Moonsleep, is a solo female darkwave project from Shefield, UK and the 25th of November saw the release of a track called, “She Imagined Things“. This track is a part of a huge compilation put out by the label Coffin Dance, which all proceeds will go to the charity Mermaids, to help transgender youths.
The clicking beat heralds in the solemn synths and chirping electronics. Mellow and unhurried in the dream like state, wafting through your senses.
There is something hypnotic and very likeable about “She Imagined Things“. Probably the worst thing is that at 2 minutes and 45 seconds, it is over all too quickly, so you might have to put it on repeat. Moonsleep is entrancing, especially when “She Imagined Things“.
So time for another quickie. because here at Onyx, we know people love a quickie! British lads, Decommissioned Forests, have had their latest album given a polish over with a whole set of remixes. This is probably hence the title, Industry Remixes.
Most of the mixes have been done by members of the band, as Decommissioned Forests or under other project names such as Non-Bio (Howard Gardner), Raelism, History of Guns (Max Rael) and The ResonanceAssociation (Daniel Vincent). Also they have been working on video releases for a few of these tracks, bringing life to the music visually. Duncan Perry (NNYz), Mox Salnikov and Dominic Hemy (The Resonance Association) are the guest artists that help round off the mixing duties.
I think “Spectral Kleptomania” was my favourite track before and now it just has this amazing whimsy on acid effect going on. “Triggers” gets four reworkings, from using heavy guitars, rhythmic noise, ambient tones to Remy’s disturbing but entrancing drone noise.
That is just me giving you a taste of what is in stall for you should you decide to take the plunge and delve these new depths. More to the point, there is nothing holding you back, so do it today. Immerse your ears with Decommissioned Forests’ Industry Remixes because there are a lot of jewels to be found.
Ever had The Blackwater Fever? They say it does strange things to a man but in Brisbane it happens to be a three piece, dark alternative, bluesy rock’n’roll band. Previously, we have reviewed a few singles, but as of October 27th, the new album came out containing these and so much more. Temptator! is the album and the band consists of Shane Hicks (vocals, guitar, bass, keys, percussion), Trevor Gee (drums, percussion) and Jed A Walters (bass, keys). If Jed’s name is familiar, you might have come across his other fantastic project, Chiffon Magnifique.
Some albums are hard to review. Not because they are bad….well some are, but there are others that when you listen, it kind of feels a little wrong to be taking it track by track. Instead I am going to tell you that The Blackwater Fever never leave their blue roots but they do indeed traverse a lot of styles. A mixture of imagination and soul, woven around real experiences of love, loss and betrayal.
The rock’n’roll of “Love Is Strange” about a beguiling female or the bayou slow blues of “The Hurt” are examples of burning resentment of being badly treated, smouldering and flamed by pain.
Weaving immersive stories like “Ode To Ol’ John Doe“, the dumped human remains in a body of water, just below the surface, for no one to mourn as the creatures below slowly consume them or there is the gothic stirrings of “The Highway” in a world gone mad.
And one always needs at least one track about love and lust. The dulcet Stone Temple Pilot styling, of absolute need in “My Weakness” that gets you in the throat, heavy and tangible obsession with those amazing, stirring vocals. There is so much depth within Temptator!, and The Blackwater Fever dances with dark themes that make for interesting music, melded with such passion, you might find you really do have the Fever.
No Devotion Records is based in the Mexico, Phobos Reactor are German and TFG (TONTTU) likes to normally yell at gnomes in Finland. Keeping up so far? So of course, the natural progress is to put out two tracks on imbibing alcohol rather heavily. “Kangastuksia” and “Tomaatteja” are the songs in question, which most of us would have issues saying sober. Together they are Delirium Tremens, also known medically as the DTs where the subject is having the worst form of ethanol withdrawal.
Finnish for mirages, “Kangastuksia” feels pretty real from the the wubbing beats to TFG’s howled vocals. Everything is spinning around in the possible club setting, free flowing drinks and the strobing lights in your eyes as the main character completely loses his shit.
“Tomaatteja” means tomatoes and tomatoes can be squeezed of juice, so maybe Bloody Mary’s! Maybe science fiction Bloody Mary’s as the music goes for a change of pace. The electronics are lighter and free flowing whilst the vocals has become utterly anguished. It seems the hair of the dog (hangover cure) for someone has become his undoing.
Sooooo, it seems we have part one, the raucous night out getting wontingly smashed, yet again, until you are ready to up chuck (vomit) and part two, the screaming pain and nausea the next day and looking for a cure which for some is having another drink. Phobos Reactor has created a dance whirlwind in “Kangastuksia” with TFG’s fun vocalisation, while “Tomaatteja” is serene compared to the pained, gurgling rhetoric bursting forth. Remember kids, drink responsibly because the only Delirium Tremens you want to suffer is by PhobosReactor and TFG (TONTTU).
Imagine a world where people didn’t judge each other by the colour of their skin, nationality, creed/religion, sex and sexual orientation…. we sadly don’t live in that world and it feels like it slipping further from our sight. This year saw the overturning of an important American law, Roe Vs Wade. A law that gives autonomy of a woman over her own body and her reproductive cycles. The Joy Thieves, on Armalyte Industries, have released the maxi single “6 To 3“, on the 25th of November, which happens to be International Day for the Elimination of Violence against Women, to remind people that this is a boot on the neck of the female half of the world. There are three new tracks and seven remixes.
“6 To 3” is the raising of female voices, the anger is palpable and is joined by the grating guitars and throbbing electronics. This is women forcing you to hear their grief that they are entitled to an opinion, entitled to be sexual beings, to choose for themselves and no government should be able to take that away. There is a heavy Ministry taste to the track “Property” and yes, the premise is that women are becoming simply chattels or possessions, to use and abuse, because in the end, what does it it matter if girls and women die, as long as bible bashing half wits can sleep at night. Through the use of voice clips, we have the heavy, subordinate noise of “Power Through Discipline“, the calm spoken words in complete contrast to the musical onslaught. Remixes by Stoneburner, Eva X, StabWalt and The Joy Thieves, give you more honey for your money.
Now people might say that this only applies to North America….but does it? The US is a first world country and many look to it, copying the laws and legislation. Others will see it as a chance to have power over females, pushing back hard earned rights, reducing women to simply vessels to please men and push out babies without thought for the wellbeing of the female, mental health aspects and keeping many in abject poverty. We stand in solidarity with our sisters because if it can happen there…..it can happen anywhere. All monies made are going to the National Network of Abortion Funds but more importantly, this is keeping the subject in plain view and calling it for what it really is. Slavery and child abuse. Support The Joy Thieves and amplify the message.
Brisbane based, gothic band, Sacred Hearts have been gaining a solid following, and released the newest single “Catholic Guilt“. The Meanjin (Brisbane) trio, however, doing something a little different. Two singles, same track but done in two different styles. Nice to see Jed A. Walters (Chiffon Magnifique) doing their production as well as the talented Kyle Hallam (Doggie Heaven) .
Whom does the bells toll for? That drum machine just pops and the guitars kind of roll in light noisy motes that drown your ears in beautiful chiming. The vocals are so vibrant and in a way angelic, amidst the churning, jangling guitars.
Version two is far more what is on the slab in the laboratory style of deathrock with those hazed out guitars. The angst oozes forward, staining the air, the vocals venomous in their disgust. The Lord’s Prayer that they have used, has become a cultish chant for the disenchanted.
I get where lead singer, June, is coming from, having been in the Catholic school system. They use the religion to scare you and control you. You are being judged, if not worthy then you will go to Hell and I remember at school, being told sex was for procreation only and not for enjoyment. Yeah, let’s not even get into the creepy stuff with the priests. At some point you either stay with that stuff or you walk away. Maybe that just added to the way we turned out but it makes for interesting conversation and, indeed, topic for a single, where SacredHearts are stretching those dark wings and pushing their sound into new and varied territory. I think they are only going to get better and “Catholic Guilt 1 & II” are pretty damn hot.
Swedes, Hatif released their very impressive debut album Everything Is Repetition, recently via Town And TowerRecords. They have now released the single “Pool” as remixed by fellow Swedes, Agent Side Grinder.
“It was fun to work with. I tried to make it more direct, highlighting the chorus and the 303” – Johan Lange of Agent Side Grinder
Agent Side Grinder have looped those beautiful Middle Eastern excerpts, twisting them marvellous into extra rhythm keepers. The vocals now have a cavernous quality, mysterious and timeless, while the electronics have become the swirling storm.
This is very much a match up, made in heaven. “Pool” was already a really great track and Agent Side Grinder have increased the dance floor appeal without removing the bits that make this track so likeable. This version is stellar and if you haven’t checked out Hatif, I cannot advise you strongly enough to get out there and do so.
When I received an email from someone called Emperor Of Ice Cream…. well my eyebrows did go up a fair way. I was to find out that this is not a person, but rather a collective, from Cork in Ireland and they were releasing their newest single, “Winter Pages“, on November the 18th. John ‘Haggis’ Hegarty (vocals), GrahamFinn (guitar), Edward Butt (bass) and Colum Young (drums) are the Emperor Of Ice Cream, and they are on the label, FIFA Records. These guys have been a thing since the early 90s but are only put out their debut album in 2020, which came out under the title, No Sound Ever Dies.
A chiming wall of guitar embraces your senses, dragging away your thoughts and the singing is as sweet as the nicest of memories of love, entangles you in the sonic web of glorious noise. They reach into a place where longing and loss are powerful body blows, leaving you in the cold.
Wow. Just ohmygod….wow. You would never think anyone calling themselves Emperor Of Ice Cream would sound like that. They truly did blow me away with that one song. Utterly beautiful in both lyrics and musically. Shoegaze, when done correctly, is magical and in many ways, these guys remind me of early Ride, whom I consider to have been the pinnacle of creating amazing walls of tone and sighing harmonics that take you away to some other place. Play it, play it, play it and then play it again. The Emperor Of Ice Cream has gifted you “Winter Pages“.
MATT HART has been a busy lad of late it seems, and now has unveiled his new single, as of the 18th of November, “TERRAFORM“, a completely new track that carries the story on from the previous album. There are also two guest remixes from Blue Ant (Matteo Seduta) and Sirus (Josh Rombout), as well as the mixing and mastering done by KrischanWesenberg of Rotersand.
Oh, here is a short story synopsis——> bad robot aliens take over the planet, make it really cold and try to knock off the humans, so they go underground. 🙂
First thing that hits you is that “TERRAFORM” is kind of serious business. The rhythm and the music are measured and work like, no messing about here, heavy electronics that drop down on your senses. There is purpose in the not only the music but also HART’s vocals, pushing on the survivors to carry out their tasks.
Woohoo, the Blue Ant version is going deep down and on the low down, the electronics nowhere as heavy and just popping, rolling along. Damn it, I found my head bobbing away with that catchy rolling beat. Someone just pushed the track into techno territory and that would be Sirus. Again, this huge, both threatening and exhilarating at the same time.
What I found a little disturbing about the original track was the fact the vocals had started to become metallic. This we had come to expect from the alien invaders, so does this start to point to the fact the humans are starting to lose their humanity….the one thing that separated them from the robotic overlords? They have fought so long to survive, that this seems to have become consuming. All three versions could be played on a dance floor and I think I can best sum up the three styles as electronic menace (MATT HART), electronic supreme cool (Blue Ant) and electronic bitch slap you up the side of the head/you better dance fool (Sirus). Love it.
“The Precious Ones” sounds like it could be from Lord Of The Rings, however, it is the single that deathgaze rockers, VAZUM, dropped on the 18th of November. Emily Sturm and Zach Pliska are gearing up for an album drop next year, called V Sessions, but in the meantime you can listen to the new single with it’s complimentary two b-sides.
Pliskais the main vocalist this time for “The Precious Ones” and venomously spits out the lyrics, while the guitars are violently loud, rolling like thunder in their discontent and the drums emphatic. Sturm’s vocals wind around the chorus almost stealing it. “Actor” really slides into deathrock mode with the buzzing guitar work, that occasionally breaks out then returns to the fold. The way the rhythm moves is very snake like. The last track sees both the vocalists sharing the duties, screaming out guitars and what feels like intense pressure in the build up for “Skooge“.
I actually had to look up “Skooge” and it was in the urban dictionary as basically describing an idiot. These tracks definitely have a common theme running through all of them…..pretty much go fuck yourself and go fucking die. I mean I could be wrong but I don’t think I am. “The Precious Ones” is a dig at a scene that often is constantly looking backwards at what has been, rather than the new music there is now. Many, many moons ago, I used to run a club and if you played all the classics, you were guaranteed a full dance floor. Introduce something new but great, suddenly the floor was clear. If I go out, I still hear all the same music….it is boring and like going back in a time machine. Plus, I guess there are probably certain musicians today that will have everyone pandering to them, while others will miss out on coverage even though they deserve to be heard. In the meantime, the single and extra tracks are fantastic. I love the furious guitars and VAZUM being all prickly has made this all the more interesting. Watch out for “The Precious Ones“…….
Onyx Music Reviews 