Alchemy“. A concoction of rockabilly and goth guitar sensibility make this a lethal combination that doesn’t dawdle. Voodoo, magic and love are a powerful cocktail.
Female vocals reminiscent of the Ofra Haza version of “Temple of Love“, start off and weave through “Call Of The Night” but that is where the similarity ends with this sensual ode to the gothic tribes that inhabit the dark.
Wayne Hussey would be proud of the guitar in “Hurricane” and just like the namesake, this song spins and swirls at a terrific pace.
You think there might be a change of pace with “Want For More” and it you aren’t wrong and it reminds me of Lacrimas Profundere in their heyday. Laid back, slow burn with guitars crying out and female backing vocals to rival the later Sisters of Mercy tunes.
“Put Your Lips…..” is the jaunty first single with a rockabilly beat and a very much the cowboy goth feel that Fields of the Nephilim introduced the world to, with striding footsteps and a shotgun to the Sun. the singer is sure her lips would look good on him.
The wonderfully sonorous guitars, whirl you away in “She Said“. This winds along in a languid, serpentine way as we ponder the wise words, the devil is a bitch.
Sirens ring out to herald in “Prisoner” and the guitar here reminisces of The Cult, circa Love album. But then again, with the baritone Russian choir style aaahs could be mistaken for Mige Ure’s, Ultravaox.
The last song is also a homage to the band name, “Black Angel” and you could knock me down with a feather, as this sounds so much like Bauhaus, including a sax accompaniment, which is very, very 80’s. It swirls and undulates to a rather satisfying end. We all know about the devil in a black dress……
I’m honestly pleased that this isn’t another Sisters imitation band. You can hear the influence but Vowles has found a vocalist who stays true to their own style whilst not trying to sound like someone else. Black Angel are leading the gothic rock charge with fellow contemporaries, Norwegians, October Burns Black.
Recorded and mastered at Matt Vowles‘ own studio, The Manor, Kiss Of Death is a polished production which reminds me of the bands I have loved for so long and has forged ahead with that sound instead of living in the past. Love, longing and lust are are old as mankind and Kiss Of Death is all this and a whole lot more with Black Angel giving it beautiful inky wings.