SleekTeeth are a dark electronic duo from California, and they have released their third single “Operating” on the 20th of September. As far as I can tell, the band has been around since 2023, which is when they debuted the single “Gone.”
Instantly, you hear the old school influences like Front 242 in the electronics. The vocals are smooth and seeming sweet, though we know that not everything sweet is innocent, and there is something sinister below the surface. The clatter of rhythms and chiming of computerised bells/chimes, lulls you onto the dance floor.
This is a fine example of electropop, with its roots firmly in the industrial past, and SleekTeeth are operating in between these lines. If you enjoy “Operating” then you should check out the other singles for this relatively new project.
From the wilds of Ĺtepoti (Dunedin), in Aotearoa (New Zealand), Robots In Love have crept on us, and then slapped us with a new single “The Sequel.” Elenor Rayner (vocals, production), Alex Burchell (drums, production) and Tony Lumsden (bass) are now the core of the group, which was begun a year ago by Rayner.
You are lulled into a false sense that this is another electronics only track. That is until the guitar strikes in. Robots In Love are finely balanced between punchy vocals, soaring synths and pounding rhythms, fuelled by the metal inspired guitar work. The chorus just hits me like a nursery rhyme, with its slightly sing song rhythm. but also for mentioning people and steeples, which makes me think of Here Is The Church.
Robots In Love are evolving with every single, growing in confidence as a group and it really shows. “TheSequel” absolutely kicks arse. It is heavy and ballsy, and it kind of reminds me of the 90s when you could mosh to your favourite industrial rock bands. Rayner’s vocals run the gauntlet of sweet to full on dark and brooding rock goddess. Those chords reverberate with the energy of Pop Will Eat Itself and yet…. it is modern and speaks of this generation, the children of the digitally programmed age. Buckle up people because it is about to get intense in here with “TheSequel.”
Virgin Prunes were a visually provocative goth rock/post-punk band from Ireland, and FionĂĄn Martin Hanvey, aka Gavin Friday was a main vocalist, which is no mean feat as there were three lead singers at one point. Friday has gone on to be an actor, composer, and artist to name but a few of his endeavours, and now after thirteen years, he is on the edge of releasing a new, studio album, titled EcceHomo. These are the words Pontius Pilot addressed the seething crowd, after Jesus had been flagellated and crowned with thorns, and it basically translate to ‘behold the man,’ and “Ecce Homo” is also the first single.
“Ecce Homo,” for me, is a track about watching the world crumbling into a morass of hatred, religious hypocrisy and general destruction of this planet, knowing it all has echoes in the past. Although this may sound like a depressing concept, it is also a song of hope, that there is time to make things better, for humanity has such a capacity for acts of beauty and kindness.
The vocals of Friday deliver the lyrics, which are like a punch to the guts and the electronics are catchy. The heavens could have broken open, with the voice of an angelic female and at the end, I swear, you can hear what could be a Islamic call to prayer. What can I say? GavinFriday is back and if the single is anything to go by, the album EcceHomo is going to be something special.
Cicadas could be the rock stars of the insect world. They are the loudest, live two to seventeen years, shed their carapace and come out in Summer to mate and spent most of their lives hibernating. “Cicada” is also the latest single from LunarPaths‘ DianeDubois and KevinHunter.
Kevin has recorded live drums and it just adds to the dramatic tribal timelessness. There are samples of traditional Greek (Cretan) instruments that Diane has fiddled with and the electronics dominate the track, often matching the sounds of cicadas. They have incorporated live recordings of our little insect friends.
Diane graces us with her vocals as well as her lyrics that pay homage to the sound that marks the feel of Summer in the outdoors. The whirring and heat can be felt, often heralding in a storm after a day of building humidity and “Cicada” takes on a mystical ambience for a creature that spends most of it’s life growing up underground, to come forth for a finite period of time. Lunar Paths are going to entrance you.
In 1986, Siouxsie and the Banshees released the album Tinderbox, which yielded the all too catchy single “Cities In Dust.” Now in 2024, Naarm (Melbourne) based Velatine, have covered “Cities In Dust,” featuring for the first time the vocals of Sasha Tyler, along side the ever present lord of darkness himself, Loki Lockwood.
Electronics herald in the recognisable chords to the track, but this is not the same creature as the original. The synths strike a harpsichord tone and the singular guitar has a lot of impact. Tyler’s voice is true and strong. She is not SiouxsieSioux, for there can only be one of those, however I think she is perfect for this reinterpretation, and her vocals are like honey.
Indeed, the eldritch is strong in this track, and I swear at any moment I am going to hear Vincent Price laughing into the pall of gothic mist covered horror. Why horror? “Cities In Dust” is about the Roman cities of Pompeii and Herculaneum, seemingly wiped from existence by the powerful explosion of the volcano, Mount Vesuvius. The Velatine version is a little sparser… more electronics and maybe this has upped the ante when it comes to the eeriness factor. Out on the Spooky Records label, visit Bandcamp for name your price before you go dancing at the Lares Shrine.
“NeverSever” is the new single from Norway’s Mayflower Madame, from the album Insight, which will be released on November the 1st on the label Night Cult Records.
There is a haunted tone to the beginning of “NeverSever,” however this track kicks off with the guitars powering up their shoegaze jangle. The vocals call out a regret of walking from a relationship, acknowledging that you can never go back after years. The electronics are the unsung hero here filling those swelling chorus.
There is a cool groove about this track, and the way it flows and builds between the guitars and vocals, very much reminds me of TheMission (UK). You can feel the ache of loss, however, the crashing drums combined with the bigger sound, leads you to believe that there is also acceptance of what is. Wallow in the beautiful gothic melancholy that is MayflowerMadame’s “Never Sever.”
Aston Nyte, lead singer of goth rock band The Awakening, has once again taken on the duty of lead vocalist with US super group, Beauty In Chaos, for the single “Made Of Rain,” which is off their fourth album Dancing With Angels.
Photo by Annabel DFlux
Michael Ciravolo is a master guitarist and the notes drift in a sensuous malady. Meanwhile, Nyte sings from the pit of his being, with the tone grabbing your heart and pulling it out of the cavity it beats in. The lyrical imagery is poignant, stealing your breath with the powerful lament.
Nyte, simply put, has a superb voice with an extraordinary range, and I have to admit I hold him in great esteem along side HIM’sVilleValo. Not only is his singing beautiful, but you feel everything. So easily he causes a visceral reaction and that is what makes Nyte perfect for this track, “Made Of Rain.” The music video is also a feast for the eyes which I highly encourage you to check out.
Friday the thirteenth was the release date for the single “Stay Strange” by Swedes THENCOMES SILENCE, which features the smoky eyeliner (and vocal chords) of Dusty Gannon, lead singer of US group VideoVision, out on Metropolis Records.
From sliding down the guitar strings, to the jaunty nature that said guitars are being played, you already know you are in for a cracking tune, and the lads do not disappoint. The drums slam away as AlexSvenson and Gannon share the vocal duties, and it is a display of explosive punk styling pure joy. What a fantastic message in the chorus which simply says ‘stay strange and pure of heart‘.
Be still my beating heart, when you hear what could be a throwback to The Specials’ “Ghost Town,” with bonus points for seeing Goth DadGannon, getting on down to it in the video. “StayStrange” has a psychobilly heart, preaching a feel good anthem that it is okay to go against the grain and not be like everyone else, even when the pressure is to be a carbon copy of the general public person. THENCOMESSILENCE’s third album Trickery is all about finding your people or tribe and DustyGannon, as GothDad, brings positive inclusiveness, so all I have to add is be weird and keep on dancing.
Erik Drost and Randall Frazier are members of The Legendary Pink Dots, however they have another project called orbit service together. Frazier (synths, samples, vocals) and Drost (guitars, reverb sparks, synths) recorded the EP, i’m not supposed to be here, between the US and Netherlands, releasing it in March of 2024.
At the start of the first track “i’m not supposed to be here,” there are clicks so low, that they are almost imperceptible at first, unless you are truly listening. The electronics gently wub and it takes you by surprise when Frazier’s vocals join in, not quite at a whisper, but then quiet enough to cause your breath to hitch in awe. There is a guitar being strummed creating an air of simplicity and yet this is track is far from that. The instrumental “hazyvisions” has an amazing soundscape drawl, guiding you into another realm awash in sound and light, while being swept by a stellar winds
An off-kilter unease greets us along with Frazier’s vocals in “new look.” Winding while being slow moving, there is something disconnected within the sound, as if the moroseness has broken the electronics, causing them to break free. Last track is “sedative,” and again we return to a chiming lightness, where the instrumental points the way to a calmness.. though in the end, is it all an illusion?
There is a paradox between the songs and instrumentals, though we need illumination in order to define the gloom and this is how the EP strikes me. The dichotomy makes you appreciate the finesse and musicianship orbitservice pour into their music, and i’m notsupposed to be here is perfect the way it is.
We are going to touch the dark musical mire that is the harsh, ambient electronics of German based VERFĂHRERVERGELTER, in the new EP From the Voidâ:â Silicon Signals to a Dead Brain.
“AschewĂźste” is the ash desert and that wasteland is present in your ears. Abrasive and sand blasted by storms, echoing with the past where something abominable happened. The looping electronics grate and gouge at your psyche. Next is the lurking “Deathpile,” which slowly consumes the will to live and the Reaper could be knocking on that door. The music vibrates and rolls with the death throes, in anticipation of a painful cellular end. Starting to to get saggy skin due to a lack of collagen? No worries for there is a “Siliciumsale,” and in truth I involuntarily shivered a little as it has a sharp cruelty to the tone. Behold the unbridled electric guitar as it brings you into the “Untitled Abstract Void.” Shards of light try to penetrate but this is pure darkness that will break the mind of the strongest if you ponder it too long. A yawning abyss of terror echoing the fear endlessly. Maybe there is nothing more terrifying than the thought of never reaching a weekend, perpetual groundhog day for the whole week, over and over again. “Bonus: Monday, Tuesday, Wednesday, Thursday, Friday, Monday Tuesday…..” drones on without joy or meaning, only with the intense ticking letting you know that there is no rest.
What does it all mean? Hmmm, I might take a guess that this could be about a body on life support. The brain no longer present but the nerves keep trying to contact central control with no response. VERFĂHRERVERGELTER has unleashed another release of infernal doom that can drag its cold fingers and nails across your soul and make you ponder From the Voidâ:â Silicon Signals to a Dead Brain.
Onyx Music Reviews 