The HOSTILEARCHITECT might be hostile but he is also very conscious of being fit. Brisbane electronic artist MitchKenny dropped the single “ANYTIMEFITNESS” back in March….yep I’m slack, but here it is, so let’s get physical.
Mighty rhythms for a mighty strong track. Kenny lays down some pretty dark synth lines and the powerful vocals are leap out at you with extreme vigour. The angst is palpable with the clattering beats.
‘Violent men make violent times‘ sounds like a steroid fuelled nightmare with an cyberpunk soundtrack, as the HOSTILEARCHITECT sweeps you away, fanning the explosive dance track that is “ANYTIME FITNESS (SUPPLEMENTAL MIX).”
Late at night, when all are asleep, and yet slumber escapes you…. do you hear it? Noises from under the bed, or is it the cupboard or down the hall? Maybe, you are about to “MeetMrScratch,” which coincidently is the new video for the single from SinisterFate, the shock rock five piece unit, based in Chicago.
Häxan, the Swedish silent horror movie from 1922, is the setting for the video, where the band has been grafted into the the story of medieval witchcraft and terror. Band members, DavidBates (vocals), NoelDivad (guitar), LeoGarcia (guitar), TheOmen (bass), and DK (drums) seem to play the roles of ghastly beings who are watching and taunting the religious protagonists, while the music heightens the paranormal tension, in that sassy theatrical way.
In the milieu of such artists as RobZombie and Wednesday13, it has to be said that horror inspired rock is very appealing, especially with its tongue in cheek sense of humour, which definitely is there in spades when watching the music video. Basically it is good old fashioned fun, enhanced by a guitar fuelled track, where one must be careful or encounter the SinisterFate and “MeetMisterScratch.”
Darkwave/industrial three piece, MatteBlvck are based in San Diego, California, and on the verge of dropping the new album Vows, have released the single “PupulaDuplex.”
The cool vocals announce ‘I am nothing‘ above the electronic clacking, pulling you into the track straight away. There are huge lulls followed by intense punching rhythms and synths, inviting you to re-join the manic dance whilst facing your own inner demons.
“PupulaDuplex” most certainly is a throwback to the 90s, recalling the bass and drum filled music of iconic bands such as Prodigy and AphexTwin, which drop you like a rollercoaster and then build up that tension again. But then, they aren’t a carbon copy, as MatteBlvck inject their own underlying darkness into this genre. Gritty and bleak.
Does society feel like it is screwing you over and that the human scum of the world get in your way, trying to drive you insane with their general stupidity? Don’t worry, you aren’t alone! PhobosReactor with guest TFG (TrollFinderGeneral) are assailing your ears with the single, “Hyi, ihmisiä” which simply means ew, people, out on the Pancimachine label.
“Illanvietto” is the first track on Bandcamp, and this means socialevening, though quite frankly, I do believe this requires human interaction. Anyhoo, I highly suggest watching the Youtube videos for a translated version of the Finnish lyrics. The music is a throwback to a more analogue sound, where our hero of the hour is inebriated just so he can deal with others of his species, in his own fashion and delicate ways, all to an electronic sound track that probably doesn’t care about his issues with this night.
Of course, you just kind of know that “Hyi, ihmisiä” is going to go kind of off the rails and leave the reservation, and so behold the introduction of the occasional angry guitar, space aliens and the vocals of a chap who thinks he’s a pretty neat fellow to pass time with, but we all know he needs to remove that stick from his rectum.
Swedish label ProgressProductions have dropped the new ABUNEIN single “Unwanted.” This is the darkwave band’s first single off their soon to be released third album.
The quick build up to the guitar and vocals, is like a release of dopamine to the system. The guitar work is darker and oppressive, especially when joined by the swirling winter soundscape synths, painting a bleak picture, with the vocals as the focal. Those vocals are beautiful and yet ooze a icy quality.
The beginning of this track became well ensconced in my head for quite a while, and in the back of your brain you can hear those sultry vocals just making your day a little more sexier. ABUNEIN have definitely make “Unwanted” a track to dance your little dark hearts out.
As a dark subculture type, I don’t take myself very seriously and tend to love groups that share that ideal. Athens based Greek band Falooda, are a new project for members Loverman (vocals, synth), Lukulukumiumiu (drums), ThemisVasiliou (guitar) and Manolo (bass), with their first release on Bandcamp ironically called Demo 2024.
The four track EP is a mix of punk and experimental noise, with the first track “Orizuru” smacking your ears with the vocals that are a mix of ReverendHortonHeat and MrFiend (AlienSexFiend), with a pinch of TomWaits. i was giggling at the end with the gurgling duck noises.
Shake your tail feathers to “BooleanReligion” as you start to wonder if you are trapped in a Japanese movie with Cheech and Chong plus a rather large consignment of weed. “Bottleneck” is a hail of screaming guitar pushed to their limit, before the final track, “Disaster Recovery” climaxes in the self imploding ecstasy of a thousand lost souls.
The guys describe their sound as ‘noise funk dessert with rose syrup, vermicelli, milk and sweet basil seed,’ and this is possibly true should you ever meet them and try a quick lick. However, a comment on Youtube said that Falooda was like ‘listening to Mr Bungle on acid‘….. and quite frankly, I completely agree. Utterly bonkers!!
Did you know that Geishas Of Doom (GOD) are a six piece punk band from the Netherlands? Me neither!! Punk has a happy little place in my heart, especially as it lent itself to the post-punk movement with its experimental stance and do it yourself ethos. May has the release of the album TheFirstFourTapes, which has a huge twenty four tracks, though in true punk form, most run under two minutes.
From the first track, ‘(Here Comes The) Snakestorm,” you get a taste for what this band is going for in sound. It is purposefully lo-fi in quality, giving it a raw edge that makes it feel like a live performance. The drums a loud and brash, getting a good workout every track, and pretty much, it is the guitars versus vocals that are the stars. However, you do occasionally catch the odd, possibly synth noise blip in the mix.
I think the track “Avoid The Fall” absolutely grabbed my attention with the classic post-punk guitar work in opposition to the screaming vocals, and it is a cracking song. Talking of cracks, there is the song “Crack” which is not about the drugs, but rather a split in the wall, which rather reminded me of the theme running through the Matt Smith era of Dr Who. Fans? “Pulse” is just another reason to really like these guys as it shows a different facet of their writing talent. So good.
You can hear a plethora of influences such as metal, prog rock, gothic rock, grunge, rockabilly and shoegaze, which makes the album a musical joy, as GeishasOfDoom fuse what makes them passionate, into a wonderful punk album with real soul. And honestly, who doesn’t like a band that sticks two fingers in the air and makes their initials GOD. Genius.
Those Norwegian lads Mayflower Madame are back with a new single “A Foretold Ecstasy,” out on the label NightCultRecords. Even better is the fact that this single heralds the release of their third album. Things to look forward to from Trond Fagernes (vocals, guitars, bass), Ola J. Kyrkjeeide (drums) and Kenneth Eknes (synth).
Bring on the post-punk goodness with those deep bass lines, while the synths sweep through like a cold breeze across a lost soul, with the warmth only found in the chiming guitar. The vocals are smoothly aloof and lost in the distress of the character portrayed.
“AForetoldEcstasy” could be about the act of sex being the only thing that brings the main character any modicum of pleasure which seems to be very fleeting, while everything else in grey and pointless. Whatever it is about, the music is beautifully elegant and atmospheric, and ultimately, MayflowerMadame are wonderful to listen to.
The single called “Grip Of Pain” does sound… well, painful. This is the latest drop from Teknovore, as GeorgeKlontzas takes us on an electronic nightmare into Greek mythos, with JanKluge of AnySecond on vocal duties, with this the second single off the soon to be released album, on InfactedRecords, called Caerdroia.
‘Listen to me, no way out‘ grabs you by the nuts and the brutal vocals punch you in the guts. The electronics are laced with urgency, like you are being chased by unseen forces in the darkness. The techno beats echoing around in your head, duelling along with Kluge’s rasped promise of no escape in “GripOfPain.” “Anamnesis” is just throw back to hard dance style techno rave music, full of electrifying energy that builds over and over again, taking you to the point where you have to move, for now your body is not your own.
If you love dance music, electronic music or just good industrial, then you really will have to have a listen to the latest Teknovore. It is really mind blowing how well Klontzas can weave together tracks that are instantaneously likeable, plus accessing talent like JanKluge (AnySecond) to set it all on fire, speak volumes about the man. Get thee the “GripOfPain,” because we seem to have lived this life before………….
PTSD is a terrible mental affliction brought on by living in a high stress environment, and this often includes those who have served in the armed forces, in areas of both war and peace keeping. The Dreadful Tides are a heavy rock/metal band from Melbourne, a four piece comprised of Jimmy Black (vocals), Wes Hopkins (bass), Justin Strudwick (guitar) and Leland Hallett (drums), who are addressing this topic in the single “Fire In The Hole.”
Photo by Andrew Sladdins
Hear the chorus explode in the exclamation of ‘FIRE,’ crashing drums and rumbling guitar chords, with the pull and push of what for me is the essence of classic heavy rock. The guitars drive this formidable tank, while Black’s vocals call down the artillery strike.
The Dreadful Tides throw that grenade, grabbing your attention, with “Fire In The Hole,” which definitely reflects a certain Aussie rock flare, though the track has an international appeal. It is a fist pumping affair, powerful not only as a force of nature musically, but also for bringing to the fore the idea that discussing mental health can make a difference.
Onyx Music Reviews 