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Philip Faith (bass, vocals, keyboards, drum programming), Pat Gaudette (bass) and
Michael Rien (keyboards, percussions) are the members behind Quebec project SEXSOMNIA, who will be releasing their newest EP, Forbidden, on the 25th of August. For now though, SEXSOMNIA have dropped a single and video from said EP, which is the Shadow Mix of “Forbidden.”

Marita Volodina is the guest vocalist, and she is bold and sensual. Wavering between singing and spoken word, the eroticism drips from each word and every breathy sighed ah. Nothing is hurried, the rhythms constant and the electronics contain the prohibited, while the bass draws us in. Faith’s voice is the gritty foil in the chorus against Volodina’s.

The video is an expression of what “Forbidden” is for many, full of latex and blindfolded, as all the senses become carnal, delving into the realms of fetish. The sexual taboos of pushing what is not considered normal as the lyrics say ‘Look! but don’t touch, Touch but don’t taste, Taste, but don’t swallow.‘ The remix was done by Faith and I think “Forbidden” is going slow burn on the dancefloor in the most delightful way.

FORBIDDEN EP | SEXSOMNIA

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From Doncaster in the United Kingdom, the Rollings lads, James and Jools, of post-punk band Peak Flow, have a new single. “Don’t Die In Your Sleep” is a very personal track about losing a friend suddenly and dealing with the aftermath.

‘The anxiety is rising’ is the first line of lyrics, which brings a whole other spin to the swift rhythms and high energy synths, making them feel far more cloying and intense. There is a regret in the title line, for dying while you sleep leaves so many unanswered questions and an inability to say goodbye. The music never gives up, relentless in its pursuit of emotional exhaustion, powering on.

It is never easy to deal with the death of someone who is elderly or sickly, however, when you are told they just stopped being unexpectedly, you wonder what you could have said or done differently. As much as this track is about loss and dealing with the grief, the high energy of the track speaks of getting through this, and that maybe the lesson is never take anyone for granted. A darkwave dance number, full of flowing synth lines and cool vocals, and as Peak Flow have extolled, “Don’t Die In Your Sleep.”

Don’t Die In Your Sleep | Peak Flow

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There are songs that are timeless, that will captivate generations and translate to current world issues. “Shout” by Tears For Fears, definitely is in that category as an amazing track and Switzerland’s Sybreed have dropped their version on Listenable Records.

The beginning of this track hints at the early 2000s future pop electronic sound, until Sybreed launch into the famous chorus, where they hit you with their sonorous industrial metal signature style. Full of conviction, the music video further delves into the how still relevant “Shout” is.

If this was not enough, have no fear. There is a remix by band member Drop and it is this sublime synth heavy mix that will make any industrial dance person deliriously happy. Full of techno styled rhythms, but it is the soaring synths that will make your jaw drop.

Originally written about as way to deal with mental health, it translates now to a world in turmoil, where human rights are being ignored and we wonder when the people will learn to live in peace with each other. For myself, it is interesting that a track I heard when it first came out, still being reinterpreted and this is a good cover by Sybreed and an excellent remix.

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Fire is a curious creature. Yes, creature, for it seems to have a life of its own. It consumes, grows and breathes in oxygen, having a mind of its own. New Zealand’s Robots In Love have released in May the hot new single “See The Fires,” just before they drop the anticipated album ACTIVATE!

We be hit with those reggae feels right from the beginning. It is a slipping electronic and bastardised skank beat, that rolls us into the undulating synths, and Rayner’s singing join the hypnotic array. The serious tone of the lyrics, soon heralds heavier tones, vocals of conviction, and a burning surge of rock, powerful and delicate all at the same time.

Rayner and co, weave their magic where you experience the dread of being trapped with the urgency of needing to escape from a perceived encroaching darkness, while the salvation is the guiding light from burning beacons. A tale of desperation, but holding onto hope as long as you can “See The Fires,” and Robots In Love are fired up with this blistering single.

See the Fires (radio edit) | Robots In Love

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Toronto based Jay Draper (The Scarlet Fever) has released the album, spookily titled Dollhouse, as Jay Draper & the Subterraneans. Draper has been joined by guest musicians, Cat Samuels (L’autre Dame/The Scarlet Fever), Ursule Marion (SU), Chris Jensen (Poor Violet), Sinéad Rua (Animal Party), Francesca Copelli (Attaloom) and Chris Woodacre (The Scarlet Fever).

One of the jewels of this album is the single “Self Control,” a cover of the 80s hit, best remembered being sung by the late Laura Branigan, though originally it was released by Italian Raf. Draper has slowed down the track, and due to its inherently dark undertones, this works so well, with the incorporation of electronics giving the song the feel of futility, and indeed “Self Control” was used in the 2024 horror-mystery movie MaXXXine. Try not to be caught up in the powerfully emotional swirl of “Just A Dream,” that grabs at the heart strings.

In this vein, you can enjoy the sinister, yet delightful, creeping terror that is “A Death in the Dollhouse.” The post-punk jangle of the guitar and Draper’s ringing clear tones are pure joy, evoking memories of The Mission or Play Dead. I really cannot emphasis how delightful it is to hear the charming guitar work that echoes back to the 80s, which is perfectly showcased in the track “Only Hope,” that holds your attention as Samuel’s vocals entwine with Draper’s in the chorus and sweep you away on a wave of euphoria.

Dollhouse is just this poetic balance of dark romance and stark realism, mixed with great tunes. Filled with lovingly crafted songs, there are great strains of guitar, finding perfect resonance with the synths and rhythms. Jay Draper & the Subterraneans invite you into the gothic dream of the perfect Dollhouse.

Dollhouse | Jay Draper & the Subterraneans | Jay Draper & The Subterraneans

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Gonzalo Schwindt, based in Germany, and Karl Morten Dahl from Norway are no strangers when it comes to working with each other musically. Schwindt is Deus Ex Lumina, releasing the new single “Facade Of The Decay,” while Antipole (Dahl), has brought to bear his wonderful guitar work.

DEUS EX LUMINA
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The echoing guitar of Dahl is a perfect intro into the track and leads us to Schwindt’s mercurial deep tones. The lyrics ‘Every silent ache I keep, Every buried memory, And I’ll pretend that I’m okay, (With) This facade of the decay‘ elude to dark secrets and great losses, and still there is a romanticism. The interplay of synths with guitar is sublime.

The music video is a wonderful addition, emphasising an austere loneliness in one’s own memories, pretending that everything is okay. “Facade Of The Decay” is definitely one of those songs that you feel never goes long enough, only to be surprised it goes for three minutes, and I can only put this down to the amount of pure enjoyment you get listening to Deus Ex Lumina and Antipole play together.

Facade Of The Decay | Deus Ex Lumina

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For some of us, we live our lives through art, seeking beauty in what others reject due to dark subject matters. Melbourne’s Velatine are still among the living, spreading their magical gothic music, though there are some that would say one foot in the grave with the latest single “Til Death We Do Art.”

The purpose filled guitar has that southern gothic twang, as if we are going to have a duel at 12 paces as the clock strikes midnight, backed by the mourning tones of the synths, and this is a song about mourning, with the first dulcet tones giving us the lyrics ‘when the funeral is over.’ A loss of an artistic twin flame and partner, with the ache of the vocals, like a knife twisting in your heart. That turn of phrase that makes up the title, ‘til death we do art‘ is equally devastating as it is a gorgeous tribute to a lost love, encapsulated in a chorus that rises like a phoenix from the ashes.

Loki Lockwood has partnered up again with singer Nocturna for this heartfelt darkwave song, with a personal origin. Lockwood recounts how a female friend in Ukraine, an artist, lost her other dark half to the unjust war raging there. How do you reconcile the loss of a lover, a muse and a best friend? “Til Death We Do Art” is about that grief but also the wealth of wonderful memories, so Velatine have created the perfect track full of sadness and gothic grace

Till Death We Do Art | Velatine

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“HYPNOTIZED” is the latest single from female French darkwave project CODE 150, and they have curated a lush video, which should come with a warning for those who suffer from arachnophobia. Don’t say you were not warned, and back in 2023, I advised you to check out CODE 150, and this track, I think has reinforced that opinion.

The idea of a human/spider hybrid is a creepy concept brought to life and she is luring you in with her sexuality, before sucking out your soul, leaving you a husk. The lead’s voice is deep and power, just a demon’s should be, with a hint of the forbidden. The synths feel stressed with blooming darkness, waiting for the ultimate date, filled with terror and lust.

The video feels a little retro, like 70s Hammer Horror, and that is all sorts of brilliant. The use of singular words, matched by the ticking time bomb of the electronic rhythm is indeed mesmerising, while the music drives into the recesses of your mind, worming “HYPNOTIZED” into the subconscious. Quite brilliant! CODE 150 is often a CyberSource error, but there is no glitch in the machine here

HYPNOTIZED | CODE 150

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Sweden’s Hatif are on the verge of releasing their next album, Small States, with Town And Towers Records. The electronic duo have dropped the last single for this album in March called “Direction.”

PHOTO BY DANIEL KWON

Pulsating and bouncing rhythms match perfectly the smoky synths, and that recognisable voice invites you into the hypnotic dance. The lyrics for the chorus ‘What we have to wish, what we have to do, what we have to look at when the sun sets on you,’ seem to speak of dreams and a past remembered, but also the end of those days .

I really love how Hatif always manage to mix the exotic strains of Middle Eastern music with modern electronic, that gives their tracks a really wonderful timeless feel, using invisible threads, tying us to other cultures. “Direction” is catchy while conveying a certain amount of introspection and observation, and is utter Hatif perfection.

Direction | Hatif

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Fans of The Birthday Massacre have been waiting with bated breath, for the release of a new album, and it seems they don’t have much longer to hold on. Pathways will be out on the label Metropolis Records, however for now, you can immerse yourself in the new single “Sleep Tonight.”

There is a nice, harsh edge to the electronics to compliment the guitar. Chibi’s vocals are so much of what defines The Birthday Massacre’s sound, both sweet and strong… and occasionally creepy. For “Sleep Tonight” she is like an angelic dream, haunting, next to the weighty drum beats and raucous guitar, that hints at the promise of violence.

I remember first seeing The Birthday Massacre on a German music compilation video and proceeded to find the first album, and I thought it was amazing that these kids where putting out some great songs. Yeah, we won’t go into how old I feel now, but this band have never lost sight of their purpose in life and it has kept them accountable when creating music that is artistic and pleasing for themselves. “Sleep Tonight” proves that the wait was worth it, so bring on Pathways.

Sleep Tonight | The Birthday Massacre

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