My first experience of October Noir, is via this new album, Fate, Wine And Wisteria, that was released on September the 22nd. It is rather confronting at first to think of a band actively trying to take up where Type O Negative sadly could not due to the untimely death of lead singer Pete Steele, especially when the band themselves could not find the heart to continue without him and followed with other projects such as A Pale Horse Called Death.

OCTOBER NOIR

Down in Pensacola, Florida, the weather is warm and the wisteria grows wild in the lost places, so to the album has thirteen tracks, though to be fair the tracks “Fate“, “Wine” and “Wisteria” are kind bridging instrumental pieces and maybe a minute long at the most. “Windows” is the first track with vocals and the single off the album. Fairly taken aback how much this actually sounds like a Type O number, There is the longing in the deep vocals and the long guitar riffs that drift away to then crash back in a revisit.

This is indeed a strange experience. It pays to read the lyrics at times as well. “Effigy” almost seems to be based on one of those teenage horror movies where they go down to the lake and the main character is lured away with the promise of carnal delights, only to find all their friends have been murdered and being Halloween, did they do it?! Equal parts defeat and howling anger in the Greek inspired “Persephone” and “Wanderlust” really reminds me of the iconic “Everything Dies” in places.

Really liked “Sistinas” with the moody harpsichord and the extremely low vocal range that was being plumbed. Anyone that ever listened to Type O Negative, would know that often Steele would firmly have his tongue placed in cheek and liked to create songs about forbidden encounters or the nitty gritty of sexual lust and October Noir have followed post haste in their footsteps with the tracks “Reverence (Make You Love)” and “Proverbs“. Whatever the theme, there is always that underlying darkness that humans are fallible and prone to causing great pain and misery as well as picking others up from the deepest pits of despair in this album.

It was the first time hearing their sound which floored me a little to hear a band that sounded so like Type O Negative, from the bass lines, to the guitar chords and unmissably the vocals so hauntingly like Pete Steele’s. Now some will say they are copy artists and that often happens a lot, ie all the bands that want to be Sisters Of Mercy, though unfortunately they are flawed and normally unable to do this well. October Noir don’t hide the fact they are standing in Type O Negative’s shadow but rather embrace the fact and actually create new music I think that even Steele would have been impressed by.

https://octobernoir.bandcamp.com/album/fate-wine-wisteria

October Noir | Facebook

End of November, 2019 saw the release of goth rockers, Her Despair’s latest EP, Exorcisms of Eroticism. This 6 piece band are based in London and currently not signed to any label, though I wonder how long that will last.

Pandaemonium” is a banger of a number to start off with. Those crystal clear vocals that draw you into the heart and heat of song. Author, John Milton, wrote the novel, Paradise Lost and created a capital of Hell called Pandaemonium, city of fallen angels and daemons. This builds in its terrible beauty of a soul left bereft and shunning heaven’s God .

A single off the EP is “The Exorcism“. Again you hear the wonderfully crafted lyrics with the musical sensibilities of Ville Valo (HIM). A few goth girls are going to melt with this and I can see why. The guitar riff in this is a killer.

Third track, “In That Moment”, has the orchestration wooing you whilst giving you a sense of wonder at how they manage to make this sound so grand and polished. The electronic aspect is spectacular.

For such a darkly named song “Like A Crucifixion“, it feels so light and up beat with a great, catchy chorus. If this is the next single, I would hardly be surprised.

I think English icons, Paradise Lost might have misplaced a track in “Beyond The Veil” as it really reminds me of their goth phase. This is a slightly slower number and I’m not sure if the reference is a veil of mourning or the distance between death and life, though no matter as it all works.

Of course all this commentary of passing to the land of the dead leads well into the final track, “Final Rest”. The sentiment is beautiful as the music swells with the acknowledgment of going to a place of peace… their heaven.

HER DESPAIR

For Her Despair, this is the second EP since the band first released Mournography in 2018. There is great wealth of literary expression and the use of poetic English language is lovely to see.

The band cites influences like The Sisters of Mercy, My Dying Bride and Karl McCoy’s wonderful, Fields of the Nephilim and honestly you can hear touchs of these 80’s iconic goth bands but also more recent acts like The 69 Eyes, Lacrimosa Profundere and more than a passing nod to tragic love hero’s, HIM.

Goth rock needs shots in the arm like this every once in a while because what the world doesn’t need is another Sisters of Mercy clone, yet this is a classic example of love lost, longing and dwelling in darkness, set to a backdrop of heaven and hell. Beauty is in the darkness and in the music of Her Despair.

https://herdespair.bandcamp.com/

https://www.facebook.com/herdespair

https://m.soundcloud.com/herdespair