Weimar is an experimental industrial EP in three parts, by Brian Tibbs of Chicago. A little bit of background on Weimar, that not only is it a city in Germany, but it became in 1919, the German Reich (Republic of Germany), which also heralded in the rise of the Nazi Party
Part 1 is “Dream, Reminisce and Secession“. that starts off light and airy, with dreamy chimes, yet then it seems to have a darker level below… That darkness is so low key that the listener might not realise, considering this track full of sparkling synths. The menace of what is to come, starts to flower in “The Fruits Of Ingenuity“, as the music snakes along, the light absorbed by the encroaching storm The music bleeps and bleats, becoming almost insistent, clashing and claustrophobic. The piano wanders aimlessly, before the interspersed harsher electronics beats, let themselves be known, and that dalliance with the off-kilter synths in Part 3 called “Agnosis And Rupture“. There is a digital distress in the second half of this track and a foreboding in the dominate piano, amidst the screams and cries.
I don’t think this is that far a reach to correlate a musical comparison of the rise of political powers that seek to remove human rights in many countries, and how the Nazi’s came to power under the guise of being a country’s great saviour. What are they saving people from? From threats that they have deemed relevant and supported by zealots. Brian Tibbs has brought you Weimar which is thought provoking and a journey into the socio-political rabbit hole, through a combination of industrial married with experimental classical music.