From Brisbane, Australia, three piece group, Killtoys, have released their single, “Funerals“. This alt rock/post punk band consists of drummer Beven Bancroft, bass guitar player Stav Tsolakides and vocalist/guitarist MickBristow, who have been playing together in different band incarnations through the years.
Where oh where to begin. It’s rock but it’s dark and foreboding, giving a Black Sabbath feel. A bass heavy start with Bristow’s light, and let’s be clear, slightly creepy vocals, beckoning you to join the nightmare vortex of the dead who live on. So it’s a bit metal and yet there is a huge undercurrent of glam with its sing song, gothic ambience, that swells and lulls to drag you under its influence.
Have to love the fact that they sound bigger than the trio they are but also that Bristow does not follow the normal vocal technique of growling out the lyrics to this style of music which has to be said, is refreshing. The guys are definitely finding their groove and hopefully soon, an album will grace us but in the meantime checkout Killtoys‘ Soundcloud where you can find the dead and dirty, “Funerals“.
Mats Davidsen for a very long time, has been the central pillar for his band, Painted Romans. Somewhere in recording and releasing the mini album, Heart, which came out in October 2020, the band became trio with Jan Ottar Nystad (synth) and Thomas Sejnæs (bass).
“Fall” is a reminder of the electronic pop that flooded the airways in the late 70s/ early 80s. It feels light but with dark over tones. Nice clean guitar and bright keyboard with a fuzzy deeper undercurrent of noise.
They dance and get drunk to “Forget“. Probably something most of us have done before. Swirling electric organ is just the thing. Like the twisting feeling of a inebriated haze, it spins you around
PatrickWray is not only featured on the song, “Drives Me On“, but also has previously released music with Mats as Davidsen and Wray. Also featuring Roxy Dunn, this a percussion lead piece that should be played while cruising down the highway in an open top car… or at least that is the feel.
A gothic turn for “Formation“. This is very pretty with Mission style guitars that jangle away. The way this spins the theme of love with fire, ice and all that lays in-between.
“New Kind” is a far more bassy and laid back affair. How to find new life in the person you are with rather than finding it in another, a new kind of self.
Rather a Level 42 vibe from “Treat Yourself“. A light last track with funky undertones and a chorus of voices.
Overall, there is a very 80s tone to this album, paying passing homage to past styles, while the group are all contributing to a nice balanced style of electronics and guitar. Painted Romans are giving you their Heart, so it might be time to let them in.
Sally Wolfdreamer is a fairly new band, but even so they have been very busy. In December, last year, they released their maiden EP and now in April, they have brought us their second EP, titled Dissected.
James Mitchell is from the East Midlands in the UK and may or may not have stolen the name SallyWolfdreamer from a local communicator of the dead. Originally starting out in the music industry as a drummer, who has always had an interest in electronic music.
Like a caress, “Lobo” fills your ears, growing and expanding, an introduction to the EP that feels like it only just started and ended far too quickly… even though it was just under two minutes.
The beginning of “Black Phillip” does not give you an inkling of what depth this track truly holds. The intro is so diminutive and then explodes with bass filled goodness you just didn’t expect. Black Phillip is the goat from the movie, The Witch, who turns out to be Lucifer in disguise.
The next piece, “Buried Alive“, has a science fiction feel to it. A future that has no future, with a disconnected female voice and a rhythm that starts to unravel, so to speak.
A few years back, there was a manga created called Snowpiercer, (later a movie), about the last survivors on Earth, all packed into a train, after a failed attempt to terra form the ruined planet. A dark tale of lies and decit, where the drug of choice is “Krenole“, a suspension substrate that is also highly explosive. The notion of being on that train and moving through an eerily dead world is all pervasive. A sense of urgency with the clicks and whirls.
Final track, “Kunicki“, could be a reference to the Polish revolutionary, Stanislaw Kunicki, who was hung for his convictions at the tender age of twenty-five. The take off is slow and this piece picks up speed, growing an expansive soundscape that cannot be pulled back in. The sounds of the wind of change?…
Themes of sin, revolution and the road to a maybe apocalyptic future, saturate these dark-electro ambient instrumental pieces. This is really enjoyable to listen to music that has more going on under the water than just above, yes reference to the cover art. You are invited to “Dissected” Sally Wolfdreamer.
April has been the anticipated release date of the third album from Australian act, Sounds Like Winter. Fight The Stairs is the ten track offering from these Sydney gothic proponents with vocalist/programmer/guitarist Ant Bannister, guitarist/vocalist Andi Lennon, bass guitarist Sian Williams and drummer Leticia Ohlaberry.
I’m going to say The Cure’s , Pornography was a huge influence for Sounds Like Winter, just by the first few guitar chords of “Gathering (For The Fall)“. Bannister sounds like the circus ringmaster for a show of misfits and freaks which is going to hell in a handbasket in a stylish manner
“Who We Aren’t” picks up speed with that brilliant drum rhythm, countered with the jangling guitars. A track about being what you aren’t, fraudulently hiding behind guises which could fail, causing exposure.
The album’s title track, “Fight The Stairs” doesn’t get any more classic gothic rock. This conjours delightful warm feelings of 80s during the era of Danse Society and Bauhaus. The lyrics almost seem like a drug induced stupor for a dreamlike state.
Next is the single “The Monsters“, not a tale about real monsters but rather those that we create to punish ourselves for perceived failures, that come to find us when we are most vulnerable. Slower and serpentine, as it slowly wends its way with menacing purpose.
The guitars peel out frenetically in “Day To Day“, with the vocals a tad forceful in their contempt. A commentary on our society, where everything is a throwaway consumable and the idolising of celebrity status of the unworthy.
All perception of reality in life, is lost when there is, “TheWedding Feast”. This is a number that feels like it is on the move, as if it wants you to move. Bannister maybe channelling Andy Prieboy for a moment with his staccato spoken lyrics.
For the up tempo guitars, “Send The Boy” still seems a sad number about abuse of a child and those that perpetrated these crimes get to walk away…. but not the boy. The lightness is such contrast to the dark matter.
The tribal beats are unmissable here and maybe a harkening back to Southern Death Cult. “No Interest” is the cold reality that humanity isn’t so humane and will ignore you when you are at your lowest point.
A play on words, “Primal Smear” has heavy Christian Death overtones. This has a glorious sound to it with its intonations and a coy reproachfulness. The lyrics are thoughtfully descriptive and just flow.
Oh gosh. They saved the killer song for last… literally. A track about murdering plus consuming your friend while trapped in the throes of a deep winter and yet one must ask, who had gone crazy?! “He Was Gone” is a dark, brooding finishing track to leave you with goosebumps at the end.
In the end this is a great album. There are so many influences I can hear and many I haven’t mentioned but at the centre of Sounds Like Winter, is a tragically beautiful beating heart, that bleeds music for your entertainment on their terms. Fight The Stairs is truly an album worthy of your collection if you love the gothic/deathrock genre.
Based in Grand Rapids, Michigan, is the industrial/metal group, Deadlight Holiday, who in March, have hit us with the new single, “Blood //Body“. This single isn’t connected to an album.. yet, but with the trio having released their debut in 2019, we suspect it won’t be long before another graces us.
From the opening cords, you know this isn’t going to take any prisoners, with that heavy nu metal guitar sound, made famous by Korn and Machine Head, mixed with a political message. An observation of the climate, where governments incarcerate children and wage wars their own innocent citizens, who dare dissent against agreeing with status quo.
The remix , featuring ex pat Aussie, Zoog Von Rock, is full of the turgid, snappy electronic goodness that Angelspit is known for. Zoog has injected a cutting, cold, hard serrated edge into this track, making it wonderfully sharp and dirty. Love it.
The third track is an instrumental. It reminds me of the vinyl 12″ mixes that were huge in the 80’s that often had the pure instrumental track of the single.
It’s a ripper of a song and the passion of Zoog makes the remix just a thing of angsty beauty. You can find DeadlightHoliday on Bandcamp, so partake of their “Body//Blood“.