NourtierJulien (drum/sample) and EnaultAnthony (bass/sample) are TheShadow’sGoneOut, an industrial synth group from Tours, France. The single, “WhisperingGhost” came out on December the 1st, and the vocal samples are provided by Sandrine Grandjean-Samyn.
The grainy playback for the voice of Grandjean-Samyn, is the only human semblance of a human touch, in a track of wandering extremes, a tug of war between electronics and guitar, vying for dominance in order to gain your attention.
Grandjean-Samyn is the spectre within the music, seductively luring you into musical clutches of The Shadow’s Gone Out, as they envelop you with their experimental style of industrial music, pitching from delicate to heavy rock. Beware the “Whispering Ghost.”
1990 was the year the iconic album, The Good Son, was released by Nick Cave andthe Bad Seeds. It spawned several singles, which included the slow burn wonder that was “The Ship Song.” 2023, and Lunar Paths has taken this classic track and given it their experimental, electronic sheen.
Walking in Cave’s deep, sonorous vocal footprints is no easy task, but female lead singer, DianeDubois, pulls it off with great aplomb. The synths in the background are a constant, swelling and dropping, voluptuous in their role and the live drums of KevinHunter are an excellent accompaniment.
“The Ship Song” has always been a rich track, which is why it has been covered by quite a few bands…. mellow and smooth with an incandescent dark beauty that has been brought to the fore in this latest version by LunarPaths.
Edward Butt and Liam O Callaghan are a pair of very busy Irish men from Cork, who you might know better as Arctic Lights. November 17th, was the drop date for their latest single “Melting,” which was produced, mixed and mastered by the guys. Told you they were busy.
From bongos, we are launched into aggressive sawing guitar and glitching electronics. The vocals are reminiscent of TrentReznor and the staccato style of the Nine Inch Nails track “PerfectDrug.” An air of instability is created by the slightly exaggerated guitar warbling between just becoming off key, while the vocals really just say it all with lyrics like, ‘I’m sick and tired of your crazy shit.’
When your mental health has hit rock bottom due to another person creating issues or unloading their own mental instabilities, is what “Melting” is all about. The walking on egg-shells because you are no longer able to predict what is going to happen next. You feel it in the music, as if ArcticLights are walking on that fine edge.
As sure as the sun will rise tomorrow, SebastianSunkler will probably release a few more things before the year is out. So, November was the release for the new double sided single for STAHLSCHLAG, called Abhinivesha. “Om Mani Padme Hum” and “Ong NamoGuru Dev Namo” will both be on the new album Amrita, which is slated to come out in 2024.
“Om Mani Padme Hum” starts with the charming chimes of temple bells, before the clever combination of harsher electronics and beats are injected into the track, becoming ever more demanding to be heard in the transcendental mirage of the universe.
The second track, “Ong Namo Guru Dev Namo,” has a much darker edge to it, forbidding and sharp. It echoes with the waiting ghosts of past, cavernous sounding, pounding and primitive, only promising enlightenment to those whom dare to cross those boundaries.
As always, STAHLSCHLAG have pulled something unique out of the basket yet again, combining rhythmic noise with accents of that which is ancient and otherworldly, creating a fantasy soundscape to lose yourself in.
Since the 2007 inception of Vancouver band, The Silence Industry has revolved around lynch-pin member GrahamJackson, with other musicians joining him when they are available. The single “As The Walls Close In,” is part of an ongoing project where singles will be released with art work, and each will have two exclusive ‘b-side’ tracks.
The beginning of the title track has that all-encompassing heavy bass, which I associate with early Tool, bubbling with latent tendrils of misgivings, leaning itself to a progressive rock feel. The vocals, crisp and clear, combined with that guitar work, definitely harken back to the roots of 90s gothic rock. The two ‘b-sides’ consist of unreleased versions of “Bags of Clay (Lofi Piano Version)“, which is full of slow burn longing, and “These Long Sunset Shadows ( A Dark Ambient Noise Jam),” that clocks in at just over twelve minutes and the description tells no lies. This is a melancholy at its ambient best.
Fluid and engrossing is how I would describe “As The Walls Close In,” as it beautifully mixes gothic rock with something a little more modern, and with that open door policy with other artists, that only piques my interest more. The single/EP is on Bandcamp for nameyourprice, so you have nothing to lose and the real possibility of gaining some damn fine tracks from The Silence Industry.
In the mid 80s, Tears For Fears were one of the huge names in popular music, topping the charts. One of their tracks is the still well loved “Mad World,” and MadilHardis has released a cover of this iconic number.
Echoing, delicate singing of Hardis is the absolute focal point, with the electronics simply haunting the background. The Tears for Fears version was for the disaffected, while this new cover is ethereal and not bound to this world.
Pretty sure that I have said this in the past, but honestly the vocals are simply angelic in nature, touching that place within you that causes involuntary shivers down your spine. Otherworldly and poignant, with the ability to drag out emotions of even the most coldest of hearts, this is “Mad World” by Madil Hardis.
As promised, Killtoys are back with “Departed,” the final instalment of the trilogy release of connected singles that includes, in order, “BlindGod” and “AnotherRealm“. The Brisbane/Meanjin three piece, comprised of Mick Bristow, StavTsolakides and BevanBancroft, seem to be building up steam… so we are hopeful for an album release.
The guitar work, as always, is glorious, haunted by a whiff of horror inspired uncertainty, with deep sliding riffs, offset by the thrashing drums. The echoing and pained, or is it beseeching(?), vocals leave you with no doubt that the end is nigh, and Bristow welcomes the creeping shadows to come and take him.
Garry and Jess of Obscure Medium Art, have again created evocative cover art, mastered at 301 by SteveSmart in Sydney, and recorded at KingStreetStudio in Brisbane. ‘We arethe dead,’ is the climax to the trilogy and that in the end, as humans, we come into existence, have free will to create our own destiny and that for all of us is the eventual passing into the veil, hopefully to be greeted by those loved ones that went before us. You are never alone with the “Departed” and Killtoys.
The daring 80s synth inspired duo from Doncaster, PeakFlow, have released the remix for their single “RunningToYou.” And in that vein, we invite you to enjoy this new dance mix extravaganza .
ChooseEuphoria is the latest album from UK project TheResonanceAssociation, released in 2023. The brain child of DanielVincent and DominicHemy, has been around since 2006, and according to their Bandcamp page…. ‘They seek to produce hallucinatory music to transport the listener to uncharted realms of space and time.’
The first track off the rank, “ForceMajeure,” leaps out at you, its enthusiastic rock guitar with walls of sound bursting forth joyously, adventuring like a cosmic snake. The electronics continue this journey of sound with “Invocation,” more subdued than “ForceMajeure,” but equally full of intonations throughout, as if the solar winds are gracing your ears in the background. “The State of Things” is semi angelic, though some of the effects are near paranoid inducting, especially with the slowly played guitar and it has been combined with a rather psychedelic froopy video. Cool liquid bass lines are the backbone for “No Fear of Falling,” with wailing synths crystalline and smooth, even when faced by the solo guitar reaching out the listener.
There is something very early 80s about “SomeKind” that I just cannot quite put my finger on, but it is hypnotic and all together far too enjoyable, even with the computer created sirens. I somehow doubt the track “TripHazard” is about unfortunately falling over one’s own feet, but rather, flights of fancy, and as we all know, some journeys are fraught with real dangers, such as minding the gap, which perfectly leads into “Elsewhere.” Again, we are within the winds that whip around the meandering guitar, courting you to go along for the laid back ride. We finish with prog odyssey “SpaceTimePolitics” which kind of reminded me of a scaled back version of PinkFloyd’s “Journey to the Heart of the Sun,” full of lulls that build up into Hendrix like explosions of guitar.
ChooseEuphoria is an eight track album, and indeed TheResonanceAssociation have done exactly as they said they would, using music to transcend our space and the current limitations, opening up movement and achieving wonder, as well as creating textures via experimentation and instrumentation alone. Choose life and ChooseEuphoria.
NaturalDarkness is the new album offering from German born, London based MadilHardis, with twelve original tracks and six remixes, meaning not only is there quality, but you are getting quantity too!. Hardis is known for her gloriously angelic vocals, married with very emotive musical scores that she has created.
The first cab off the rank is “Absence,” settings the tone for the album. Crystal like shards of life experience and poignant, filled with longing that is heart felt. “Crucifixus” has those deeply religious tones of devout exultation given by angels to the heavens in the form of vocals. The track “To The Heart” floats with an internal rhythm and the ever-present piano, caressed by the synths, as if trying to bring comfort, all the while Hardis‘ vocals soar above. Just one of the songs that showcase her talents.
One of the shortest numbers is also, for me, one of the most sublime. This is “Disintegration,” and it is one of those songs that can just cast you adrift on a forlorn sea. The title track, “NaturalDarkness,” has a rather preternatural echoing air, haunting and ethereal, as if yesterdays spectres are waiting at the vale.
That is just a taste of NaturalDarkness, from a lady with an abundance of natural talent. MadilHardis carefully entwines classical tendrils with electronic ones, weaving music that is otherworldly and, at the same time, grabs your heart strings.
Onyx Music Reviews 