Proud goth, ex DJ and music reviewer

Matt Webster is a man with the soul of a poet and storyteller, creating alternative rock with his Bradford based project, Signia Alpha. With the latest album Entropy, he has been joined by Paul Gray (The Damned) on Rickenbacker bass guitar with other musicians making appearances on tracks. Harris (Chaing, Grim, Nowt, Zed), Is one of these, who has co-written and sings on six of the tracks. To quote the release ‘Guitarist Wulf Ingham lends his psychedelic solos to a couple of tracks’ and ‘jazz saxophonist Keith Jafrate and flautist Chris Walsh sprinkle their melodic flourishes over several songs.’ I say flourish away!

Punk meets Pink Floyd is how one might sum up the track “Such A Shame,” with its pogoing rhythm married to bewitching guitar work. SimonNogsyNolan (SpyBand, Zed) sings on and co-wrote “On Diego Garcia,” a commentary on the disputed Island which is currently owned by the British, with a US Naval base present, while all the previous inhabitants were forced to leave. This was found to be illegal by The Hague, but was ignored by the UK and “On Diego Garcia” is a protest song about the injustices.

A New Dawn” has a undercurrent dirge like the ocean water pulling and pushing at boats, a alluring sadness, perhaps the subject matter within the lyrics are looking for safety, only to be faced with another shoreline to leave and more dangers ahead. The bass is sublime in “Hourglass,” which goes through a gamut of emotions such as loss, longing and sadness, for as we get older, we realise the fragility of all. This is reflected by the music ranging from introspective to a guitar filled rage. Those flute flourishes can be heard in the “The Price Of Admission,” in conjunction with a more thoughtful sound that echoes with a life maybe less lived or rather, perhaps, limited in their choices.

The paisley park feel to the music is in stark contrast to the bleak words in the single “Feels Like Rain,” and that bleak story telling, which only those who have lived it or watched it first hand, can be experienced in the next track, “Building Castles In Spain.” Mathew Seamarks (Disciples of Spess) is the vocalist and co-wrote with Webster, with its endearing dreamer quality and the beautiful jangly guitar backing up those vocals. The airiness of the flute and saxophone, wants to fly you away but the vocals of Harris weigh you down in the knowledge that life is “Waiting.” Waiting for the end and the inevitable. I have to say that “The Atmosphere” caught me by surprise with harkening back to David Bowie yet having that XTC musical sensibility. It is a simply a post-punk gem, while the last track, “Kaleidoscope Wheels” is a psychedelic trip with a hurdy gurdy of circling sounds and voices, melding into a maelstrom, destined to collapse.

Hard to pick a favourite out of this lot as everything is just class, but for me, probably, “The Atmosphere” definitely transports me back to another place. The attitude throughout is very much a punk one, pointing towards what is wrong with the world, but not the anger of young men. Rather, we are seeing these issues through the eyes of the world weary, knowing that life is precious and telling you the stories that deserve to be heard. The musicianship is grand and you really couldn’t ask for a better bunch contributing. Entropy is the measurements of thermodynamics, and the energy given by Signia Alpha is nothing short of pure musical wizardry.

Entropy | Signia Alpha (bandcamp.com)

https://www.bradfordnoise.com/mutiny-2000-records

Fancy a bit of deathrock bilge? Argh nothing like the accursed sound of those scurvy naves Sea Lungs, whom seem to flotsam and jetsam between Melbourne and Sydney. Those salty dogs, Jarrad Robertson and Andi Lennon, with a little bit of brass ball handling help from Dase Beard, are back with a new single, “Teignmouth Electron.”

Ah yes, you can feel the sea beneath you with the rolling guitars, as the drums crash against your senses. Black Sabbath want their guitar riffs back and it is possible to see in your mind’s eye, young Ozzy shaking his head in glee. Glam and rock collide, though this does not seem to deter Lennon from his demonic wittering, as he imbues the insanity of a captain who is all but lost to the watery deep with the “Teignmouth Electron.” The lads have also resurrected the track “Eel Pie,” giving the eels more teeth, filling it out with delicious ringing guitars, filling it up with the juicy waves of noise.

What is a “Teignmouth Electron,” one might ask, and the answer being, it was a trimaran sailing boat created for a race in 1968, and the one man crew that was David Crowhurst, seems to have completely lost his bottle during said race, and more than likely ended his life, for he was never seen again. The ship still exists, though now is a wreck on a beach, somewhere in the Caribbean Islands. “Teignmouth Electron” is yet again, something different from what the guys have so far presented us with, definitely heavier with that goth/glam seduction and the revamped version of “Eel Pie” is no poor cousin, easily holding its own even as a b-side. Join the crew and get yourself some Sea Lungs.

Teignmouth Electron | Sea Lungs (bandcamp.com)

https://www.facebook.com/sealungs

http://linktr.ee/sealungs

Mobile phones have become a staple of modern living. We constantly check them and break into a cold sweat when we cannot find them. New Zealand’s Frau Knotz, explores our dependence on social media, though the single “Cellular,” as more and more people live their lives online rather than in the real world, and where popularity is the acknowledgement of others on these platforms.

There is a delicacy about “Cellular,” and maybe it is something to do with the lack of a rhythm section, relying on the piano to carry the music, but it is also in the vocals, a blatant honesty. You can hear the British early 80s, post-punk influence in the track, where there is a purity of simplicity and passion, giving the song a core of undeniable strength.

Mizaan Turner is a fourteen year old dancer from Taranaki, and it was they who choreographed the video for the single, making the video for Frau Knotz, aka Lauren Nottingham, an alluring affair. Mobile phones are a marvel that have definitely changed a lot of things for the better, and yet, as “Cellular” soulfully points out, it has also caused isolation, anxiety and changed the way we see ourselves in relation to the world..

Cellular | Frau Knotz (bandcamp.com)

https://www.facebook.com/Frau-Knotz

https://www.frauknotz.com/

https://www.instagram.com/frau_knotz/

http://www.muzic.net.nz/artists/5473

ESA (Electronic Substance Abuse) met Moaan Exis while playing a show in Prague in the beginning of 2020, just before Covid-19 shut down the world. Out on Negative Gain Productions, “Spit/Spite” is the end result of the UK’s Jamie Blacker (ESA) and France’s Mathieu Caudron (Moaan Exis), going head to head in a battle of the industrial power noise versus industrial punk. The plague has come and kind of gone, but now we have been hit with a much better outbreak in the form of this split single.

Spit” does not let up with the energy, pushing you higher and further with an intoxicating mixture of scintillating synths, techno styled rhythms that max out the bass and duelling vocals. Even in all of this, I hear hints of a Middle Eastern flavour to the music creeping through.

Yeah, from the beginning of “Spite,” you are already left a veritable shell of a human, drooling over the abrasive rhythms that pound into your chest. The two vocalists taking turns in eviscerating your ears to the pounding beats and off kilter electronics, setting your teeth on edge. Magic.

Who was the winner in this battle royale? The answer is easy…us the listeners. Both tracks are fucking awesome. Crunchy textures, beats to rupture organs, and enough angst to wet the panties of any self-respecting industrial noise purveyor. ESA Vs Moaan Exis have me just me wanting more.

https://linktr.ee/moaanexis?fbclid=IwAR2kVRZui-H0xrfnMEtpv3TOvfkv-f3DR0LMhdXF1BPc6xQsWuRLG2cDjbg

Spit & Spite | ESA vs Moaan Exis | ESA (bandcamp.com)

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https://www.facebook.com/ElectronicSubstanceAbuse

http://esa.bigcartel.com/

Music | MOAAN EXIS (bandcamp.com)

https://www.facebook.com/MoaanExis

We live in a world full of amazing things. Germany’s Neon Insect is pretty amazing and Nils Sinatsch has released the latest single “LOVE SEX + ROBOTS,” which features the vocal and lyrical talents of KVMILLA.

Slow and metered is the rhythm, a heavy mechanical sexuality, brought to life, and offset by KVMILLA. Her vocals expressing base human desires for connection, even if hurts. There is a guitar that is gently plucked away, as the music tantalizes your senses.

The track feeds into the New Moscow storyline, that Sinatsch has been carefully crafting, about a reality much more different to ours, due the fact that the USSR won the Cold War, invading the US. The populace have found the only way to survive is through cybernetics, and with procreation controlled by the powers that be, they now go underground for their sexual desires to be fulfilled by mechanical means. This is much more subdued than what we are used to from Neon Insect, and it shows a changing style with the changing storyline. “LOVE SEX + ROBOTS” is delicate with a undercurrent of a sexually harder edge. This begs the question….what comes next? Watch this space…..

LOVE SEX + ROBOTS | Neon Insect (bandcamp.com)

https://www.neon-insect.de/

https://www.instagram.com/neoninsect/

https://www.instagram.com/kvmilla/

One might wonder what Fundustrial is, and the only answer can be, STAHLSCHLAG! I have been rather slack covering the new releases from Sebastian Sünkler, but every time I think he’s going to take a hiatus due to work commitments…. BOOM, there is another album/EP. The man is almost as much machine as the computers and synths that he uses, with the exception that he is one of the nicest guys in the industrial scene, though he does have the Terminator haircut. I’m just saying.

So, I have compiled the three Fundustrial EPs, Alpha!, Beta! and Gamma! into a bouncy castle, filled with clowns and glow sticks to give you an idea of what you need in your life. The Alpha! EP is just full of aggrotech dance with noise and it really smokes, like with the track “This Is Fundustrial,” being the prefect example of flesh pounding rhythms to make even the most tired cybergoth, want to stomp their New Rocks. “Whatever You Say” will make your blood pressure rise as a swirling dance floor filler, or the more rhythmic noise influenced “Dance Of Doom.” Honestly, who doesn’t like a bit of doom dancing?!

The second EP, Beta! does rather seem to be where Sünkler may have contemplated he needed a break, then thought ‘nah, it is all good,’ and so we have gotten something very much more off the wall. Glitching fast paced beats follow you through the EP, poking you with the feather of no mercy, so you can be cyber romanced by “My Generation,” or enjoy the wonderment of how potatoes and tomatoes are very entertaining with a huge techno helping of “Something Different.” Kill or be killed in the style of Tron, in the track “Get Ready,” or get lost in “I Have A Dream.”

Fundustrial is back, it’s fast, it’s hard and will make you crack,’ proclaims the female voice, about Gamma!, in the first track, “Make you Crack,” or how about being lost in the trance inducing “Anthem,” that might have been instigated the secretive lizard people. The track “Milk” could be the first industrial track I have ever heard with mooing cows and some animated voice threatening to make you drink the creamy white stuff. How can you go wrong with a titles like “Let’s Get Goth,” or a revamping of “Popular Slut Club,” which, by the way, has has the treatment Singery[Cdio], creating a echoing mind fuck, pushing you over the edge with its wonderous layers of noise.

Are these EPs fun? Yes. Are they industrial. Absolutely. So there is no doubt in my mind that this is indeed Fundustrial at its very best. It is nice to see a kooky side to STAHLSCHLAG, and it is really interesting to see the progression of this series. Party hearty with Fundustrial and for the people with clown phobias…. sorry but you’ll get over it.

Alpha! | Fundustrial | STAHLSCHLAG (bandcamp.com)

Beta! | Fundustrial | STAHLSCHLAG (bandcamp.com)

Gamma! | Fundustrial | STAHLSCHLAG (bandcamp.com)

https://www.facebook.com/STAHLSCHLAG/

https://www.instagram.com/stahlschlag_official/

Who do you believe and what can you trust? Wars popping up around the world and now the revamped hostilities in the Gaza Strip…. you have to ask, when does the killing stop? Dystopiarch is the new project for Matthew McIntosh, whom you might know from A Cloud Of Ravens, and the debut single is “Like Hell.” The proceeds of the single will be donated to civilian victims of the Middle East conflict through International Rescue Committee.

From the opening speeding rhythm, combined with the pulsating synths, are simply attention grabbing. McIntosh’s vocals are strained and at times breathy, compelling you you to listen to the lyrics, which are about modern living, where we have lost contact with the natural world, preferring so see perfection on a screen, and just let the Earth burn. A literal hell.

There is a wonderful juxtaposition between bright and dark synths, the driving rhythm that thumps along and those rather Imperative vocals, that make up “Like Hell.” The style of music invokes thoughts of cyber-industrial with post-punk leanings, due to the electronics that play against each other, creating both feelings of claustrophobia and euphoria. It is catchy, thought provoking and proceeds are for a great cause. Those alone are great reasons for people to get behind this Dystopiarch track, for life is not meant to be “Like Hell.”

Like Hell | Dystopiarch (bandcamp.com)

Hard to believe, but it has been five years since the release of Kill Shelter’s debut album Damage on the label Unknown Pleasures. So, December 1st will see the special limited edition of the reworked album, called Damage (V), where tracks that have the (V) have been re-recorded, whilst the others have been remastered by the man himself, Pete Burns at the Shelter Studio. Anyway, before we get to the album, the single “In Decay (V),” was dropped at the end of October, featuring Antipole and Delphine Coma. You may say, hey….. that was a single off the original Damage, and you are not wrong, however this is one of the (V) tracks and now it also has a video to go with it!

Ashe Ruppe is Delphine Coma and his deep, sonorous vocals seem to almost reverberate into the core of your being, as he brings to bear the desperation and disillusionment of those looking to escape across the waters. The delicate guitar strains are Antipole’s Karl Morten Dahl, and they fall like rivulets of drenching tears. All the while, Burns builds the dark and overbearing atmosphere with his driving bass.

You might wonder what the difference is between the original version and this one. For me, I am going to say that the vocals are more at the fore, that the guitar fills in more space, where as the original felt as if it there were voids to punctuate the music, and this new version is just going to take you for a sonic journey. But, more to the point, maybe you need to listen to both versions of “In Decay” in order to make your own mind up. “In Decay (V)” is just beautifully crafted post-punk, and I for one could not think of anyone better to perform it than Delphine Coma, Antipole and, of course, Kill Shelter.

Damage | Kill Shelter (bandcamp.com)

https://www.facebook.com/killshelterofficial

Music | Antipole (bandcamp.com)

http://www.facebook.com/antipoleband

Music | Delphine Coma (bandcamp.com)

http://www.facebook.com/Delphine.Coma

Drawing a spotlight onto music that might have gone under your radar is something we relish at Onyx. So, if you haven’t heard the EP Intimacy from France’s Distance H, then we are here to tell you that you might just be missing out. ManuH is a producer and man behind the darkwave/post-punk project and he invites different female vocalists to write the lyrics that they then perform for their track. Intimacy is the debut EP release for Distance H, that came out in January of 2023.

There are two tracks featuring Blue Saigon’s delightful vocalist, Ophelia. The sassy single “Bitch 16” with it’s pealing guitar work, and the dark, dirge like wonder that is the last track “Leaden Skies.” Ophelia goes from oozing seduction, to an emotional outpouring so pure and haunting.

Waters Of Woe” is another single that features the vocal talents of Marita Volodina. It both surges and spirals down with the guitar, powerful and evocative with Volodina stirring those pools of sadness.

Liset Alea makes up the triumvirate with the ultra smooth ode to lover’s promises “Time To Rush,” that lilts and caresses your ears. The last track is “Twilight” and it is glorious both with it’s female vocals and musically with the effusive shoegaze ephemera.

I have to say that it is rather brilliant concept to collaborate with female vocalists, because not only is there some damn fine singing, but also the lyrics are written by them and are therefor so much more pertinent and poignant, giving the listener a glimpse into fragments of fragility, passion, longing, sadness and a core iron inner strength that runs throughout. ManuH (guitar, synths), is the music mastermind creating swirling, jangly accompaniments, however the icing is the fact that he even has women leading the way on drums and bass, this being Amélie G and Zoé H respectively. There is a lot of reverence in Intimacy, and maybe this is because ManuH, and in turn Distance H listen to the feminine heart.

Intimacy | Distance H (bandcamp.com)

https://www.facebook.com/DistanceH

https://instagram.com/distanceh.music

French band, Divine Shade, recently toured with Gary Numan, and are now back with a new single, “Oublier,” which features Steve Fox-Harris, who also happens to be the guitarist for one Mr Numan.

The electronics whirr and drone, dark and brooding, setting the mood for the spine tingling vocals in French. The synths build us, inevitably, towards the growling guitar, that breaks out and fills the corners with sound.

What is the premise of tout oublier? It means to forget everything, and this case to let go of all the pain and hurt in order to heal. This is seductive darkwave, beautifully packaged, with the deft hand of Fox-Harris driving the track home. Divine Shade is entrancing you let go with “Oublier.”

Oublier (ft’ Steve Fox-Harris) | Divine Shade (bandcamp.com)

https://www.facebook.com/DIVINESHADEofficial/

https://www.instagram.com/divineshade/