My first experience of October Noir, is via this new album, Fate, Wine And Wisteria, that was released on September the 22nd. It is rather confronting at first to think of a band actively trying to take up where Type O Negative sadly could not due to the untimely death of lead singer Pete Steele, especially when the band themselves could not find the heart to continue without him and followed with other projects such as A Pale Horse Called Death.

OCTOBER NOIR

Down in Pensacola, Florida, the weather is warm and the wisteria grows wild in the lost places, so to the album has thirteen tracks, though to be fair the tracks “Fate“, “Wine” and “Wisteria” are kind bridging instrumental pieces and maybe a minute long at the most. “Windows” is the first track with vocals and the single off the album. Fairly taken aback how much this actually sounds like a Type O number, There is the longing in the deep vocals and the long guitar riffs that drift away to then crash back in a revisit.

This is indeed a strange experience. It pays to read the lyrics at times as well. “Effigy” almost seems to be based on one of those teenage horror movies where they go down to the lake and the main character is lured away with the promise of carnal delights, only to find all their friends have been murdered and being Halloween, did they do it?! Equal parts defeat and howling anger in the Greek inspired “Persephone” and “Wanderlust” really reminds me of the iconic “Everything Dies” in places.

Really liked “Sistinas” with the moody harpsichord and the extremely low vocal range that was being plumbed. Anyone that ever listened to Type O Negative, would know that often Steele would firmly have his tongue placed in cheek and liked to create songs about forbidden encounters or the nitty gritty of sexual lust and October Noir have followed post haste in their footsteps with the tracks “Reverence (Make You Love)” and “Proverbs“. Whatever the theme, there is always that underlying darkness that humans are fallible and prone to causing great pain and misery as well as picking others up from the deepest pits of despair in this album.

It was the first time hearing their sound which floored me a little to hear a band that sounded so like Type O Negative, from the bass lines, to the guitar chords and unmissably the vocals so hauntingly like Pete Steele’s. Now some will say they are copy artists and that often happens a lot, ie all the bands that want to be Sisters Of Mercy, though unfortunately they are flawed and normally unable to do this well. October Noir don’t hide the fact they are standing in Type O Negative’s shadow but rather embrace the fact and actually create new music I think that even Steele would have been impressed by.

https://octobernoir.bandcamp.com/album/fate-wine-wisteria

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Pablo Zumarraga is the man behind the act known as Trust In None. He hails from the capital of Argentina, Buenos Aires and this year released his EP, Inhale, with five tracks in all on it.

“The Law of the Weak” is the intro track with a near imperceptible beat before a sudden explosion of guitar. I feel like I’m listening to some lost Trent Reznor track from the Pretty Hate Machine era.

A nice piece of guitar work and the second track that seems to be nameless brings in the drum machine. The whispers become musical screams that say “I never, never trust you!”. This has an extremely bluesy feel even though it is also very industrial at the same time.

pablo Z
Trust In None (photo – Zoe gouzene / @zoilandia)

“Inhale” has echos of White Zombie/Rob Zombie with the drum machine having little metal blast beats and is quite a heavy number. Lots of distortion and feedback with a revisitation at the end just to remind you of where you have just been.

The rather interesting named “Squirt”. Pablo mixes his violent whispers whilst dueling with his guitar work. This is full on rock and roll and you could roll on down the highway with this blaring out. The guitar riffs just keep on coming and persistent, spiraling out of control.

Last is the single, “The Circle of Shame”. Again you here Zumarraga’s love of the blues coming through. Heavy and dirty. The vocals are distorted and pain filled. The guitar work here reminds me of the old Soundgarden sound from BadMotorFinger

Not kidding when I say it reminds me very much of the early industrial days of Nine Inch Nails, especially vocally. This is brooding and dark and with the distorted guitar work, is indeed heavily blues influenced and yet this adds to the sinister heaviness of it all.

So if you are looking for something that ignites your blood with punk attitude and industrial smarts, then check out Trust In None.

http://www.trustinnone.com

https://www.facebook.com/tinpunks/