From the late 70s, into the early 80s, KISS were at the height of their musical success, and well known for, at the time, the outrageous makeup and stage outfits. October is Halloween month, and Michigan based ColeyKennedy (voice, keyboards, electronic drums, songwriter), has released the single “Just Like Kiss (Halloween’83),” which is about dressing up as your favourite original KISS character, to go trick or treating. He is joined by PeteJavier (guitars, bass guitar), HattieBlueKennedy, (vocals) and JudeKennedy (vocals).
The bass guitar is like the death nell of a church bell, while the rhythm plods along at an equally purposed pace. ColeyKennedy’s vocals utterly compliment the eerie atmosphere, like a dark memory of a nightmare that you might have had trouble waking up from. ‘Take your candy and run‘ because we can be “Just Like Kiss(Halloween ’83),”scaring old ladies with ColeyKennedy’s grave post-punk affair. Which KISS member will you be?
In 2021, the Seattle project, NewVersionOfBlue released the EP, Waves, however, in September of 2023, the title track has been given another lease of life, using anime to create an entertaining new video to accompany it.
There is a laid back vibe for “Waves,” with the vocals relaxed and soulful. The waves roll in and out, and this is the same in life with people and events entering our lives and then leaving us, often a little more changed. The song has a groove about it that reminds me a lot of the experimentation of Gorillaz. This is a NewVersionOfBlue floating in the tide of “Waves.”
The latest single from RobotsInLove is here, with a video included, for the track “GossipInYourHead.” Ex-pat Aussie, ElenorRaynor, who is based in Ōtepoti (Dunedin), is the driving force behind the project, and the other current members are Alex Burchell on drums, guitarist Pierre Higbee and bassist Tony Lumsden.
“This year, friends The Sound Key played me some of their music and I was particularly enthralled by a song called ‘Gossip in Your Head’, and so it was recorded in the Robots In Love studio with Pierre Higbee on guitars and Alex Burchell on drums. Alex then produced a remix which was even more atmospheric than the original recording, emphasising the haunting vocal harmonies. The depth of emotion in the remix captivated everyone who heard it, and so it became the A-side of the single release: a masterpiece of beautiful dark pop.” – ElenorRayner
The gossamer tendrils of this song are hauntingly beautiful and are only enhanced by Rayner’s delicately phenomenal vocals. The words are weighted by melancholy, as the speaker seems to have an internal discussion, torn by the voices that feed self doubt, plucking at mental health. I love there is such a simplicity to the music that showcases the play between the vocals and guitars. Robots In Love have most definitely brought out the darkness in “Gossip In Your Head,” and it is a jewel of a track.
Label, 4000Records, on September the 1st, saw the debut release of post-punk, Brisbane band, StartTogether, which also, is sadly, their farewell album, called FounderInOddity. The line up for the recording of the album is GerardLawrence (guitar, vocals), EmmaWalton (bass, backing vocals), DemetryMalahoff (guitar, synths) and JamesBoothroyd (drums).
Photo by Madeline Randall
“ImposteringTheNascent” or pretending to come into existence, is the jangle shoegaze filled starting instrumental that introduces you StartTogether, wandering from brusque to enchantingly dreamy. One cannot help if the heart cares, and so there is the sweet “SquireJeffersonCareInstructions“, as the music cries out, while we are introduced to the dulcet vocals of Lawrence. You might think the track “Lookfar” is a quiet affair, but you are plunged into peeling walls of guitars for the chorus and vocals that are filled with longing, and the poetic lines ‘Assemble me Tireless moil And mark An incendiary soul‘ are simply golden.
There is a joy in the music of “SeparateBeds,” yet the lyrics bely this with a certain amount of cynicism, while I hear echoes of TheStrokes mixed with TheChurch. Another instrumental in the form of “Skeptics,” in truly entrancing as the music dances around your ears, propelled by the rhythms conjured by the drums and delightful light guitar that graces your senses, and drops into a murky morass of sound, changing up the feel. Last track is also the title track, and befitting this role, “FounderInOddity” encompasses the essence of StartTogether’s poppy hooks with the robust guitars.
Not the first time 4000Records has brought us a release that marks first and last album of a project, and yet we should be eternally grateful, because they have captured the crux of StartTogether, as well as fellow defunct Meanjin band, BalloonsKillBabies, giving us heavenly slices of glorious brilliance. StartTogether has given you post-punk, drenched in shoegaze goodness and FounderInOddity deserves your utmost attention.
AshesFallen are a band that have been releasing music, in the goth rock/post-punk style since 2019, and September brings us the offering of a new album, WalkThroughFire, recorded at The Chapel 1898. Members are JamesPerry (vocals, guitar, bass, keyboard, drums), MichellePerry (keyboard, vocals, percussion) and JasonShaw (guitar). If the name JamesPerry seems familiar, then you would be correct as he is also a member of industrial rock group DeathlineInternational.
Photo by Kevin Vonesper
Your pointy buckle boots are going to be knocked off just from the opening track. “DamnMe” is steeped in guitar fuelled angst, while the chorus of “TheLastMistake” is punchy with a punk vibe, though shrouded in gothic peeling synths. Southern gothic is alive and kicking with “Reborn In The Cleansing Fire,” as you are immersed in the Fields OF The Nephilim like drawling guitar and ride across the high plains of self destruction.
“Remember Who You Are” is a really glorious track in my humble opinion, between chiming synths, clean guitar, and the soaring vocals in the chorus, just make this so dynamic and anthemic. The idea that everything is far too busy busy oozes from the “NewNormal” as the majority in the lower socio-economic strata struggle with less money and higher expenses.
Social media has made a mockery of what is normal in many ways, and this is reflected in “AnxietySociety” and the recognition 6 representations. A festering wound will become a “Scar” and though there is a lament within this track, there is still a whisper of hope and there is a hint of KillingJoke’s “LoveLikeBlood” in the guitar work.
Even in the face of doom, real love is often all we have to hold onto and “At The End Of All Things” is an ode to this love without condition in the face of insurmountable odds, bleak and yet heart touching. The last track is another brilliant number in the vampiric vein, “The Blood Is The Life,” as the delicious synths and evocative vocals drench you in dark delights of the creatures of the night.
This is an album with a lot of commentary on modern living and is politically charged, which for me is great to hear because music can often express ideas and emotions far better than other conduits. The rage in “Remember Who You Are” is palpable, as the band observes the erosion of basic human rights….even autonomy over our own bodies. AshesFallen are definitely nailing the post-punk ideal of music that matters, and with each release, they just keep getting better, so please check out Walk Through Fire.
Just when you thought you might finally be safe from space invasion and laser beam, pew pew extermination, you find more DEATHCOMET in your life, and he’s back with album DEATHCOMET16!! Hmmmm…. the last one we reviewed was DEATHCOMET14. Sooo, it seems we skipped an album, however, that just means more for your experimental electronic listening pleasure, from the New South Wales region of Australia.
I find my teeth are set on edge listening to the disturbing drone of “newhuntforalienlife” which stops and becomes the guitar torturing oddity, “desperateattempt,” as it tumbles over itself, creating a tubular vortex of sound. A looping guitar screaming greets your ears, perpetuating an overload for the ten minute long “neptunebelial,” as you wait for the subtle changes in pitch, but this does nothing to prepare you for the track “satanicdimensions,” where you are almost assuredly hearing the anguished voices from the pit itself, as the harsh noise eviscerates your senses.
“allsystemsgo” continues from where “satanicdimensions” left off, however it has incorporated an eerie demonic electronic choir, which is driving the unholy star drive straight into the inferno that is “cosmicball,” yet another track clocking in at over ten minutes. The psychedelic effect of “masks” really hits you after listening to such constant noise, and it feels as if the aliens really are invading your brain, which leads in nicely to the last track, “alienscalling“. Yes, finally the little grey guys are melting your brain with their sonic vocals as everything burns to the ground.
DEATHCOMET16 is experimental noise that starts by rubbing your brain against sand paper, and then just builds into a new world order, intent on cellular annihilation, so the alien hordes don’t have to worry about cleaning up the carbon mess. Alien industrial metal in the form of DEATHCOMET is a mighty powerful thing.
Berlin based NIGHTNAIL have a new album, FatesExplained, out in November on MetropolisRecords, but September sees the post-punk project dropping the first single, “NarcolepticDreamCatcher.”
The wonderful jangle of guitar fills the air and is joined by the trickling sighs of ValentinaVeil (VV& The Void), which help set the tone of the track. PeteBurns of KillShelter fame, graces us with the meaty bass lines that support NIGHTNAIL’s entrancing vocals.
Produced, mixed and mastered by the ever busy Burns, “Narcoleptic Dream Catcher” sweetly drips post-punk goodness, that would easily get a gothic two step going on the dancefloor. Both delicate and swirling like the motes of smoke of extinguished candles, this phantasmagorical NIGHTNAIL single, does not deserve to be a sleeper.
In another era, DianeDubois and KevinHunter, were part of the UK goth scene, that parted ways in the 80s, and fortuitously reclaimed that friendship during the covid pandemic, forming the project LunarPaths. The end of August saw them release their latest independent single, “BURN“.
The looping and abrasive electronic samples and synths set the background for the echoing vocals of Dubois, as she goes from whispers to full throated and delicious croons. All the while, Hunter’s rhythms set the pace ranging from tribal through to thumping out the driving time signature.
I can’t deny that this LunarPath track, while very experimental in nature, definitely reminds me very much of early Siouxsie and the Banshees, who also were extraordinary pioneers of post-punk music. “BURN” was written by the duo as they conversed about the fires raging in Greece, where Dubois has a home. An idea about the world on fire has given us a track that can set you ablaze, from LunarPaths.
TylerBurgee, from Maryland, is a young man with a huge amount of talent, creating his own version of dark alt rock, crossed with trap. His EP, Leave The Line was an independent release in July, consisting of three tracks.
You can taste the darkwave rolling off the first track and single “FourFools“, between the programmed drum machine and the understated guitar, that echoes in this shadow place. Burgee’s vocals then add to the swirling, almost shoegaze feel. Yearning for that which has passed or can never be, seems to be the theme of “First A wall, Then A Maze“. There is an all consuming melancholy imbuing this track, with the single finger key playing and strumming guitar. “Something I Did” has a heavy guitar dancing between vocals. The vocals almost sound garbled or distorted on purpose, giving them an eerie quality, like something is not right with the status quo.
Darkwave elements mixed with the more modern emo aesthetic, and flirting with shoegaze is how I might describe the EP. TylerBurgee has a sound that is evolving with each track and you can hear the experimentation in Leave The Line.
They say Brisbane is a place out of time, and the Killtoys are a proud Meanjin band, back with their latest track “Another Realm,” as they serve up their concoction of heavy and dark on the rocks. This track is the second of a trilogy, where the first single, “BlindGod,” introduces you to the story of a human corrupted….tainted by vampiric blood and his struggle as he falls from the world he knew.
The beginning is a simple guitar and vocals, where you start to hear the unnatural joy replacing horror, as a monster realises that he is no longer constrained by human law, which is when the track rushes forth on doom laden wings. The drums and electric guitar vie for dominance, while the vocals are unsettling in their intensity.
“AnotherRealm” follows the tale up with the fiend, taking up the mantel of Prince of Darkness, conceding that he has lost the vestiges of humanity. The vampire staring off into the bloody night for the cover art has been created by the talented duo of ObscureMedium, whom are also based in Brisbane, and create some really rad horror toys/dollies and art pieces for those with an eye for the grimly beautiful. The track contains unholy vampires, blood/power lust, plus guitar riffs and intense vocals that early OzzyOsbourne and BlackSabbath would have been proud of. What is there not to like about this track? Not a damn thing!
Onyx Music Reviews 