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July saw the release of the concept album, “Alone In The Network” by α Ori and Yaka–anima. Julian A Lacroix’s experimental project is α Ori, composing dark ambient/electronic pieces. Yaka–anima is Sábila Orbe from Chile who is also the programmer for his other experimental music project, the duo, Humanfobia.

“Alone In The Network” is of course the title track and starts the album off ominously with its slow beat and a female, who sounds like she is in a clinical void, talking over the top.

The electronic journey continues with “Blue Lights” with its fusion of regular synth with experimental bleeps and keeps an interesting rhythm.

Now you can feel the futuristic adventure taking on form and speeding up. “Stretched Plain” is aloof and imperious. What is that woman telling us? This is a foreboding shadow.

We have entered the Twilight Zone. “Lyrical Pain” is light yet creepy. Trapped neither here nor there which leads into “Glitched Pain” which features Wildsilences. Imagine hearing breathing that is not breathing. The whispered acknowledgment of the disembodied voice of a tortured soul.

Track six is “Rose Altitude” and an electronic sound scape. A computerized heartbeat of a ghost of an organ reaches out without reply.

All computer data is essentially zeros and ones and maybe it is kept in the “Numeric Crypt“. I love the glitching, chirping sounds over the ambient music, as it just adds a new element.

“Moire Hormones“ is the kind of track that makes you feel a little on edge with its inconsistent tones and rhythm.

The wondrous “Cybernetic Owl” breaks up the moody pall with its strange yet charming ethereal quality, indeed almost Zen like but finishing in noise.

Everyone knows these days about the Matrix, the centre of the computer mind and now “Archons In The Matrix”. This delicately reminds me also of the music in Akira.

Does artificial intelligence fear passing away and no longer existing on any plane? “Electronic N.D.E.” or electronic near death experience might be the equivalent of leaving the physical and going towards the light. But it isn’t time to go and return is inevitable to the last track, “Level 0“, the shortest and most loneliest of the tracks. It calls out to the world.

If you haven’t guessed now, the album is based on the Japanese manga/anime Ghost In The Machine, which looked at a future where a human’s conscience could be downloaded to a computer but with that came with all sorts of other issues including the knowledge of no longer being a human who could physically love because in the machine, it is cold and lonely.

Ghost In The Machine was also a huge influence on the movies of The Matrix, a futuristic society anchored to a programmer’s code.

You can both see and hear the Japanese influence on both the art and the music. This album is thoughtful and thought provoking as it digitally creates you a picture.

The album was released on Cian Orbe Netlabel and the artists, α Ori and Yaka–anima are offering it to you for free. Sometimes good things can be free.

https://cianorbe2nd.bandcamp.com/album/alone-in-the-network-cior-332

DOWNLOAD ZIP FILE MP3 320 KBPS: 
archive.org/compress/aloneinthenetwork/formats=VBR%20MP3&file=/aloneinthenetwork.zip 

DOWNLOAD ZIP FILE WAV FORMAT: 
archive.org/compress/alone-in-the-network-album/formats=WAVE&file=/alone-in-the-network-album.zip 

https://humanfobia.jimdo.com/yaka-anima

https://archive.org/details/@yaka-anima_noise

https://apsu.neocities.org/alpha_ori/

https://wildsilences.bandcamp.com/

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August saw the release of Chmcl Str8jckt’s latest album on Cleopatra Records. Kevin Snell, Mike Scott and Ian Omega are self claimed proponents of outlaw industrial rock, who have so far released two previous albums, 2017’s self titled and 2018’s RMX. Now we have Wrtchd Thngs to ravage our ears.

These guys, from New Jersey, love the sound of the Waxx Trax era combined with the kitch macabre horror imagery, wrapped up in metal guitar fusion.

Title track “Wrtchd Thngs” is the twenty eight second introduction to the album before what is arguably the best song on the album, “Ode To Peckinpah (Bloody Sam)”.

For the uninitiated, Sam Peckinpah was an American flim director, who revolutionized the cowboy western movies and most notably, the explicit violence. This track will be remembered for the lyrics, ‘43 dead in a sea of red‘. A really punchy little number and there is definitely a nod to My Life With The Thrill Kill Cult. It feels a bit manic in that twisted, murderous happy-go-lucky way.

Next might be an industrial live ballad, “The Only Thing That’s Real“. It feels like only the Americans, just like Ministry, can write tunes this way. The overall feeling here is that the most real thing in life is the person you are with, this being enhanced with power cords and heavy vocals from Snell.

I like the industrial, completely electro feel to “Cut Deep” at the beginning. The guitars chime in but they are far more subdued and that adds to the claustrophobia.

We always need to have songs about our favourite demon and occult denizen, “Baphomet“. This is a bang up mixture of old school Ministry and Front 242 plus who doesn’t like a bit of devil worshipping?

“Fantasy” sounds like it is set in a slick world of helicopters, neon lights and hedonistic sex…. but we know this isn’t real life.

A slow and stalking build up for “Cactus” which harkens back to similar acts like Killing Joke, though this isn’t KJ and most definitely stamped with Chmcl Str8tjckt’s boots.

Always a worry when faced with a song titled, “Love“. Starts with rather subdued guitar work. Yeah not really a romantic piece but more so everything goes to hell and love gets broken

“Bomb Cyclone” is a good mix of electro and guitar work with a understated constant beat and the other single. The lyrics honestly will tell you the story of the song.

Tenth in the lineup is the brooding “Black Vulture“. If you are pro Christian then you might not enjoy this. This has an interesting mixture of styles within it. Choral overtones that become tribal with a drop in tone as it become guitar heavy and dark.

Finishing track is “Meat Hook“. The psycho bombastic over tones would make Rob Zombie very proud and the horror inspired conclusion rips your head off.

It wasn’t until I finished listening several times to this album, that I became aware that John Bechdel produced this album which may also explain the atmosphere of some of these numbers. Bechdel Is currently the keyboard player for Ministry and also played for Fear Factory and one of my favourites, Killing Joke.

These guys might be short a few vowels and if Ministry, My Life With The Thrill Kill Cult etc are your thing, then donate to a good cause. The guitar road warriors who are the missing link for an industrial bygone era.

https://www.facebook.com/chmclstr8jckt/

https://chmclstr8jkt.bandcamp.com/