Need a little extra spooky in your life since the aftermath of Halloween? Then we can offer you an extra bit of stalky stalker in the form of Ian James’s new single, “Come A Little Closer,” out on Blue FX Records.
Ah, the dulcet tones of James’s vocals creep up on you like a sexy time Jason Vorhees, with his favourite knife. The music conveys an electronic and consistently funky, going to get you honey buns attitude, rather than the old fashioned plinky plonky norm. So, “ComeA Little Closer” darling, and let Ian James croon sweet icy nothing’s into your ears. Lovely!
Out on InfactedRecordings, is the latest single “Harbour” from J:dead, where JayTaylor has enlisted AestheticPerfection and genCAB for remix duties. This is officially the last release for J:dead for the year 2023, but in 2024, we can expect the unleashing of the thematic EP ROOTS, which will contain seven original tracks, including “Harbour,” plus 8 remixes.
“Harbour” has this rolling flow whilst also laying down dance rhythms. An electronic melding of the many faces and personalities we are and show others, topped by the molten vocals of Taylor. The AestheticPerfection mix is filled with a bright jauntiness that the progenitor of industrial pop, DanielGraves is famous for, while DavidDutton of genCAB’s version is slower and darker, like you can feel the shadows enveloping you in a cocoon and only the vocals can drag you to the light.
The line ‘look hard and you will find me, lonely I will never be‘ doesn’t refer to multiple personalities but rather all the different facets that make us up as humans. We are not one thing such as a joker or the introvert, which would leave us as one dimensional aberrations, instead of the wondrously complicated creatures we are. As always, this is a polished track with two stunning mixes and if you want to know what you will be getting in the EP, then “Harbour” is an excellent place to start. I have already had the pleasure of hearing the original tracks and can promise that you are not going to be disappointed, yet that is for another day………..
You might say Witches Falls could be one of the most coolest names a place could be called and indeed it is a real locale, situated on Tamborine Mountain, in Australia. Gold Coast based ChiffonMagnifique, brain child of JedAWalters, have sprung forth a darkwave single, also named “WitchesFalls,” with an equally creepy video set in said area.
Echoing and ringing post-punk guitar on this track is really beautiful, setting the swirling tone, that sweeps you along for the ride. Walter’s vocals, deep and longing, beseech you for understanding, for one that finds the modern world, at times, so overwhelming, they need to retreat to the calm that is the quiet arms of the natural world. The video conveys the self doubt in a mind clouded in a tormented perception that they are forever alone and unwanted. The house full of curios, changes to the city (Vinnies’ Dive Bar), before a furious night drive to the Falls, and their majestic ancient rain forest, in which the “WitchesFalls” resides.
What could possibly top this great track? Maybe the knowledge that in 2024, we can expect the debut album named Anxietika, which, with all the current singles, you know is going to be punching well above its weight with all the gothic goodness Walters puts into his music. The man is seriously talented and very heavily involved in the dark alternative scene in South-East Queensland and I cannot stress enough to watch this space because ChiffonMagnifique are just starting to hit their straps, so find your way to “WitchesFalls.”
Scenius are a dark synthpop duo, hailing from Leeds in the UK. Composed of UK producer SteveWhitfield (The Cure, TheMission) and French singer FabriceNau, they released their album LifeIs A Thing, back in May but we are going to touch upon the single off the album, “ChineseRoom.”
There is a simplicity to the track that makes it entrancing, almost dream like. The sound of electronics harken back to late 70s and early 80s acts like JohnFoxx, GaryNuman and German pioneers, Kaftwerk. Nau’s vocals are seductive and unhurried, with that French accent only enhancing the cool of track.
Together with the video for the single, I do feel “ChineseRoom” is a reference to heroin. The video is a party slowed down, where those participating in the drug use are only existing in the moment and Chinese rock is a euphemism for heroin, a la the Ramones single “ChineseRock.” I do love the throwback nod to past electronica heroes, but they have a distinct modern touch all over this track. You should listen to the “ChineseRoom,” but be warned, you may become addicted to Scenius.
It has been two years since a project called Voidant took flight, with the release of their self titled album. A deep love of music and experimentation, as well as a friendship across an ocean, brought about an electronic gem. UK based David ‘Wolfie‘ Wolfenden, guitarist of the iconic RedLorry,YellowLorry and CarolineBlind, from the USA, solo artist and lead singer of SunshineBlind, are celebrating their debut album with a remix EP, featuring other extraordinary musicians, fiddling with those delicate stems.
Kicking off with “Vortex,” this is ElenorRayner, front woman of New Zealand’s RobotsInLove, who has a knack of drawing beautiful, dark sweetness out of her remix projects and she does not fail to cause a quickening of your heart, as the barbed tendrils hook into your skin. CWHK is from SunshineBlind, and he has taken on the ephemeral “Ghosted” with the Brave or Silent Remix, upping the tempo and adding a very exotic feel to the track. The one cover on the EP is Love’s “7 and 7 is” and has been given the treatment by DannyC from 2Forks, a member of yet another famous US goth rock band, TheWake. The remix rocks harder than ever and yet has developed this disco/dance orientation.
I cannot think of a better bunch than the UK’s DecommissionedForests, who have taken the shamanistic “LaLoba,” into a cosmic realm, swirling and mystical, centred around Blind’s vocals. MaxRael of DecommissionedForests and HistoryOfGuns, has truly put the funk into “SGTruth,” and it is nearly trance inducing. The original “PhantomEx” was a very free form piece, that Wolfie has taken, creating the Birchremix, adding more guitar and rhythm, giving the bass filled track a heavier air.
“Writing these lyrics and vocal melodies was a cathartic practice of embracing sadness and grief. It’s all in there. There was no return. It’s terminal. There are no hopeful bits, it’s all goodbye. The vocals stand on their own, and those who have remixed the songs have understood that, in perfect alignment. That’s why I called it ‘Abandon Hope’, from Dante’s Divine Comedy: “Abandon hope, all ye who enter here” Give up and give in. Join with the heedless infinite.” – Caroline Blind
AbandonHope is a wonderful way to relive some great tracks, or if you are new to the music of Voidant, then submerge your ears in the myriad of styles and talented artists which could lead you to finding even more favourites.
SignalsFromTheSun is the debut album for American duo, CraigDouglas and MichaelGoldberg, collectively known as SonumUnum, a dreampop project. You know they have to be something incredible when they have been signed to the NegativeGain label on the strength of the first track, but also having the mastering done by RobRobinson of KervorkianDeathCycle fame. With that in mind, we thought it was time to speak to CraigDouglas for the low down on SonumUnum.
Welcome to Onyx Sonum Unum, where we are hungry like the wolf for music.
First of all, what does the band name, Sonum Unum mean, if anything at all?
Craig: It means “One Sound” in Latin.
The band is made up of you, Craig Douglas and Michael Goldberg, with both of you being multi-instrumentalists. Has this been a long term friendship and have you created music together previously?
Craig: Mike and I met via a Craigslist ad in 2023 so this is all very new for us.
Where are you both based and what music projects have you been involved in?
Craig: I live in western, MA and I have been in a number of projects that range in style throughout the years. I currently have a solo project where I record and play shows under the moniker “Neonach” doing experimental vocal ambient drone and improv. I also recorded two albums under that name that are sort of ethereal and progressive rock formulated.
Both of you were swapping computer files over the winter of 22/23. Did this just start out as a clear idea of a band you wanted to create or did it just seem to evolve into something that just really worked?
Craig: The original intention was to make ambient music with super ethereal vocals. We wrote one track “Holding On Forever” which is the last song on the album. We were aiming for that type of sound but things evolved and got more dynamic as we wrote more tracks.
Who does what on the album?
Craig: We both contributed heavily to the music and arrangements, whether it was Mike writing something musically and sending it to me to arrange and add things or me sending him some synth structures to write instrumentation around. I am the vocalist on the album but Mike does sing lead on two tracks, “Snow Days” & “Know It All”.
The end result is the synthpop, ten track album “Signals From The Sun,” yet there actually isn’t a track on the album with that name. Is the name a reference to the idea that there is something bigger than us out there or something else?
Craig: I sort of had a concept for the artwork before we had a title. These sort of triangular waves beaming out from the sun. Our first track “Rescue” has a lyric that goes, “The lost will follow signals from the sun” so putting the visual element of that and the art together it seemed like a fitting title.
There is a lot of harmonization on the tracks, giving them a very warm feel. Was this a conscious thing and do you think it was influenced by the cold weather?
Craig: I appreciate the perspective of associating it with cold weather…but no… it has always been ingrained in me as a singer to incorporate vocal harmonies in all of the songs I’ve written. I always found harmony makes a song more interesting and keeps listeners a bit more engaged. I don’t think you will ever hear a track I sing on without some type of harmony.
Do you have a favourite track off the album, and if so which one and why?
Craig: I like them all but if I had to choose I think I would pick “Misinteraction”. It was the quickest song we wrote together and I am quite proud of the results.
You both are producers, and in fact, both of you produced “Signals From The Sun”, so how hard was it to agree on the production values?
Craig: I found working with Mike has been incredibly easy. Like most bands there are disagreements or opinions that clash. We had a few of those probably but overall we tend to work well together. I trust Mike entirely with mixing our material because I think he is a much more proficient producer than I am in that regard. I am more into the arrangement side of producing.
The mastering was done by Rob Robinson of Kervorkian Death Cycle, which is beautifully done. How did you get Robinson involved?
Craig: Big thanks to Micah and Roger from our label Negative Gain for getting Rob connected with us. Rob is an incredibly sweet guy and was so easy to work with. I agree he did a beautiful job.
Your debut has been released on the mighty Negative Gain label. What has that been like?
Craig: It’s been incredible. Micah and Roger heard one demo we uploaded to Bandcamp and they immediately reached out telling us they wanted to hear more from us. They were there following us every step of the way through the creation of this album and I am so grateful for that because I think that motivation helped us. We are so appreciative of them and their support for us. I’ve always wanted that from a label and Negative Gain absolutely delivers.
What are the bands/acts that brought you into the music fold?
Craig: My early days bands like Voivod, Fates Warning and Vangelis. My later years The Cure, Cocteau Twins, Radiohead, Sigur Ros.
What or who do you currently listen to that you find inspiration from?
Craig: From a vocal standpoint Liz Fraser from Cocteau Twins for sure. Early Nine Inch Nails when Trent would incorporate tons of dynamics with his vocals. Peter Gabriel too. I know I sound nothing like any of them.
What is next for Somun Unum?
Craig: We want to play gigs for people. We already have some new material in the works so recording will be a thing too.
Did someone say they need more experimental music in their lives? You really can’t get more experimental than free improvisation done live. This is where we throw at you Sordid Amok!, hailing from Harrisonburg, Virginia and their new track “Warehouse 12October 2023.” From what I can gather, Sordid Amok! are a duo, who are joined by different guest musicians, to jam away and just see what magic happens.
“Warehouse 12 October 2023” goes just a tad over twenty-one minutes as five humans build upon each other’s additions, creating a soundscape that one could lose themselves in. There is a rawness due to the nature of it being live and those pregnant pauses or changing tempos just add to the charm.
We have been following the catastrophic tale of humans versus alien machines, unfolding in the musical exploits by MATTHART. The London based industrial musician and DJ, has released his latest single “DEEPDOWNCITY.”
Imagine living 6000 levels below the surface of the planet, a new shadowy world where humans have finally settled from the reach of the machines, trying to recreate what they had above ground. The guitar is there, building the tension, but the synths are the smooth heroes of this track, however the big surprise is the vocals. Not only do we have HART’s growls, but we get to hear the man actually sing, letting us hear his dulcet tones.
“DEEPDOWNCITY” is a something a little different from MATTHART, with its mingling of harsher industrial and retro synthwave, creating a wonderfully pulsating dynamic. The track portrays a cyberpunk styled domain where life is lived in the constant gloom, that is only broken up by the need for sleep and entertainment. One wonders what the aliens are up to on the surface and I am guessing we might find out soon.
PeakFlow are a darkwave duo from York in the UK, and their debut single “RunningToYou” was released in June, but who are we to hold back on a great track?! Not I. James and Jools have said they draw inspiration from post-punk icons such as Echo and the Bunnymen, The Cure, and Jesus and Mary Chain.
From the beginning keyboard notes, this track promises to become stuck in your head, especially when it comes to the chorus. The vocals are clean and light in comparison to the wonderfully heavy bass. The storyline is from the perspective of two people, where one is still in love and the other no longer feels any empathy for their lover. Honestly, this is such a catchy tune and should really be something that graces the dancefloor with other songs such as JoyDivision’s “Love Will Tear Us Apart.”. Just saying, if people give PeakFlow a chance, then “Running To You” might become a classic.
Multi-instrumentalist Rev. BillySimmons, released back in June, his self titled debut album under the project name of EvidenceOfAStruggle, and this is the premiere of the sixth and last single, “Seize.” There is a revolving list of musicians that play with EvidenceOfAStruggle, creating the unique instrumental sound.
Photo by Jeremy Glickstein
Like some progressive, psychedelic lumbering monster, the track takes off. The guitars are what hit you the most, from those delivering the bass up to those that are plucked, keeping the pace and lightening the pensive mood against the ever building turgid backdrop.
Each of the singles has had a special animated video clip made by JohnAiro. There is a well of emotion just in one track, haunting in sound, where no words are needed. This is “Seize” by Evidence Of AStruggle.
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