Last year, Matt Hart brought out the concept album Terra 3808, based on a post apocalyptic Earth where humanity scratches away, trying to just survive.
So in March, came the release of his new EP, Tales Of Terra: Triolith, which is a continuation of this storyline, as the last stragglers called The Outlaws in their struggle with the Machines, find a large three tower structure coined Triolith.
“Chaos Rising” throught to “Mechanical Dominion” are off previous releases, most now remixed by various artists and given a new lease of life.
The first number is the title track, “Triolith” and an alien voice rumbles forth to be accompanied by a beat as it rolls across the futuristic landscape. This is the single off the EP and it instantly gets your attention.
The song, “Requiem” has a wonderfully off kilter sense to it. Though not an overly fast number, it gives the impression of being relentless and constant. Xavier Swafford from 3Teeth is no stranger to the remix and you can tell.
“Chaos Rising” is the Nitronoiseremix which is about the survivors of apocalypse. Gritty and angry with power guitars in the chorus that builds this up. This isn’t a new remix but what the hell… it’s still bloody good and fits in well.
The dub of a club DJ is strong in “MechanicalDominion” (MXD_BLD remix). This power noise inspired piece just oozes with static as the machine rule and destroy all that does not fit the new world order.
There is a spooky remix of “Mercury Flow” by Witch Of The Vale and it’s low and smooth like quick silver and similar to the poison, it’s going to get under your skin.
Unlock the level “Chaos Achieved” (metalogueremix). Like repetitive fire comes the rhythm, thick and fast as if a massive metal colossus is whirring away with purpose and intent.
The remix by monomorte, is a lovely drone sludge in the second retelling of “Mechanical Dominion” and it sounds so completely different yet so perfect, finishes off this EP.
I am starting to wonder if Matt is, or ever has been a player of Warhammer 40K. It’s that style of enthusiastically enjoying putting together a story of light versus dark and humanity hanging on by a thread, becoming less human due to circumstance.
So far, it seems to be that the machines are going to extinguish the light of man and if a collapsing futuristic world of trauma with fabulous remixes is your bag, then you need to listen to Tales of Terra: Triolith and support Matt Hart so we can see how this all ends.
Biomechanimal are a EDM/aggrotech/industrial group from London who released in February a new single, along side fellow London drum & bass musicians, Mechanical Vein, called “Waves“.
There are three versions of this song, so hold onto your hats because this is not a carousel ride.
The original single version is fabulously raw and angry. The bass line is turned right up and it’s an instant assault on your hearing. You can almost feel the hardstyle techno within.
Second version has been remixed by the Netherlands drum & bass duo, SinisterSouls. This is hard and fast aggrotech pure and simple with a mad EDM beat ripping it up. This is a great remix to hear on a dance floor and never lets up for a second until the fading end.
Third remix had been done by industrial master, Grendel. This is slower and starts off more like a rap number then the growled vocals, heavy guitars and almost metal blast beats kick it hard in the balls. And so, in an almost bipolar fashion, this track goes from one to the other but the industrial synths always remain true.
So three versions of “Waves” with the imput of four different artists definitely shows in how influences can vary the sound of each track. When all is said and done, it’s a banging number. “Waves” is about the ebb and flow of creativity but this song is a force of nature.
Previously we heard recently remixes from Australian and Russian duo of SiK aka CraigSaunders and Dima Ilyin, who make up Nova State Machine. We just had to let you know that on March the 24th, there was a third EP released called TCM RMXS-003 Drugs and Drums.
If you weren’t awake before you started listening you soon will be as SiK(Saunders) growls into your ear with a barrage of rhythm with “War Is A Drug– Ephedrine mix” by SEXGUN. This definitely reminds me of Ministry/RevoltingCocks both vocally and the melody syncopation.
For the rest of this EP you will be graced with the scintelating deep vocals of Dima. “Do or Die– BZP remix” by SEXGUN has a techno vibe and this feels like old style Front242/Nitzer Ebb, which is never a bad thing with that fast feverish pace.
Back to a previously remixed number, however it’s easy to see why someone would want to do another version of “Harsh Reality” as it is such a strong song. SiK brings RxSingular Obsession remix to bear down on your ears. He had made “HarshReality” sleek and clean while Dima’s distorted vocals rip through.
I get images of Judge Dredd, listening to “Total Control – MKUltra Mix” by FILTHmachine. It screams science fiction war games to me. Brutal vocals bellowing ‘total control, total control‘ and bouncy synths chirping in.
No Pain – Codeine Mix by nOvAsLuG who are the artists ToMsLuG from Vancouver and CraigSaunders, starts like a sound scape as it builds and swells. This becomes an industrial cacophony of noise. Dima sounds like he’s trying to convince himself he’s alright and yet it all reflects body or mind wounds.
Electronic burbles bring in “Destroy All Hope – krocodil mix” by Evil Against Evil. This starts off slow and dirty whilst it creaks and groans along. The minimalistic nature conveys the drudgery of a world bereft of all love, hope or joy.. just grey.
Most of this is not so much danceable but definitely more experimenting with the music at hand to see where it can be taken. Which is exactly what you need from a third part of a trilogy.
When all is said and done, this is another solid remix and there is everything to gain as this is pay what you want on Bandcamp. So be where the cool kids are before Nova State Machine unleash the next new album but for now lock and load some TCM RMXS-003 Drugs and Drums.
Adriana Martinez and Miguel Bastida are the Mexican duo that make up Deer Mx. The band met, formed in 2013 and reside in Hong Kong of all places and released the beginning of the year, the single, “There’sNoFuture” with a video clip.
The video itself is made up of news disaster and war footage, conveniently called the WWIII Version.
This song seems to deceive you into thinking it is a slow number and for the most part it does start out that way. Though slow to start off, it is persistent even with Martinez’s dulcet tones.
This reminds me of 4AD’s time with the CocteauTwins that offered dreamy vocals to get lost in. Add in a small dose of P.J.Harvey with SlowDive and that’s a pretty close estimation.
The music starts to crescendo and crashes inwards with synths and a guitar blazing away.
Every time I hear this piece, it grows more and more on me. Pop savvy with industrial rawness. Enjoy Deer Mx and ‘There’sNoFuture”
Konqistador released at the end of last year, the album Nafada. The band started back in 2005 and is a collaboration of Detroit musicians, ReginaldTiessen and ElizabethGraham as well as Sydney artist INfest8.
This latest album has a theme, in which Konqistador invited female hip hop artists to perform on their tracks, although they are more known for their industrial, gothic and electronic music. These women are as diverse in nationalities as they are in sound.
Kicking off is MedusaTn also known as Boutheina El Alouadi, from Tunisia with the single “Eden,Woman’sWar“, a powerful start. Not only does MedusaTn rap but her singing voice is beautiful and provocative, woven with the middle eastern traditional music and an industrial beat.
“Adrestia” by Moroccan artist, Soultana starts as a staccato monologue with backing synths that you feel building up and then the beats kick in and it becomes a whirlwind of sound. This is a great mixture of electro and vocals. A Greek warrior goddess, Adrestia punishes those who cause injustice.
Solemn beats bring in “Hamazam” and if I didn’t know any better, I would say MeryemSaci has a cheeky little smile on her face. Meryem is from Algeria singing in French and English. She is bold and sexy and makes the intricacy of this song work for her. It is about strong women that use their power, not for war but rather strengthening bonds of love and peace.
Fourth track is “Karitha” by Iranian, SalomeMC and featuring from Detroit, DJLos, a heavy weight in the hip hop/rap/beatboxing world, who does all the scratching on this song. Salome’s voice soars to the heights and yet will hold your attention even when at a whisper. This is why SalomeMC has been recognized not only as the first Iranian female rapper but perhaps one of the best in the world. For a song about the evil residing even in the best of intentions, it is such a gorgeous blend of industrial background with female sass.
Traditions can be safe and easy to follow but sometimes they are also meant to be broken and this is “Safiyya” by Moroccan songstress Soultana aka YoussraOukaf, who has been rapping since she was thirteen and a strong voice in advocating women’s rights. The music with her voice at the beginning reminds me of vast deserts and then unleashes the storm.
“Nafada” is the title track and the call rise up and rebel. Nafada means in Arabic tremor. MeryemSaci returns and is accompanied by Sultana who hails from Turkey and is yet another progressive female that championed hip hop in her country. It begins low and dark and the ladies voices are like a light, drawing you up. It feels ancient and yet it most definitely isn’t. Saci and Sultana compliment each other so well, whether they are rapping or singing.
“Sahar” literally means awakening in Arabic. This piece is based on an Iranian folk tune, Morq-e sahar and performed by MissUndastood of New York aka TavashaShannon. ‘My talent a gift and a curse’, when the eyes are opened to all possibility there is the realization of the double knife edge of going two ways… rising above or falling down. You can hear the influence of being brought up in America in Shannon’s style of rapping but this just brings a new facet to this story of traditional verses modern.
“Kahina” by MedusaTn is just epic. Such a big voice. Passionate hip hop bringing to life Kahlina, a queen and warrior of the Berber people. She is remembered with great fondness and kept alive in spirit as the invocation of the power women hold and that females should never be kept down or silenced because of their gender.
This could be a song SkinnyPuppy created when you hear the start. HanHan brings her native Filipino languages to “Visaya“. This is fresh and dynamic with synths chiming in. The Visaya are a people in a region of the Philippines but more so the song is about how we are far more similar than we are different.
I have to use the word powerful again because that is what this album is. I’m not in any way into hip hop and yet these women are inspirational in every way. They bring a beauty to the art of rapping and yet they are so much more than that.
They are mostly the voices of a female minority of the countries they represent and this makes them pioneers and bravely throwing light on the music they love. They are most worthy of being looked up to with much respect. Not just because they are originators of an art form in their homelands but rather for their conviction to never give up or give in.
INfest8, ReginaldTiessen and ElizabethGraham are the trio of writers that carefully crafted all the songs presented and you can hear the devotion to this project through the beautiful lyrics, as well as the fact each hip hop artist was able to inject their own influence into their track/s.
It’s an amazing cross cultural exploration and recorded mostly on two different continents, utilizing many different musical genre, mixed by INfest8 in Australia and mastered in the United States.
This is exotic and the Arabic/ middle eastern/ Filipino influences just push this into a different realm of wow. Social order, peace, solidarity and the support of women who can be the centre of change because music is the voice of change. This is Nafada by Konqistador….. hear the call.
PeteCrane might be a familiar name to some, as half of Australian band Shiv-r. March heralds the album that will be the premier solo release for Crane, called ThatAnnihilatedPlace, on German label, InfactedRecordings.
But before that, he has released a taster to tease our palates before the album in the form of (pre) single, “YouAreNotYourBody“.
There is an instantly a bass synth heavy start to “YouAreNotYourBody” and you find yourself starting to move in time to the rhythm… It combines a techno savvy rhythm with precision synth and electronics, that is delivered with industrial sledgehammer.
The second track, “Norilsk” is just full on joy. Bouncy and heavy all at the same time. If this doesn’t make you want to dance, then not even the devil could tempt you.
The Xotox remix of “YouAreNotYourBody” is a heavy industrial rhythmic version that starts to drill into your brain almost literally as well as figuratively.
MorisBlak does remixes that smack you up the side of the head and his interpretation is also of title track. It winds up to the spoken word and it is a sexy beast indeed.
Dkag remix off the album a track called “MessedUp” which has an awesome amount of high energy, which you kind of expect from guys who are club DJs, because they just want people to hit the floor.
Crane has on board some impressive talent so far to remix his music and the statement is “ThatAnnihilatedPlace” is a club album. So far this offering doesn’t disappoint and currently the way this music for “YouAreNotYourBody” is definitely having an effect on mine. Get your groove on and wiggle to this in anticipation of more to come.
January the third was the release date of the album, LeDésertRouge, which is a combined effort from experimental, ambient, electronic musicans, PoetryOf Thorns of Mexico and I, Eternal of France.
There are four tracks on the album with the first three composed by Poetry OfThorns using sounds given to them by I, Eternal and vice versa for the last number.
“La Porte de Sortie” translates the The Exit Gate. This short piece is metallic and almost oppressive as it reveberates with its own self made rhythm. It is eerie in the insistence as if the Gate leads to some eternal doom.
“Ces pensėes pyromanes” literally is These Arsonist Pens and again there is that hollow presence of ghostly design. This is delicate and almost other worldy with a french girl speaking a little in the back ground. Maybe the title eludes to how words can inflame hearts and minds.
“Echos intersections et Aubes” or Echoes intersections and Dawns reminds me of a radio trying to find the channel but not quite catching the signal. Dawn with seagulls wheeling in the grey early morning skies as they mournfully cry to each other, dropping from one wind draft only to be lifted by another, in the meeting of stale dark and new light.
This blood-colored desert or “Ce dėsert couleur de sang” is the fourth and final track. This is noise building on noise but slowly and purposely, as you hear from within the distant storm odd snippets and echos. Like a sand filled, unbearably hot desert, it is relentless and has a life of its own and a near audible heartbeat. This experimental piece goes for a whopping twenty five minutes and twenty six seconds and has an almost trance like quality.
PoetryOfThorns‘ last album was produced by none other than goth – industrial legend, MartinBowes of Attrition, which means they have quite a bit street credability. Both these acts really seem to enjoy the collaboration and have a great respect for the other, it shows or rather it can be heard in the care they have taken.
This is what experimental music is all about, pushing boundries and artists encouraging each other to go one better. If noise and experimental industrial music on an ambient plane is your thing or whets your curiosity, please check out Poetry Of Thorns/I, Eternal with LeDésertRouge.
When you talk about industrial electronic noise acts like Coil, Throbbing Gristle and In The Nursery, you have to add Coventry band, Attrition. January saw the release of a new single, “The Great Derailer” from the album, The Black Maria, which is due out in the coming months.
Martin Bowes is the one member who has been continuously part of the group from the beginning in 1980 and has always steered Attrition to being a much lauded and still viable act now, even in 2020.
Of course the title song is first, “The Great Derailer” which is exactly five minutes long and begins with the jangling of guitars, juxtaposted with female vocals. Bowes‘ gutteral tones gravel along with Emese Arvai-Illes as the female lead, almost floating above Bowes. Who is “TheGreat Derailer“? There is a sound bite that seems awfully like one U.S. president called Trump. The violins are discordant and almost manically high pitched with fervour, off-set by the mellow tones of the cello, all heightened by the soprano wailing, rising and falling. Whoever this Great Derailer is, they revel in the turmoil created by the direputable and unruly.
The B-side is “The Pillar (For Ossington)“. Ossington Subway Station is located in Toronto, Canada and also the place that Martin made field recordings of the trains as they pass by and stop. This is a much more sublime piece, almost clasical in nature, with female vocals like the calling of the sirens to lure you into their world within a hurtling steel carriage.
There are a bonus four remixes of “The Great Derailer” on the digital format. There is “The Great Derailer” by Planetdamage remix, “Entertain You” Dead Happy remix, “The Great Derailer” Mr Toma Vs Noirmagnetik remix and Khost‘s remix “Derail“. Each is diverse and a new surprise from Planetdamage’s laid back dismantling to Khost’s reimagination in industrial power noise.
My first real introduction to Attrition was in the early 90’s with the compilation Recollections ’84 – ’89, put out by the label Projekt, who are well known for their electro ambient releases, even though I had heard the odd song here and there. As leaders in their field, they have released some powerful albums full of creativity and dark beauty.
Now in 2020, on the TwoGods label, Attrition is about to grace our ears again. MartinBowes is threatening us with another single and new album….. and I for one can’t wait to hear what comes next.
What do you get if you cross Australian and Russian industrial music? NovaStateMachine and they are going to be releasing their back catalogue in the form of EPs, as spanking new remixes.
NovaStateMachine is the collaborative brainchild of Sydney sider CraigSaunders who is also know as SiK from the band Novakill and moscovite DimaIlyn who is best known for his band, UltimateSoldier.
The first EP to get the treatment is TCZRMXs001:HarshReality, which is made up of four songs off the TotalControlZone album, from 2019 on the lads own label, Shoknova.
“HarshReality” Shokhammerremix by Novakill is a fantastic number to start off with. Who doesn’t like hard and fast tempo straight up to get the blood pumping. Novakill is Saunders main project and sometimes it’s a worry having the band do their own remixes but not here.
Making themselves a “HardTarget – insurgentmix” by giving a pounding industrial electro upgrade to this piece of hardware. This is a nice body rocking piece and no body armour required.
The cry to war in “NeverMore” is the UltimateSoldierRMX. Using sound clips of news based around the Kurds and the war against the Taliban, this is less doof power and more thinking man’s electro synth. Not to say there isn’t still a driving purpose but this is has a certain amount of finesse. UltimateSoldier is the Russian project for DimaIlyn.
“TheFuture” has the Uncertaintymix by Holon gracing it. This is a slow build up, spiraling and growing. Beautiful synth chords that seem to go on towards….. well we don’t know yet because it’s the future. For those those who are unaware, Holon is an electro ambient group.
This is a rather cleverly put together EP when you think about it. “HarshReality” is the current view, “HardTarget” is what is required to survive, “NeverMore” is what is desired and “TheFuture” is the unknown.
TCZRMXs001:HarshReality has an impressively good quality production and worthwhile supporting to hear what other exciting remixes will follow and who will be involved in this endeavour. NovaStateMachine has given us an impressive example how industrial music is ever evolving. Get some in your ears and the best bit is that you can name your price on bandcamp. Ace!
SleeplessDroids is an electro industrial group from Sydney, who have been on a slight hiatus, however January has seen the release of a new single, “Dust“.
They first started in 2011 and the member lineup is as follows – AaronPotter on vocals, ShaunAllen on drums and DerekDimitri playing synth.
Okay, yep. Love the first opening cords. They somehow speak to my soul. I am a sucker for a jangly guitar but I’m gathering this is a synth and not a guitar… hell who cares!! The mix of electronics is just another level. Beautifully heavy bass and drums fleshes this out as the synths compliment perfectly.
The vocals are bloody good as well. Potter can go from pained whispers to open hearted singing. It just comes down to have good technique and an excellent set of pipes.
The ‘b’ side is “Believe“, a quirky piece of drum inspired number. The intermittent bleeps and bloops that gets heavier throughout, is a just over three minutes piece of ear candy.
The third song is a remix of “Dust” called Substance. It is almost hard to believe it is the same song. Up tempo, faster beat and layers of synths change this song completely.
They might have been on a break but it looks like SleeplessDroids are back and bringing the good s and hopefully there is a new album in the works because of this single is anything to go by…. it’s going to be brilliant.